12 Résultats
Classification:
livres
livres
Titre:
Thinking photography
Thinking photography
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Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
$38.95
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Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the(...)
Titre:
Thinking photography
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$38.95
(disponible sur commande)
Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Thinking photography
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$38.95
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Résumé:
"Thinking photography" brings debates within the theory and practice of communications and culture, in this case in photography and photography criticism, to a wider audience. Victor Burgin's book is concerned with the production of meaning in photographs ( and so it is fully illustrated). A photograph has traditionally been understood as an expression of the photographer's personality, a transparent presentation of a real scene, or more recently in 'modernist' criticism as a purely formal object. Victor Burgin and his collaborators - Umberto Eco, Allan Sekula, John Tagg and Simon Watney - taking their cue from Walter Benjamin's "The author as producer" (also reprinted here), and working from a wide range of photographs, challenge the concept of the autonomous, spontaneously creative artist, the idea of documentary truth in photography and the notion of purely visual languages. They develop an account of the production of the meaning as a photograph within social institutions - advertising, journalism, art - within a society with a history and within the unconscious.
Classification:
livres
livres
Publication:
avril 2003, New York
avril 2003, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$46.95
(disponible en magasin)
Résumé:
Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
$46.95
(disponible en magasin)
Résumé:
Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
Publication:
septembre 2006, Ostfildern
septembre 2006, Ostfildern
Titre:
Victor Burgin : voyage to Italy
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Résumé:
Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Résumé:
Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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livres
livres
Publication:
septembre 2006, Ostfildern
septembre 2006, Ostfildern
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livres
livres
Titre:
The Remembered film
The Remembered film
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$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
Titre:
The Remembered film
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
The Remembered film
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$24.95
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Résumé:
Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
Classification:
livres
livres
Publication:
octobre 2004, London
octobre 2004, London
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Victor Burgin: Between
Victor Burgin: Between
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$55.00
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Résumé:
First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers(...)
$55.00
(disponible en magasin)
Résumé:
First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers(...)
Titre:
Victor Burgin: Between
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$55.00
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Résumé:
First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers insights into the relation of ‘theory’ to ‘practice’ in a form of art which has undermined the basis of this distinction.
Victor Burgin: Between
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Prix:
$55.00
(disponible en magasin)
Résumé:
First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers insights into the relation of ‘theory’ to ‘practice’ in a form of art which has undermined the basis of this distinction.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Returning to Benjamin
Returning to Benjamin
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$17.00
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Résumé:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
$17.00
(disponible en magasin)
Résumé:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly(...)
Titre:
Returning to Benjamin
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$17.00
(disponible en magasin)
Résumé:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
Returning to Benjamin
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Prix:
$17.00
(disponible en magasin)
Résumé:
Walter Benjamin’s essay of cultural criticism ‘The Work of Art in the Age of Mechanical Reproduction’ has become a ‘classic’ text, one which resonated through the twentieth century and beyond. In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.
Classification:
livres
livres
Publication:
février 2023
février 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$32.50
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Résumé:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
$32.50
(disponible sur commande)
Résumé:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
Titre:
The Camera: essence and apparatus
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$32.50
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Résumé:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
The Camera: essence and apparatus
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$32.50
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Résumé:
Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$49.99
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Résumé:
Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du(...)
$49.99
(disponible sur commande)
Résumé:
Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du(...)
Titre:
Objets Temporels Victor Burgin
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Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du cinéma ou de la peinture aussi bien que de la littérature, de la sémiologie, de la psychanalyse ou des études culturelles. Dans les années 1990, la vidéo s'ajoute aux photo-textes et devient le médium privilégié de l'artiste. Si cet ouvrage offre une vision d'ensemble du parcours de Victor Burgin, c'est à cette pratique de vidéaste qu'il s'attache plus particulièrement. Rassemblant des écrits de l'artiste lui-même (pour la plupart inédits ou traduits pour la première fois en français), des essais critiques de Philippe Dubois, Evgenia Giannouri, Marianne Massin et Françoise Parfait, deux entretiens (l'un avec Homi Bhabha, datant de 1991, l'autre avec les étudiants du Master professionnel "Métiers et arts de l'exposition ", réalisé en 2007) et des notices consacrées à ses différentes vidéos, cette monographie propose une analyse approfondie de l'art de Victor Burgin et permet d'apprécier l'ampleur de ses enjeux esthétiques et politiques. C'est en effet une véritable politique de et par l'image qui se construit au fil de ses œuvres et de ses essais. Cet ouvrage documente enfin Fogliazzi, l'installation photo-vidéo que Victor Burgin a créée pour son exposition à la galerie Art & Essai de l'université Rennes 2 Haute-Bretagne (3 mai/15 juin 2007).
Objets Temporels Victor Burgin
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Résumé:
Depuis la seconde moitié des années 1960, Victor Burgin développe une œuvre d'une rare exigence plastique autant que théorique. D'abord identifié comme l'un des acteurs majeurs de l'art conceptuel, Victor Burgin s'est employé, dans son travail articulant texte et photographie, à décoder les présupposés et les usages des images. Son œuvre fait fonds des médias de masse, du cinéma ou de la peinture aussi bien que de la littérature, de la sémiologie, de la psychanalyse ou des études culturelles. Dans les années 1990, la vidéo s'ajoute aux photo-textes et devient le médium privilégié de l'artiste. Si cet ouvrage offre une vision d'ensemble du parcours de Victor Burgin, c'est à cette pratique de vidéaste qu'il s'attache plus particulièrement. Rassemblant des écrits de l'artiste lui-même (pour la plupart inédits ou traduits pour la première fois en français), des essais critiques de Philippe Dubois, Evgenia Giannouri, Marianne Massin et Françoise Parfait, deux entretiens (l'un avec Homi Bhabha, datant de 1991, l'autre avec les étudiants du Master professionnel "Métiers et arts de l'exposition ", réalisé en 2007) et des notices consacrées à ses différentes vidéos, cette monographie propose une analyse approfondie de l'art de Victor Burgin et permet d'apprécier l'ampleur de ses enjeux esthétiques et politiques. C'est en effet une véritable politique de et par l'image qui se construit au fil de ses œuvres et de ses essais. Cet ouvrage documente enfin Fogliazzi, l'installation photo-vidéo que Victor Burgin a créée pour son exposition à la galerie Art & Essai de l'université Rennes 2 Haute-Bretagne (3 mai/15 juin 2007).
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livres
livres
Publication:
novembre 2007, Rennes
novembre 2007, Rennes
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Victor Burgin : Venise
Victor Burgin : Venise
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$21.50
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Résumé:
In "Venise" Victor Burgin pursues ideas of “desire in and for a city, and in a sense, desire of a city”, ideas first explored in his video Venise, which was made for the city of Marseilles and reflects on the relationship between San Fransisco and Marseilles.
$21.50
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Résumé:
In "Venise" Victor Burgin pursues ideas of “desire in and for a city, and in a sense, desire of a city”, ideas first explored in his video Venise, which was made for the city of Marseilles and reflects on the relationship between San Fransisco and Marseilles.
Titre:
Victor Burgin : Venise
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$21.50
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Résumé:
In "Venise" Victor Burgin pursues ideas of “desire in and for a city, and in a sense, desire of a city”, ideas first explored in his video Venise, which was made for the city of Marseilles and reflects on the relationship between San Fransisco and Marseilles.
Victor Burgin : Venise
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Résumé:
In "Venise" Victor Burgin pursues ideas of “desire in and for a city, and in a sense, desire of a city”, ideas first explored in his video Venise, which was made for the city of Marseilles and reflects on the relationship between San Fransisco and Marseilles.
Classification:
livres
livres
Publication:
avril 1997, London
avril 1997, London
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$35.00
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Résumé:
"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a(...)
$35.00
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Résumé:
"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 1996, Berkeley / Los Angeles
octobre 1996, Berkeley / Los Angeles
Titre:
In/different spaces : place and memory in visual culture
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"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.
In/different spaces : place and memory in visual culture
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$35.00
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Résumé:
"In/Different Spaces" explores the construction of identities in the psychical space between perception and consciousness, drawing upon psychoanalytic theories to describe the constitution and maintenance of "self" and "us"- in imaginary spatial and temporal relations to "other" and "them" - through the all-important relay of images. For Burgin, the image is never a transparent representation of the world but rather a principal player on the stage of history.
Classification:
livres
livres
Publication:
octobre 1996, Berkeley / Los Angeles
octobre 1996, Berkeley / Los Angeles
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$59.99
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Résumé:
The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together(...)
$59.99
(disponible sur commande)
Résumé:
The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together(...)
Titre:
Situational aesthetics: selected writings by Victor Burgin
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$59.99
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Résumé:
The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together with less widely known articles as "Work and Commentary" and the previously unpublished essays "Shadows, Time, and Family Pictures" and "Monument and Melancholia."
Situational aesthetics: selected writings by Victor Burgin
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$59.99
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Résumé:
The essays in this publication provide a succinct overview of Burgin's multifaceted work during the last forty years—from its origins in debates within conceptual art to its present concern with everyday perception in the environment of global media. The selection includes such classic essays as "Situational Aesthetics" and "Photographic Practice and Art Theory," together with less widely known articles as "Work and Commentary" and the previously unpublished essays "Shadows, Time, and Family Pictures" and "Monument and Melancholia."
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
