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Titre:
Pavilion propositions: nine points on an architectural phenomenon

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$32.00
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Résumé:
This book addresses the contemporary pavilion phenomenon and those often temporary and functionless architectural structures commissioned and exhibited by art institutions around the world (including the annual Serpentine Pavilion in London, Young Architects Program at MoMA PS1 in New York and the MPavilion in Melbourne). Despite its ubiquity and popular success, the contemporary pavilion has been inconsistently theorized and frequently disparaged. In this book, the authors reclaim the pavilion against those that would dismiss the phenomenon as symptomatic of the exhaustion of the critical potential of architecture's intersection with art. The pavilion phenomenon also occasions a timely interrogation of larger questions concerning the changing relations between culture and the economy- changes that are shifting the planes on which architecture and art meet.

Titre:
Koen van den Broek: Crack

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$48.00
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Résumé:
Koen van den Broek paints landscapes on the boundary of abstraction and realism: urban outskirts, architectural details, cracks in asphalt, kerbstones, a straight road in perspective. He has recently become known for his Border Paintings, abstracts cropped from architecture, and for his collaborations with John Baldessari. Crack presents the first comprehensive selection of Van den Broek's work over the last ten years.

Titre:
Bik Van der Pol : with love from the kitchen

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$42.00
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Résumé:
This publication is the first overview of projects by Bik Van der Pol over the last decade. Seven essays by leading authors draw attention to the breadth and significance of their methodology. The projects are thus placed within a critical framework and can serve as a source of inspiration for artists, architects, designers and theorists.

Titre:
Trading between architecture and art: strategies and practices of exchange

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$45.00
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Résumé:
Since the 1960s, art and architecture have experienced a series of radical and reciprocal trades. Just as artists have simulated “architectural” means like plans and models, built structures and pavilions, or intervened in urban and public spaces, architects have employed “artistic” strategies in art institutions, exhibitions, and more. Likewise, art galleries and museums have combined both activities, playing with the conditional differences between inside and outside the institutions. This book focuses on specific case studies of these two-way, interdisciplinary transactions. Included are texts and visual essays by Mark Dorrian, Rosemary Willink, Sarah Oppenheimer, and many others.