168 Résultats
Classification:
livres
livres
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$26.00
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Résumé:
Inviting people from around the world to share their radio memories - of songs overheard at special moments in their lives - Radio Memory is an artist project archiving personal stories that in turn speak toward a larger cultural experience. Brandon LaBelle is an artist and writer working with sounds, spaces, bodies and cultural narratives.
$26.00
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Résumé:
Inviting people from around the world to share their radio memories - of songs overheard at special moments in their lives - Radio Memory is an artist project archiving personal stories that in turn speak toward a larger cultural experience. Brandon LaBelle is an artist and writer working with sounds, spaces, bodies and cultural narratives.
Titre:
Radio memory / Brandon LaBelle: errant bodies audio issues vol. 4
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$26.00
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Résumé:
Inviting people from around the world to share their radio memories - of songs overheard at special moments in their lives - Radio Memory is an artist project archiving personal stories that in turn speak toward a larger cultural experience. Brandon LaBelle is an artist and writer working with sounds, spaces, bodies and cultural narratives.
Radio memory / Brandon LaBelle: errant bodies audio issues vol. 4
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$26.00
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Résumé:
Inviting people from around the world to share their radio memories - of songs overheard at special moments in their lives - Radio Memory is an artist project archiving personal stories that in turn speak toward a larger cultural experience. Brandon LaBelle is an artist and writer working with sounds, spaces, bodies and cultural narratives.
Classification:
livres
livres
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$28.95
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Résumé:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
$28.95
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Résumé:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
Titre:
In the blink of an ear, toward a non-cochlear sonic art
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This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
In the blink of an ear, toward a non-cochlear sonic art
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$28.95
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Résumé:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Arcana 3 musicians on music
Arcana 3 musicians on music
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$42.00
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Résumé:
The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by(...)
$42.00
(disponible sur commande)
Résumé:
The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by(...)
Titre:
Arcana 3 musicians on music
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Prix:
$42.00
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Résumé:
The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by mainstream culture. Arcana provides welcome tools for digging into the underground and can lead the creative mind toward an exciting world of possibilities for artists, musicians, musical theorists and curious listeners alike.
Arcana 3 musicians on music
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$42.00
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Résumé:
The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by mainstream culture. Arcana provides welcome tools for digging into the underground and can lead the creative mind toward an exciting world of possibilities for artists, musicians, musical theorists and curious listeners alike.
Classification:
livres
livres
Publication:
septembre 2008, New York
septembre 2008, New York
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$37.95
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Résumé:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of(...)
$37.95
(disponible sur commande)
Résumé:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of(...)
Titre:
The order of sounds: a sonorous archipelago
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$37.95
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Résumé:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of sounds", François J. Bonnet makes a compelling case for the irreducible heterogeneity of ‘sound’, navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the ‘soundscape’ and ‘reduced listening’ demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound ‘itself’, nor an ‘ocean of sound’ in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
The order of sounds: a sonorous archipelago
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$37.95
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Résumé:
Profoundly intimate yet immediately giving onto distant spaces, both an ‘organ of fear’ and an echo chamber of anticipated pleasures, an uncontrollable flow subject to unconscious selection and augmentation, the subtlety, complexity, and variety of modes of hearing has meant that sound has rarely received the same philosophical attention as the visual. In "The order of sounds", François J. Bonnet makes a compelling case for the irreducible heterogeneity of ‘sound’, navigating between the physical models constructed by psychophysics and refined through recording technologies, and the synthetic production of what is heard. From primitive vigilance and sonic mythologies to digital sampling and sound installations, he examines the ways in which we make sound speak to us, in an analysis of listening as a plurivocal phenomenon drawing on Foucault, Deleuze and Guattari, Barthes, Nancy, Adorno, and de Certeau, and experimental pioneers such as Tesla, Bell, and Raudive. Stringent critiques of the ‘soundscape’ and ‘reduced listening’ demonstrate that univocal ontologies of sound are always partial and politicized; for listening is always a selective fetishism, a hallucination of sound filtered by desire and convention, territorialized by discourse and its authorities. Bonnet proposes neither a disciplined listening that targets sound ‘itself’, nor an ‘ocean of sound’ in which we might lose ourselves, but instead maps out a sonorous archipelago—a heterogeneous set of shifting sonic territories shaped and aggregated by the vicissitudes of desire and discourse.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$45.00
(disponible en magasin)
Résumé:
This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920-2002). 'Boooook' addresses all aspects of Cobbing's career, with essays detailing his key roles in Better Books, London Film-makers' Co-op and the abAna trio, as well as his involvement in the Destruction in Art Symposium, Fylkingen and Writers(...)
$45.00
(disponible en magasin)
Résumé:
This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920-2002). 'Boooook' addresses all aspects of Cobbing's career, with essays detailing his key roles in Better Books, London Film-makers' Co-op and the abAna trio, as well as his involvement in the Destruction in Art Symposium, Fylkingen and Writers(...)
Titre:
Boooook: The life and work of Bob Cobbing
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$45.00
(disponible en magasin)
Résumé:
This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920-2002). 'Boooook' addresses all aspects of Cobbing's career, with essays detailing his key roles in Better Books, London Film-makers' Co-op and the abAna trio, as well as his involvement in the Destruction in Art Symposium, Fylkingen and Writers Forum. Edited by William Cobbing and Rosie Cooper – and illustrated with reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Andrew Wilson, and others.
Boooook: The life and work of Bob Cobbing
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Prix:
$45.00
(disponible en magasin)
Résumé:
This is the first comprehensive overview of the life and work of the pioneering British concrete and sound poet Bob Cobbing (1920-2002). 'Boooook' addresses all aspects of Cobbing's career, with essays detailing his key roles in Better Books, London Film-makers' Co-op and the abAna trio, as well as his involvement in the Destruction in Art Symposium, Fylkingen and Writers Forum. Edited by William Cobbing and Rosie Cooper – and illustrated with reproductions of artworks, documents, posters, poems and film stills from the Bob Cobbing family collection – Boooook features contributions by Adrian Clarke, Arnaud Desjardin, Sanne Krogh Groth, Will Holder, Gustav Metzger, Andrew Wilson, and others.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$47.50
(disponible sur commande)
Résumé:
Compiling works and writings from the last 13 years, this comprehensive monograph on American artist, writer and theorist Brandon LaBelle (born 1969) captures the artist’s expansive practice. Originally from Los Angeles and currently based in Berlin, LaBelle has been at the forefront of the sound arts since the mid-1990s, developing projects that adopt methods of(...)
$47.50
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Résumé:
Compiling works and writings from the last 13 years, this comprehensive monograph on American artist, writer and theorist Brandon LaBelle (born 1969) captures the artist’s expansive practice. Originally from Los Angeles and currently based in Berlin, LaBelle has been at the forefront of the sound arts since the mid-1990s, developing projects that adopt methods of(...)
Titre:
Brandon Labelle: Overheard and Interrupted
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$47.50
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Résumé:
Compiling works and writings from the last 13 years, this comprehensive monograph on American artist, writer and theorist Brandon LaBelle (born 1969) captures the artist’s expansive practice. Originally from Los Angeles and currently based in Berlin, LaBelle has been at the forefront of the sound arts since the mid-1990s, developing projects that adopt methods of intervention and spatial practice, that work with voice and modes of address, and that stage scenes of public gathering based on notions of interruption and radical sharing.
Brandon Labelle: Overheard and Interrupted
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$47.50
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Résumé:
Compiling works and writings from the last 13 years, this comprehensive monograph on American artist, writer and theorist Brandon LaBelle (born 1969) captures the artist’s expansive practice. Originally from Los Angeles and currently based in Berlin, LaBelle has been at the forefront of the sound arts since the mid-1990s, developing projects that adopt methods of intervention and spatial practice, that work with voice and modes of address, and that stage scenes of public gathering based on notions of interruption and radical sharing.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Prix:
$38.00
(disponible sur commande)
Résumé:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the(...)
$38.00
(disponible sur commande)
Résumé:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the(...)
Titre:
Sound in Z: experiments in sound and electronic music in early 20th century Russia
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$38.00
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Résumé:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's "Symphony of Sirens," an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career-compiling the first full account of Russian electronic music.
Sound in Z: experiments in sound and electronic music in early 20th century Russia
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Prix:
$38.00
(disponible sur commande)
Résumé:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's "Symphony of Sirens," an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career-compiling the first full account of Russian electronic music.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
See this sound
See this sound
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$60.00
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Résumé:
As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor(...)
$60.00
(disponible sur commande)
Résumé:
As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor(...)
Titre:
See this sound
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$60.00
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Résumé:
As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. In its scope and intelligence, See This Sound is a unique survey of this realm.
See this sound
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Prix:
$60.00
(disponible sur commande)
Résumé:
As the status of sound in art and music evolves and redefines itself, so too does sound art find new ways of describing its history. See This Sound compiles a huge number of artists, filmmakers, composers and performers, reaching back into the early twentieth century and into the present to survey overlaps between not only sound and art, sound and film, and the metaphor of cinema as rhythm or symphony. Proceeding chronologically, the book takes the early cinematic “eye music” of Hans Richter as a starting point, noting parallel works by Walter Ruttmann and Oskar Fischinger; moving into the postwar period, the art/cinema/ music experiments of Peter Kubelka, Valie Export and Michael Snow are discussed, establishing precedents to similar work by Rodney Graham, Carsten Nicolai, Jeremy Deller and many others. In its scope and intelligence, See This Sound is a unique survey of this realm.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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Prix:
$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
Titre:
Night music, essays on music 1928-1962
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$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Night music, essays on music 1928-1962
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Prix:
$34.95
(disponible sur commande)
Résumé:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Classification:
livres
livres
Publication:
octobre 2009, Chicago
octobre 2009, Chicago
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
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$24.00
(disponible sur commande)
Résumé:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
$24.00
(disponible sur commande)
Résumé:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
Titre:
What remains of a building divided into equal parts and distributed for reconfiguration
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$24.00
(disponible sur commande)
Résumé:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
What remains of a building divided into equal parts and distributed for reconfiguration
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Prix:
$24.00
(disponible sur commande)
Résumé:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Acoustique
Acoustique
