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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of(...)
Surface tension : problematics of site
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From Gordon Matta-Clark to Lawrence Weiner, Bruce Nauman to Alison Knowles, the question of site locates itself in issues of public space, at the intersection of the imagined and the real, at the juncture of performance and architectural production. By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site-specificity, conceptualism, feminism, and architecture practice, "Surface Tension" reveals the connections between cultural production and the very spaces in which such work functions. These textual explorations are complemented by extensive documentation of related projects, both historical and contemporary, by artists, architects, and performance artists, including 'Coughing Piece', a never-before released 1961 audio work by Yoko Ono; an obscure audio work by Nauman from 1969; projects by Suzanne Lacy, a leading figure in the development of conceptual practice and public art; and an experimental text by Jane Rendell on psychic architectures. Conversations occur between the pages of "Surface Tension", between theoretical analysis and modes of practice, that activate the publication as a site itself, one participating in a broad field of knowledge. Includes an audio CD of the sound art pieces. Artists Include: Gordon Matta-Clark, Lawrence Weiner,Jan Hofer, Melissa Dyne, Kim Abeles, Carol Brown, Christof Migone, Michael Rakowitz, Eyal Weizman, Rafael Lazano-Hemmer, Tanja Jordan, Lizzie Scott, Tim Durfee, Lize Mogel, Suzanne Lacy, Michael Asher, Bruce Nauman, Lucky Kitchen, Michael Prime, Alison Knowles, and Yoko Ono, amongst others.
Acoustique
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the(...)
Sonic signatures: Music, migration and the city at night
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''Sonic Signatures'' interprets the music of contemporary migrants from Montreal to Rotterdam, Oslo to Tokyo. Drawing on research in urban musicology, international migration, and the emerging field of night studies, this edited volume illustrates that sonic signatures are fundamental to nighttime cityscapes, a way of experiencing space and belonging. Contributors to the anthology consider a wide array of genres—including EDM, batida do gueto, and iSicathamiya—to understand how migrants resist oppression, long for people and places, and shape their adopted cities through music.
Acoustique
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
La recherche comme composition
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Deux essais inédits de Steven Feld, figure de premier plan de l'anthropologie et des sound studies, qui bouleversent les perspectives acoustiques établies et ouvrent le passionnant domaine de la recherche-composition.
Acoustique
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
La musica contemporanea e il suo spazio
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
Acoustique
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Une incursion dans un champ majeur du travail de Christina Kubisch, pionnière des arts sonores, qui explore depuis les années 1970 le potentiel sonore des champs électromagnétiques générés par notre environnement urbain et technologique.// An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of(...)
Inaudible, invisible : Une exploration des œuvres de Christina Kubisch
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Une incursion dans un champ majeur du travail de Christina Kubisch, pionnière des arts sonores, qui explore depuis les années 1970 le potentiel sonore des champs électromagnétiques générés par notre environnement urbain et technologique.// An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.
Acoustique
livres
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In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
avril 2007, New York
On late style : music and literature against the grain
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In this fascinating book, Edward Said looks at the creative contradictions that often mark the late works of literary and musical artists.
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avril 2007, New York
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We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced(...)
Acoustique
décembre 2006, Cambridge / London
Spaces speak, are you listening ? Experiencing aural architecture
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We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture. The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines--including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others--Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
Acoustique
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This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
In the blink of an ear, toward a non-cochlear sonic art
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This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
Acoustique
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal(...)
Surface Tension's Supplement 3 :Manual for the construction of a cart as a device to elaborate social connection
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The product of an international collective of artists, architects and writers who create collaborative projects and publications, this third edition of Surface Tension's Supplement series documents three years of artistic research, site-specific work and location-based practices in Curitiba, Brazil--providing an in-depth exploration of the city's economically marginal favela dwellers, who venture throughout the public spaces of Curitiba in search of recyclable materials. Documentation and texts elaborate on the cultural and political issues that come to light through various uses of public space. Originally developed as a collaborative installation between international and local artists--including Ken Ehrlich, Brandon LaBelle, Octávio Camargo and Guilherme Soares--exhibited at Curitiba's Ybakatu Gallery, this publication raises pertinent questions about the consequences of cross-cultural and site-specific collaboration and proffers an experimental approach toward political inquiry and intermedia practice.
Arcana 3 musicians on music
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The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by(...)
Arcana 3 musicians on music
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The writings in the continuing Arcana series provide direct connections to the inner sanctums of some of the most extraordinary musical thinkers of our time. Technical, philosophical and mystical in nature, these essays reach out to the listener to illuminate the creative processes and hidden stratagem of a music (and a community) largely misjudged and unappreciated by mainstream culture. Arcana provides welcome tools for digging into the underground and can lead the creative mind toward an exciting world of possibilities for artists, musicians, musical theorists and curious listeners alike.
Acoustique