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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking.(...)
Disquietude: Architecture and energy in Portugal
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In the age of the Anthropocene, in which humanity acts on cycles and systems with all its power and capital, architecture and energy together mean more than operational or embodied energy, active and passive solutions. In the face of the climate crisis, beyond the phase-out of fossil fuels, architecture has a mediating role; it is about socio-cultural rethinking. Disquietude addresses the entanglement between architecture and energy in the 20th century, using Portugal as an example. Featuring different local Portuguese voices, the publication identifies the potential for a transition that could be local, sustainable, diverse, and just and be meaningful also in an international perspective.
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians(...)
Untimely moderns: How twentieth-centry architecture reimagined the past
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Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms ''untimely,'' emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans(...)
mai 2023
Spaarndammerhart: A story of the city
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Spaarndammerhart in Amsterdam is designed by the architectural offices of Korth Tielens and Marcel Lok_Architect, artist Martijn Sandberg, and the landscape architects of DS Landschapsarchitecten. Photography of Max Hart Nibbrig, Dennis De Smet, and Raimond Wouda (who has been commissioned to document the life in and of Spaarndammerhart), and texts by Fred Feddes, Hans Ibelings, Vincent Kompier, and Hannah Schubert document and discuss this housing complex, in which architecture, art, courtyard, gardens and street form a comprehensive whole.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the(...)
juillet 2023
At home in London: The mansion block. Architecture Foundation.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the nineteenth century to Kilburn and Stratford in the twenty-first. Reflecting London’s development from its consolidation as a metropolis in the high Victorian era to its present efforts to address a longstanding housing crisis, this volume explores the mansion block’s centrality to the capital’s identity and its wider relevance to discussions of housing and urban planning. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis.
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
Christiania : Une cité libre au cœur du Danemark
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Christiania 1971-2021. L'enclave alternative de Copenhague fête ses 50 ans. Ancien camp militaire squatté en 1971 par une population hétéroclite d'idéalistes et de mal-logés, cette bourgade d'un millier d'habitants est devenue une oasis semi-rurale de 34 hectares au cœur de la capitale du pays. Présentée ici en cinq décennies, son histoire en fait un exemple unique en Occident.
$72.00
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Au travers des textes de sept grands noms de l'architecture européenne d'avant-guerre, c'est à une réflexion sur l'architecture moderne et la conception architecturale que l'auteur convie le lecteur. La plupart des textes présentés ici le sont pour la première fois en français. Nous trouvons ici des textes de Schindler, Mendelsohn, Meyer, Michelucci, Ginzburg, et Lurçat.
Pionniers de l'architecture moderne, une anthologie
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Au travers des textes de sept grands noms de l'architecture européenne d'avant-guerre, c'est à une réflexion sur l'architecture moderne et la conception architecturale que l'auteur convie le lecteur. La plupart des textes présentés ici le sont pour la première fois en français. Nous trouvons ici des textes de Schindler, Mendelsohn, Meyer, Michelucci, Ginzburg, et Lurçat.
Dutch architects 5
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"Dutch Architects 5" is the internationally recognized authoritative survey of recent projects by more than a hundred of Holland's most successful architects and interior designers. Each architectural firm presents its latest projects in full colour illustrations, supported by comprehensive project information and informative company profiles. Representative of a code of(...)
Dutch architects 5
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"Dutch Architects 5" is the internationally recognized authoritative survey of recent projects by more than a hundred of Holland's most successful architects and interior designers. Each architectural firm presents its latest projects in full colour illustrations, supported by comprehensive project information and informative company profiles. Representative of a code of modern architectural ideals, the works are progressive, aesthetically pleasing, environmentally responsible, and highly functional. Projects range from low budget to highly sophisticated, special purpose constructions and cover the broadest possible spectrum of residential and commercial commissions.
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After the Second World War, talented young architects including several from Switzerland, turned to the task of promoting the ideals of Modernism. Their main interest lay in furthering the new design and construction methods which were then being made possible by industrial prefabrication and montage, eve considering and incorporating them at the design stage. The time(...)
avril 2002, Basel
Post-war modernity in Switzerland : architecture by Werner Frey, Franz Füeg, Jacques Schader, Jakob Zweifel
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After the Second World War, talented young architects including several from Switzerland, turned to the task of promoting the ideals of Modernism. Their main interest lay in furthering the new design and construction methods which were then being made possible by industrial prefabrication and montage, eve considering and incorporating them at the design stage. The time has now come to review this chapter of recent architectural history. This publication focuses on four architects: Werner Frey (1912-1989), Franz Füeg (born 1921), Jacques Schader (born 1917) and Jacob Zweifel (born 1921). This group of Zurich architects created buildings which can be seen to embody the typical features of the architecture emerging from the late 1950s, 1960s, and early 1970s : fastidious construction methods, a structural approach to designing brought about by increased use of prefabricated parts, an awareness of different social needs of the individual and the group which were subsequently reflected in the designs. Using a wealth of historical illustrations together with photographs by Doris Fanconis and 8 documentary films by Georg Radanowicz, visually interpreting the architecture from a contemporary viewpoint, this book is an invaluable documentation and analysis of those buildings which are of consequence for today's architecture.
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from(...)
Landscrapers : building with the land
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Ever since the discovery of the cave, humans have made use of nature’s geological formations. Only recently, however, have developments in structural engineering made it possible to engage the earth’s surface as a building element in its own right. With an increasing awareness of our planet’s limited natural resources, the most acclaimed architectural practices from around the world are building into the earth and merging man-made forms with the contours of the land. The results are at once preternatural and breathtaking. From Zaha Hadid’s Tram Terminal in France to Snøhetta’s Bibliotheca Alexandrina in Egypt, from Future System’s hill-burrowing house in Wales to Antoine Predock’s Spencer Theater in the United States, over fifty projects displayed here expose the breadth and depth of this new direction in architecture. Aaron Betsky first considers our historical preoccupation with communing with the land through building, then four central chapters – ‘Engineered Utopias’, ‘Caves and Caverns’, ‘Unfolding the Land’ and ‘A New Nature’ – explore the ways in which ‘geotecture’ responds to, becomes a part of and yet remains distinctive within our natural landscape.
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s(...)
décembre 2002, Cambridge / London
The glass state : the technology of the spectacle - Paris, 1981-1998
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From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In The "Glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of François Mitterrand’s program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building’s design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand’s glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets--the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and Andre Citroën, and the Bibliothèque nationale de France--Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.