126 Résultats
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livres
livres
Titre:
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
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When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern(...)
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Résumé:
When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern(...)
Titre:
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
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$36.95
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Résumé:
When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern theories of the mind, society, and self, O'Shea constructs a "usable past" that can help us determine our digital future.
Future histories: What Ada Lovelace, Tom Paine, and the Paris Commune can teach us about digital
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Résumé:
When we talk about technology we always talk about tomorrow and the future - which makes it hard to figure out how to even get there. In "Future Histories", public interest lawyer and digital specialist Lizzie O'Shea argues that we need to stop looking forward and start looking backwards. Weaving together histories of computing and progressive social movements with modern theories of the mind, society, and self, O'Shea constructs a "usable past" that can help us determine our digital future.
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livres
livres
Publication:
mai 2019
mai 2019
Classification:
livres
livres
Titre:
Architectures de mémoire
Architectures de mémoire
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La situation de transition que nous connaissons et qui fait cohabiter une culture du livre avec une culture de l'écran nous fait peu à peu basculer d'une raison graphique à une raison computationnelle. De la même manière que l'écriture a permis d'engendrer un mode particulier de pensée, où les listes, les tableaux et les formules ont joué un rôle primordial dans la(...)
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La situation de transition que nous connaissons et qui fait cohabiter une culture du livre avec une culture de l'écran nous fait peu à peu basculer d'une raison graphique à une raison computationnelle. De la même manière que l'écriture a permis d'engendrer un mode particulier de pensée, où les listes, les tableaux et les formules ont joué un rôle primordial dans la(...)
Titre:
Architectures de mémoire
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La situation de transition que nous connaissons et qui fait cohabiter une culture du livre avec une culture de l'écran nous fait peu à peu basculer d'une raison graphique à une raison computationnelle. De la même manière que l'écriture a permis d'engendrer un mode particulier de pensée, où les listes, les tableaux et les formules ont joué un rôle primordial dans la modélisation des connaissances, avec le numérique s'inventent d'autres systèmes de mise en forme de l'information et de sa transmission. En effet, le développement du réseau, d'un vaste cyberespace, induit une rationalité particulière reposant sur le calcul plutôt que sur l'écriture, ce qui est la seule façon de le rendre intelligible. On comprend dès lors que les architectures de mémoire, dans leur actualisation contemporaine, essentiellement numérique, sont au coeur d'une transformation de l'esprit humain. Il est encore trop tôt pour déterminer exactement ce qu'il en est de cette transformation, mais il importe dès maintenant de tracer les contours de cette situation et d'explorer des pistes qui peuvent en baliser certains des aspects les plus saillants.
Architectures de mémoire
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La situation de transition que nous connaissons et qui fait cohabiter une culture du livre avec une culture de l'écran nous fait peu à peu basculer d'une raison graphique à une raison computationnelle. De la même manière que l'écriture a permis d'engendrer un mode particulier de pensée, où les listes, les tableaux et les formules ont joué un rôle primordial dans la modélisation des connaissances, avec le numérique s'inventent d'autres systèmes de mise en forme de l'information et de sa transmission. En effet, le développement du réseau, d'un vaste cyberespace, induit une rationalité particulière reposant sur le calcul plutôt que sur l'écriture, ce qui est la seule façon de le rendre intelligible. On comprend dès lors que les architectures de mémoire, dans leur actualisation contemporaine, essentiellement numérique, sont au coeur d'une transformation de l'esprit humain. Il est encore trop tôt pour déterminer exactement ce qu'il en est de cette transformation, mais il importe dès maintenant de tracer les contours de cette situation et d'explorer des pistes qui peuvent en baliser certains des aspects les plus saillants.
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livres
livres
Publication:
octobre 2019
octobre 2019
Classification:
livres
livres
Titre:
Organize
Organize
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Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably,(...)
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Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably,(...)
Publication:
octobre 2019
octobre 2019
Titre:
Organize
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$26.95
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Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably, digital media technologies repose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. Bringing together leading media thinkers and organization theorists, this book interrogates organization as an effect and condition of media. How can we understand the recursive relation between media and organization? How can we think, explore, critique, and perhaps alter the organizational bodies and scripts that shape contemporary life?
Organize
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Media organize things into patterns and relations. As intermediaries among people and between people and worlds, media shape sociotechnical orders. At the same time, media are organized: while they condition different organizational forms and processes, they, too, are formed and can be re-formed. This intimate relation of media and organizing is timeless. Yet arguably, digital media technologies repose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. Bringing together leading media thinkers and organization theorists, this book interrogates organization as an effect and condition of media. How can we understand the recursive relation between media and organization? How can we think, explore, critique, and perhaps alter the organizational bodies and scripts that shape contemporary life?
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Classification:
livres
livres
Titre:
L'âge des postmachines
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des(...)
$34.95
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des(...)
Publication:
mars 2020
mars 2020
Titre:
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des technologies du numérique et ses conséquences imprévisibles pour l'humanité ont rendu nécessaire le débat philosophique portant sur nos rapports avec elle. La machine est inséparable du sujet qui la crée, et les théories et les fantasmes autour d'une posthumanité ou du transhumanisme sont autant de réponses à cette symbiose imaginée ou réelle. Pour comprendre la spécificité et l'identité de la machine - ou plutôt des machines -, cet ouvrage convoque non seulement la littérature et le cinéma, mais il explore aussi sa matérialisation dans les arts plastiques, les réseaux sociaux, les dispositifs écraniques, la bande dessinée et les jeux vidéo. En tout, dix-sept textes où se côtoient automates, intelligences artificielles et postmachines dans différents milieux - in vivo, in vitro, in silico - dont certains relèvent de dispositifs et de systèmes auto-engendrés.
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des technologies du numérique et ses conséquences imprévisibles pour l'humanité ont rendu nécessaire le débat philosophique portant sur nos rapports avec elle. La machine est inséparable du sujet qui la crée, et les théories et les fantasmes autour d'une posthumanité ou du transhumanisme sont autant de réponses à cette symbiose imaginée ou réelle. Pour comprendre la spécificité et l'identité de la machine - ou plutôt des machines -, cet ouvrage convoque non seulement la littérature et le cinéma, mais il explore aussi sa matérialisation dans les arts plastiques, les réseaux sociaux, les dispositifs écraniques, la bande dessinée et les jeux vidéo. En tout, dix-sept textes où se côtoient automates, intelligences artificielles et postmachines dans différents milieux - in vivo, in vitro, in silico - dont certains relèvent de dispositifs et de systèmes auto-engendrés.
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livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a(...)
$47.95
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Résumé:
The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a(...)
Titre:
The presence project, 2nd edition
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a problem-solving approach, focusing instead on creating new and unusual situations for communication and insight. They introduced cutting-edge methods and developed challenging designs that they tested in the communities themselves. This book documents the Presence Project's development of key concepts in contemporary technology design, including cultural probes, design workbooks, and speculative design. Original Presence Project participants may have been surprised that the methods they invented became standard practice; the theme of the project was to break out of conventional approaches and try something radically new. With a new preface by Bill Gaver and an introduction by Phoebe Sengers, this reissue of The Presence Project gives readers a glimpse into the thinking behind this influential project and ideas about how to bring it to bear on today's design problems.
The presence project, 2nd edition
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a problem-solving approach, focusing instead on creating new and unusual situations for communication and insight. They introduced cutting-edge methods and developed challenging designs that they tested in the communities themselves. This book documents the Presence Project's development of key concepts in contemporary technology design, including cultural probes, design workbooks, and speculative design. Original Presence Project participants may have been surprised that the methods they invented became standard practice; the theme of the project was to break out of conventional approaches and try something radically new. With a new preface by Bill Gaver and an introduction by Phoebe Sengers, this reissue of The Presence Project gives readers a glimpse into the thinking behind this influential project and ideas about how to bring it to bear on today's design problems.
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livres
livres
Publication:
mai 2020
mai 2020
Classification:
livres
livres
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$41.99
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
$41.99
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining(...)
Publication:
décembre 2021
décembre 2021
Titre:
The lab book: situated practices in media studies
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.
The lab book: situated practices in media studies
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Organized by interpretive categories such as space, infrastructure, and imaginaries, this volume uses historical and contemporary examples of how laboratories are fundamentally connected to changes in the contemporary university. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.
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livres
livres
Publication:
décembre 2021
décembre 2021
Classification:
livres
livres
Titre:
World brain
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction(...)
Titre:
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
World brain
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In a series of talks and essays in 1937, H. G. Wells proselytized for what he called a "World Brain," as manifested in a World Encyclopedia--a repository of scientifically established knowledge--that would spread enlightenment around the world and lead to world peace. Wells, known to readers today as the author of "The War of the Worlds" and other science fiction classics, was imagining something like a predigital Wikipedia. The World Encyclopedia would provide a summary of verified reality (in about forty volumes); it would be widely available, free of copyright, and utilize the latest technology. Of course, as Bruce Sterling points out in the foreword to this edition of Wells's work, the World Brain didn't happen; the internet did. And yet, Wells anticipated aspects of the internet, envisioning the World Brain as a technical system of networked knowledge (in Sterling's words, a "hypothetical super-gadget"). Wells's optimism about the power of information might strike readers today as naïvely utopian, but possibly also inspirational.
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livres
livres
Publication:
août 2021
août 2021
Classification:
livres
livres
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$39.95
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
$39.95
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Résumé:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
Publication:
janvier 2012
janvier 2012
Titre:
A thousand eyes: media technology, law and esthetics
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
A thousand eyes: media technology, law and esthetics
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$39.95
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
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livres
livres
Publication:
janvier 2012
janvier 2012
Classification:
livres
livres
Prix:
$34.95
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Résumé:
This book introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded. Edited by Erkki Huhtamo and Jussi Parikka, with contributions from internationally prominent scholars from Europe, North America, and Japan, the essays help us understand how(...)
$34.95
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Résumé:
This book introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded. Edited by Erkki Huhtamo and Jussi Parikka, with contributions from internationally prominent scholars from Europe, North America, and Japan, the essays help us understand how(...)
Titre:
Media archaeology: approaches, applications, and implications
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This book introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded. Edited by Erkki Huhtamo and Jussi Parikka, with contributions from internationally prominent scholars from Europe, North America, and Japan, the essays help us understand how the media that predate today's interactive, digital forms were in their time contested, adopted and embedded in the everyday.
Media archaeology: approaches, applications, and implications
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This book introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded. Edited by Erkki Huhtamo and Jussi Parikka, with contributions from internationally prominent scholars from Europe, North America, and Japan, the essays help us understand how the media that predate today's interactive, digital forms were in their time contested, adopted and embedded in the everyday.
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livres
livres
Publication:
avril 2011
avril 2011
Classification:
livres
livres
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$30.95
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Paper Knowledge is a remarkable book about the mundane: the library card, the promissory note, the movie ticket, the PDF (Portable Document Format). It is a media history of the document. Drawing examples from the 1870s, the 1930s, the 1960s, and today, Lisa Gitelman thinks across the media that the document form has come to inhabit over the last 150 years, including(...)
$30.95
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Paper Knowledge is a remarkable book about the mundane: the library card, the promissory note, the movie ticket, the PDF (Portable Document Format). It is a media history of the document. Drawing examples from the 1870s, the 1930s, the 1960s, and today, Lisa Gitelman thinks across the media that the document form has come to inhabit over the last 150 years, including(...)
Titre:
Paper knowledge: toward a media history of documents
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Paper Knowledge is a remarkable book about the mundane: the library card, the promissory note, the movie ticket, the PDF (Portable Document Format). It is a media history of the document. Drawing examples from the 1870s, the 1930s, the 1960s, and today, Lisa Gitelman thinks across the media that the document form has come to inhabit over the last 150 years, including letterpress printing, typing and carbon paper, mimeograph, microfilm, offset printing, photocopying, and scanning.
Paper knowledge: toward a media history of documents
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$30.95
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Paper Knowledge is a remarkable book about the mundane: the library card, the promissory note, the movie ticket, the PDF (Portable Document Format). It is a media history of the document. Drawing examples from the 1870s, the 1930s, the 1960s, and today, Lisa Gitelman thinks across the media that the document form has come to inhabit over the last 150 years, including letterpress printing, typing and carbon paper, mimeograph, microfilm, offset printing, photocopying, and scanning.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
