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Le mot «Songline» renvoie à un système de connaissances propre aux populations autochtones d'Australie. Des histoires inscrites au coeur des territoires y consignent les savoirs écologiques, cosmologiques, topographiques et sociaux nécessaires au développement durable des sociétés. Explorant les songlines de trois régions du centre et de l'ouest de l'Australie, toutes(...)
Songlines : Chant des pistes du désert australien
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Le mot «Songline» renvoie à un système de connaissances propre aux populations autochtones d'Australie. Des histoires inscrites au coeur des territoires y consignent les savoirs écologiques, cosmologiques, topographiques et sociaux nécessaires au développement durable des sociétés. Explorant les songlines de trois régions du centre et de l'ouest de l'Australie, toutes liées à l'histoire fondatrice des Sept Soeurs, cet ouvrage retrace des pans de ce récit d'envergure universelle, tel que souhaitent le transmettre aux jeunes générations les aînés de ces communautés aborigènes. Les Soeurs et leur implacable poursuivant, un sorcier aux multiples visages, se révèlent ainsi dans une narration sensorielle. Elles apparaissent et disparaissent continuellement dans les paysages, à l'intérieur des sources, dans les collines, les rochers, les arbres - et jusque dans les étoiles qui nous surplombent.
An indigenous present
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This volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, ''An Indigenous present'' presents an increasingly visible and expanding field of Indigenous creative(...)
septembre 2023
An indigenous present
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This volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, ''An Indigenous present'' presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. ''An Indigenous present'' foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.
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''Multiple realities'' offers a sweeping survey of experimental art made in six Central Eastern European nations—GDR, Poland, Czechoslovakia, Hungary, Romania and Yugoslavia—during the 1960s to 1980s. Despite their geographical proximity, artists working during this time encountered different conditions for daily life and art-making, confronting varying degrees of control(...)
Multiple realities: Experimental art in the Eastern Bloc 1960s–198
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''Multiple realities'' offers a sweeping survey of experimental art made in six Central Eastern European nations—GDR, Poland, Czechoslovakia, Hungary, Romania and Yugoslavia—during the 1960s to 1980s. Despite their geographical proximity, artists working during this time encountered different conditions for daily life and art-making, confronting varying degrees of control and pressure exerted by state authorities.
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws(...)
janvier 2024
Grace Wales Bonner: Dream in the rhythm. Visions of sound and spirit in the MoMA Collection
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This volume, "Grace Wales Bonner: Dream in the rhythm—visions of sound and spirit in the MoMA Collection", is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition "Artist’s Choice: Grace Wales Bonner—Spirit Movers", this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
Present archives: Reflections from a collection of prints
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.
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Reasoned catalogue edited by MUSAC. It deals with the presentation of the first volume of the MUSAC Collection, composed of more than 900 works. The 700 page edition is bilingual. Editorial Coordination was under Isabel Yáñez and Carlos Ordás and design by Ipsum Planet. The catalogue is structured around six critical texts, written by Estrella de Diego, Octavio Zaya,(...)
mars 2006, Barcelona
MUSAC : Museo de arte comtemporaneo de Castilla y Leon, coleccion Vol. I
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Reasoned catalogue edited by MUSAC. It deals with the presentation of the first volume of the MUSAC Collection, composed of more than 900 works. The 700 page edition is bilingual. Editorial Coordination was under Isabel Yáñez and Carlos Ordás and design by Ipsum Planet. The catalogue is structured around six critical texts, written by Estrella de Diego, Octavio Zaya, Agustín Pérez Rubio, Carlos Ordás, Tania Pardo y Javier Hernando. The section of reasoned works presents in alphabetical order the 153 artists of this first volume. Together with a short biography of each one of the artists, images accompanied by technical data are shown. These data have been elaborated by Carlos Ordás, Tania Pardo, Belén Sola, Kristine Guzmán e Isabel Yáñez.
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Catalogue published in conjunction with the exhibition " The Pictures Generation, 1974-1984", New York, The Metropolitan Museum of art, april-august 2009. This handsome book is the first comprehensive examination of the Pictures Generation, a loosely knit group of artists working in New York from the mid-1970s to the mid-1980s. The overarching subject of the work of(...)
mai 2009, New York
The Pictures Generation, 1974-1984
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Catalogue published in conjunction with the exhibition " The Pictures Generation, 1974-1984", New York, The Metropolitan Museum of art, april-august 2009. This handsome book is the first comprehensive examination of the Pictures Generation, a loosely knit group of artists working in New York from the mid-1970s to the mid-1980s. The overarching subject of the work of these artists was imagery itself—how pictures not only depict but also shape how we perceive the world and ourselves. The collective achievement of this group is an extremely important chapter in the history of contemporary art.
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le(...)
octobre 2006, Montréal
Cut: Raymond Gervais, Christof Migone, Jocelyn Robert
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La genèse de cette exposition remonte à une invitation lancée il y a deux ans à Raymond Gervais et à Jocelyn Robert, deux artistes aux affinités parfois apparentes, leur proposant de collaborer à une oeuvre qui ferait l'objet d'une exposition à la Galerie: une réflexion sur le son et le silence. Quelques temps plus tard Christof Migone, artiste qui travaille lui aussi le son, se joignait au projet proposant des oeuvres axées sur la répétition. Le temps passa, et chacun élobora des oeuvres d'envergure. Mon propos de commissaire aussi se transforma, s'éloignant de la question du son, déjà l'objet de nombreuses manifestations ici et ailleurs, pour se fixer sur la notion de coupe, de coupure et d'interruption dans l'oeuvre et dans sa conception. Michèle Thériault
livres
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav(...)
juillet 2008, Köln
Ausstellungen generali foundation exhibitions 1989-2008
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Over the past 20 years, the Vienna-based Generali Foundation has established itself as an internationally distinguished institution, with countless must-see exhibitions of conceptual and critical intermedia art to its name. The exhibition history tells it all: Valie Export, Harun Farocki, Dan Graham, Sanja Ivekovic, Mary Kelly, Edward Krasinski, Gordon Matta-Clark, Gustav Metzger, Walter Pichler, Martha Rosler, Adrian Piper and Allan Sekula have all shown there, often for their first solo outing. Generali has also commissioned works by artists such as Maria Eichhorn, Andrea Fraser, Hans Haacke, Dorit Margreiter, Mathias Poledna, Marjetica Potrc and Heimo Zobernig. In this power-packed book, numerous installation views and texts provide a review of the foundation's comprehensive program, whose context and genesis are discussed in a conversation between the foundation's long-time Director Sabine Breitwieser and art critic Sabeth Buchmann.
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juillet 2008, Köln
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.
juillet 2008, Chicago
Imaginary coordinates
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This book has been published in conjunction with the exhibition Imaginary Coordinates, organized by Spertus Museum, Chicago, and on view May 2 - September 7, 2008. It juxtaposes the museum's extensive collection of antique Holy Land maps with contemporary artwork by Israeli and Palestinian women. Text by Jessica Dubow, Rhoda Rosen, Ilana Segal.