1894 Résultats
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research,(...)
$65.00
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research,(...)
Titre:
Martino Gamper: Before, after and beyond
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$65.00
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research, food, family and friends. This focus informed our selection of pieces, and the grouping of themes, to reach the final edit of chairs, tables, 'Chables', cabinets, screens, shelves, mirrors, vases, beds, desks, lights, hooks, books and more. The idea was to fully embrace the journey so far, in order to navigate and prioritise what the future should and can become. " —Sarah Douglas
Martino Gamper: Before, after and beyond
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$65.00
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Publication made for the occasion of the show at 11 Mansfield Street, London. "Over the last few months, we have immersed ourselves in his archive; to discover new and rediscover familiar pieces; to discuss, and to gain a better understanding of his design and creative process. The focus of our conversations has been on quality; quality of work, life, time, research, food, family and friends. This focus informed our selection of pieces, and the grouping of themes, to reach the final edit of chairs, tables, 'Chables', cabinets, screens, shelves, mirrors, vases, beds, desks, lights, hooks, books and more. The idea was to fully embrace the journey so far, in order to navigate and prioritise what the future should and can become. " —Sarah Douglas
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livres
livres
Publication:
avril 2024
avril 2024
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livres
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$82.00
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Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the(...)
$82.00
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Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the(...)
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Andrea Blum: Biota. A discourse between art and architecture from the 1970s to the present
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Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the relationship of the sociopolitical world to the private psychological one, zooming in and out of the conditions that organize us as a culture, with a focus on the "down time"—when one eats, reads and is in repose—as the time when the border between private behavior and public etiquette is most evidenced. Accompanying an expansive exhibition of the same name at Hunter College Art Galleries, "Biota" is lavishly illustrated with extensive photography of Blum’s early sculpture, public works, exhibitions, installations and propositions of the past 40 years.
Andrea Blum: Biota. A discourse between art and architecture from the 1970s to the present
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$82.00
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Andrea Blum (born 1950) is a New York–based artist who has worked at the intersection of art, architecture and design since the 1970s. She has exhibited at a wide range of venues and has built projects in Europe and the United States that include public installations, furniture, exhibition design, libraries and other designs for living. Blum’s work considers the relationship of the sociopolitical world to the private psychological one, zooming in and out of the conditions that organize us as a culture, with a focus on the "down time"—when one eats, reads and is in repose—as the time when the border between private behavior and public etiquette is most evidenced. Accompanying an expansive exhibition of the same name at Hunter College Art Galleries, "Biota" is lavishly illustrated with extensive photography of Blum’s early sculpture, public works, exhibitions, installations and propositions of the past 40 years.
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livres
livres
Publication:
juillet 2025
juillet 2025
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livres
livres
Titre:
Uriel Orlow: Forest times
Uriel Orlow: Forest times
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to(...)
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to(...)
Titre:
Uriel Orlow: Forest times
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$65.00
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to plants’ lives beyond human time, blending film and 3D modeling to connect tree fossils’ deep past with future forest scenarios imagined through the voices of children. Set in South Tyrol, the project bridges local scientific research with global climate challenges, envisioningalternative, more-than-human futures.
Uriel Orlow: Forest times
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$65.00
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"Forest Times" brings together Uriel Orlow’s "Reading Wood" (Backwards) (2022) and 'Forest Futurism' (2024), where plants emerge as political actors, witnesses to history, and guides for the future. 'Reading Wood' (Backwards) explores human and non-human entanglements, questioning what it means to restitute to the natural world. In 'Forest Futurism', Orlow shifts focus to plants’ lives beyond human time, blending film and 3D modeling to connect tree fossils’ deep past with future forest scenarios imagined through the voices of children. Set in South Tyrol, the project bridges local scientific research with global climate challenges, envisioningalternative, more-than-human futures.
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livres
livres
Publication:
avril 2025
avril 2025
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livres
livres
Titre:
The undesirables
The undesirables
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$50.00
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
$50.00
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
Publication:
avril 2025
avril 2025
Titre:
The undesirables
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$50.00
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"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
The undesirables
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$50.00
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Résumé:
"The undesirables" by Myfanwy Macleod features work drawn from MacLeod’s public art endeavors over the past fifteen years and a newly commissioned text by Lisa Robertson. The publication comprises realized and unrealized projects as well as propositional ideas.
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livres
livres
Publication:
avril 2025
avril 2025
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livres
livres
Titre:
Amy Sillman: Oh, clock!
Amy Sillman: Oh, clock!
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$68.00
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In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings(...)
$68.00
(disponible en magasin)
Résumé:
In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings(...)
Publication:
avril 2025
avril 2025
Titre:
Amy Sillman: Oh, clock!
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$68.00
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In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings are multicolored, now monochrome, now they show complex forms, now figures or body parts. And they are always filled with delight in the process. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticated painterly practice on canvas and beyond.
Amy Sillman: Oh, clock!
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$68.00
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In her painting, American artist Amy Sillman (born 1955) expands the standards of abstraction using material and conceptual interventions in the painting process. She destabilizes purported dichotomies and hierarchizations between figuration and abstraction, intimacy and clumsiness, ability and self-negation, process and completion. Now the serial drawings and paintings are multicolored, now monochrome, now they show complex forms, now figures or body parts. And they are always filled with delight in the process. The publication "Amy Sillman: Oh, Clock!" highlights her critical exploration of the history of painting and conveys her complex and sophisticated painterly practice on canvas and beyond.
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livres
livres
Publication:
avril 2025
avril 2025
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livres
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$105.00
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural(...)
$105.00
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural(...)
Titre:
Tony Bechara: Annotations on color schemes
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering pointillism to hard-edge abstraction, traditional weaving and 8-bit "pixel art" of the last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book is inspired by Bechara’s notes and color formulas that form the basis for his acrylic paintings. It features over 130 illustrations, with foldouts and multiple materials, as well as a glossary of key motifs that introduces Bechara’s personal artistic language to the public for the first time.
Tony Bechara: Annotations on color schemes
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Puerto Rico–born, New York–based artist Tony Bechara (born 1942) served as board president of El Museo del Barrio for 15 years, while also honing his own geometric abstraction process. Dividing his canvas into hundreds of quarter-inch squares, Bechara meticulously fills each space in with complementary colors. The resulting grid paintings thus evoke a variety of cultural influences: from Seurat’s pioneering pointillism to hard-edge abstraction, traditional weaving and 8-bit "pixel art" of the last half century. In keeping with Bechara’s richly chromatic oeuvre, this artist’s book is inspired by Bechara’s notes and color formulas that form the basis for his acrylic paintings. It features over 130 illustrations, with foldouts and multiple materials, as well as a glossary of key motifs that introduces Bechara’s personal artistic language to the public for the first time.
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livres
livres
Publication:
novembre 2025
novembre 2025
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$30.00
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A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full(...)
$30.00
(disponible en magasin)
Résumé:
A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full(...)
Titre:
Barbara T. Smith: I am abandoned
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$30.00
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Résumé:
A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full transcript of the "conversation" between the two programs, documentation and ephemera from the performance, and Smith’s reflections on the night. To revisit I Am Abandoned today is to see the critical and liberating potential that art can have when it intervenes in new technologies. Against today’s backdrop of AI, Smith’s early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape.
Barbara T. Smith: I am abandoned
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$30.00
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Résumé:
A 1976 performance by American artist Barbara T. Smith (born 1931), "I Am Abandoned" featured a conversation in real time between two psychoanalytic computer programs (two of the earliest chatbots) alongside a staging of Goya’s "The Naked Maja," in which the artist projected an image of the famous painting on top of a clothed female model. This publication includes a full transcript of the "conversation" between the two programs, documentation and ephemera from the performance, and Smith’s reflections on the night. To revisit I Am Abandoned today is to see the critical and liberating potential that art can have when it intervenes in new technologies. Against today’s backdrop of AI, Smith’s early work with emerging technologies, and in this case chatbots, is prophetic and hints at the contemporary conversation around the gendered and racialized machinic biases of our current computational landscape.
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livres
livres
Publication:
avril 2025
avril 2025
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livres
livres
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$47.00
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"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing(...)
$47.00
(disponible sur commande)
Résumé:
"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing(...)
Titre:
Gordon Matta-Clark and Pope.L: Impossible failures
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$47.00
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"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing performance, film, drawing, and various multimedia projects, the two artists often open up interstitial spaces by realizing sweeping gestures that take into account shifting, decentralized zones. Grounded in the concept of failure, the sixth exhibition at 52 Walker and its accompanying catalogue reconsider societal, artistic, and structural failure—and its related expressions of hope.
Gordon Matta-Clark and Pope.L: Impossible failures
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$47.00
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"[The exhibition is] powerful and unhinged and overbuilt—a monument to the entropy of the postindustrial city, and the tenuous dance of its inhabitants." —New York Times Gordon Matta-Clark and Pope.L are esteemed for their respective interdisciplinary practices that examine the value and paradoxes of urban life as well as the risk inherent in art making. Utilizing performance, film, drawing, and various multimedia projects, the two artists often open up interstitial spaces by realizing sweeping gestures that take into account shifting, decentralized zones. Grounded in the concept of failure, the sixth exhibition at 52 Walker and its accompanying catalogue reconsider societal, artistic, and structural failure—and its related expressions of hope.
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livres
livres
Publication:
octobre 2024
octobre 2024
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livres
livres
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$90.00
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Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned(...)
$90.00
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Résumé:
Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned(...)
Titre:
What stands behind the flowers: Hilma af Klint
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$90.00
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Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes—representational and abstract—demonstrate the artist’s belief that close observation of nature reveals "what stands behind the flowers": ineffable aspects of the human character. Published in conjunction with the first public exhibition of this rare portfolio, ''Hilma af Klint: What Stands Behind the Flowers'' presents the drawings alongside contextualizing artworks and translations of the artist’s previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint’s portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works.
What stands behind the flowers: Hilma af Klint
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$90.00
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Résumé:
Across the spring and summer seasons of 1919 and 1920, Swedish artist Hilma af Klint engaged in a period of intense observation of nature, venturing into forests and fields and drawing the flowers she found there. The resulting 46 sheets comprise her ''Nature Studies'' portfolio, recently acquired by the Museum of Modern Art, New York. In pencil and jewel-toned watercolor, af Klint juxtaposed exquisitely rendered blossoms with enigmatic diagrams: a blooming sunflower is echoed by nested circles; lily of the valley is joined by a colorful checkerboard; catsfoot is set against a pair of mirrored spirals. Together, these two modes—representational and abstract—demonstrate the artist’s belief that close observation of nature reveals "what stands behind the flowers": ineffable aspects of the human character. Published in conjunction with the first public exhibition of this rare portfolio, ''Hilma af Klint: What Stands Behind the Flowers'' presents the drawings alongside contextualizing artworks and translations of the artist’s previously unpublished writings. An overview essay by curator Jodi Hauptman explores af Klint’s portfolio and the circumstances of its creation; texts by Ewa Lajer-Burcharth, Laura Neufeld and Lena Struwe unpack the imagery, materiality and botanical knowledge behind these works.
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livres
livres
Publication:
juin 2025
juin 2025
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livres
livres
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$79.95
(disponible en magasin)
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Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
$79.95
(disponible en magasin)
Résumé:
Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
Titre:
Yoseca Yanomami: Our forest land
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$79.95
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Résumé:
Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
Yoseca Yanomami: Our forest land
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$79.95
(disponible en magasin)
Résumé:
Joseca Yanomami (born 1971) is a member of the Indigenous Yanomami people in the brazilian Amazon. His drawings depict Yanomami culture and history and address the conflict between Indigenous and non-Indigenous peoples. This book reproduces 93 drawings held by MASP, the most substantial existing collection of his work.
Classification:
livres
livres
Publication:
juin 2023
juin 2023
