Ellsworth Kelly
$101.50
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Accompanying the large-scale traveling exhibition "Ellsworth Kelly at 100", this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art?from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed(...)
février 2024
Ellsworth Kelly
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$101.50
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Accompanying the large-scale traveling exhibition "Ellsworth Kelly at 100", this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art?from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, color, line and space through painting, sculpture, collage, drawing and photography. The fully illustrated publication highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as "Painting for a White Wall" (1952) and "Painting in Three Panels" (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is "Yellow Curve" (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly’s canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist’s studio and the Glenstone archives.
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
Ruth Asawa: Through line
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Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers(...)
Ruth Asawa: Through line
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Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers across materials and techniques; how Asawa’s drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers’s pedagogy and Asawa’s lifelong adoption of his type of paper folding. Tracing Asawa’s artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist’s drawings includes reproductions of more than one hundred works—many of which have never been published—organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.
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Koren’s insightful meditation is further distilled into eight rhetorical principles presented alognside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, ''Arranging Things'' offers an accessible strategy which can be used to analyse any arrangement. Back by popular demand, this new edition of ''Arranging(...)
Arranging things: A rhetoric of object placement
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Koren’s insightful meditation is further distilled into eight rhetorical principles presented alognside 23 idiosyncratic paintings by artist Nathalie Du Pasquier which illustrate the volume. With a welcoming tone, ''Arranging Things'' offers an accessible strategy which can be used to analyse any arrangement. Back by popular demand, this new edition of ''Arranging Things'' presents Du Pasquier’s artistic works in a generous format in celebration of Koren’s visual journey through the heart of design philosophy. Arranging Things is not merely a popular book on design; it is a landmark text, a practical manifesto of aesthetic beauty, one for brightening and broadening the way we understand and arrange our worlds.
Unearth 001: Shun Kadohashi
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''Unearth 001'' is Shun Kadohashi’s first book. It was published to coincide with aato gallery‘s exhibition ''Shapes and Paintings''. ''Unearth'' is a series of books exploring the practice and processes of artists working with ceramics.
Unearth 001: Shun Kadohashi
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''Unearth 001'' is Shun Kadohashi’s first book. It was published to coincide with aato gallery‘s exhibition ''Shapes and Paintings''. ''Unearth'' is a series of books exploring the practice and processes of artists working with ceramics.
Artists land nature
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This volume presents five important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcased — herman de vries, Chris Drury, Nikolaus Lang, Richard Long, and Giuseppe Pennone — do not belong to a particular school, they are united by their empathy for the natural world and their decision to work(...)
mars 2002, New York
Artists land nature
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This volume presents five important contemporary artists who work in the landscape and make use of the materials and processes of nature. While the artists showcased — herman de vries, Chris Drury, Nikolaus Lang, Richard Long, and Giuseppe Pennone — do not belong to a particular school, they are united by their empathy for the natural world and their decision to work outside the urban contexts of much modernist art. Profiles of each artist, based on specially commissioned interviews, and an essay placing their art in both historical and contemporary contexts accompany the illustrations.
John Piper : The forties
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This book re-examines the work of John Piper who, as well as being a prominent painter, printmaker and photographer, was an active figure in many cultural spheres during the 1940s when the foundations of his reputation were laid. The book brings together work that was officially commissioned during the Second World War and contextualises it with work from the pre-war(...)
octobre 2000, London
John Piper : The forties
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This book re-examines the work of John Piper who, as well as being a prominent painter, printmaker and photographer, was an active figure in many cultural spheres during the 1940s when the foundations of his reputation were laid. The book brings together work that was officially commissioned during the Second World War and contextualises it with work from the pre-war and post-war years. All aspects of Piper's work during the fories are examined, including theatre designs, architectural paintings, the Recording Britain project, his work as a war artist, neo-Romanticism, and Welsh landscape painting towards the end of the decade. In addition, the book features Piper's writings and criticism, his designs for film posters and book jackets, photographs, exhibition catalogues, sketchbooks and manuscript letters.
livres
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as(...)
décembre 1999, Cambridge, Mass.
Object to be destroyed : the work of Gordon Matta-Clark
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Although highly regarded during his short life--and honored by artists and architects today--the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s--particularly site-specific, conceptual, and minimalist practices--and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
livres
décembre 1999, Cambridge, Mass.
livres
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
Looking up : Rachel Whiteread's water tower
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A thorough documentation of Whiteread's "Water Tower" from notebook entries to the final completion of the resin tank, this book includes texts by Louise Neri, Molly Nesbitt, Luc Sante, Tom Eccles, and Neville Wakefield.
livres
septembre 1999, New York
$54.95
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Initié par l'artiste, l'architecte et scénographe tunisien Chedly Atallah, dont la pratique explore les changements géopolitiques dans le monde arabe à travers l'Histoire, l'architecture et les récits mythologiques, ''Matar, Matar, Matar'' est un travail sur le temps de la représentation et de la mémoire, une enquête artistique au cours de laquelle histoires de vie, passé(...)
juillet 2024
Chedly Atallah: Matar, Matar, Matar
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Initié par l'artiste, l'architecte et scénographe tunisien Chedly Atallah, dont la pratique explore les changements géopolitiques dans le monde arabe à travers l'Histoire, l'architecture et les récits mythologiques, ''Matar, Matar, Matar'' est un travail sur le temps de la représentation et de la mémoire, une enquête artistique au cours de laquelle histoires de vie, passé et actualités s'entrecroisent, autour de l'eau pour métaphore du souvenir.