1859 Résultats
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livres
livres
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Paysages d'entre-villes
Paysages d'entre-villes
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a(...)
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a(...)
Publication:
janvier 1900, Paris
janvier 1900, Paris
Titre:
Paysages d'entre-villes
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a rien à envier aux paysages extrêmes des romantiques. C'est dans les zones périphériques que l'on trouve aujourd'hui les mystères, les légendes, les frayeurs qui, autrefois, hantaient les forêts aux abords des villes et des villages. C'est cet équilibre instable et dynamique du paysage qu'abordent les artistes réunis dans le catalogue de cette exposition en confrontation avec la série "Sculpture pour l'architecture" que Zadkine a réalisée dans la deuxième moitié des années 1960.
Paysages d'entre-villes
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Douzième titre de la collection " l'atelier du sculpteur ", le catalogue Paysages d'entre-villes est consacré à la question du paysage contemporain, aux limites de la ville et de la nature sauvage dans ce qu'il est convenu d'appeler les terrains vagues, les territoires périphériques, les friches. Autan de paysage dont le lien direct avec nos craintes inconscientes n'a rien à envier aux paysages extrêmes des romantiques. C'est dans les zones périphériques que l'on trouve aujourd'hui les mystères, les légendes, les frayeurs qui, autrefois, hantaient les forêts aux abords des villes et des villages. C'est cet équilibre instable et dynamique du paysage qu'abordent les artistes réunis dans le catalogue de cette exposition en confrontation avec la série "Sculpture pour l'architecture" que Zadkine a réalisée dans la deuxième moitié des années 1960.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
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livres
livres
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$39.95
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This catalogue of the exhibition held in Donostia-San Sebastian in 2003 is extensively illustrated with colour photographs of the work of these four contemporary artists.
$39.95
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Résumé:
This catalogue of the exhibition held in Donostia-San Sebastian in 2003 is extensively illustrated with colour photographs of the work of these four contemporary artists.
Publication:
janvier 2003, Donostia-San Sebastian
janvier 2003, Donostia-San Sebastian
Titre:
Eccentric architectures : James Casebere, Magdalena Jetelová, Tadashi Kawamata, Georges Rousse, Edwin Zwakman.
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This catalogue of the exhibition held in Donostia-San Sebastian in 2003 is extensively illustrated with colour photographs of the work of these four contemporary artists.
Eccentric architectures : James Casebere, Magdalena Jetelová, Tadashi Kawamata, Georges Rousse, Edwin Zwakman.
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This catalogue of the exhibition held in Donostia-San Sebastian in 2003 is extensively illustrated with colour photographs of the work of these four contemporary artists.
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livres
livres
Publication:
janvier 2003, Donostia-San Sebastian
janvier 2003, Donostia-San Sebastian
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livres
livres
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$38.50
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature(...)
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature(...)
Titre:
Bureau of the Centre for the Study of Surrealism and its Legacy
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. Renowned for his work exploring taxonomy, archaeology and ecology, Mark Dion in his "Bureau" documents his opportunistic encounters with the Museum of Manchester’s neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, Egyptian fakes and the minutiae that have fallen through the cracks of museum practice and lain abandoned. Dion’s "Bureau of the Centre for the Study of Surrealism and its Legacy" is both a repository for the detritus of museum life and a working process, classifying the museum’s un-classifiable whilst exploring the bureaucratic workings of the institution.
Bureau of the Centre for the Study of Surrealism and its Legacy
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$38.50
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Recalling the short-lived Bureau de recherches surréalistes of 1924–1925 - part information centre and ‘public relations’ office, and part surrealist archive - Mark Dion has trawled the Manchester Museum’s own collections and found the raw material for this book and a new installation in the museum. Museums’ attempts to classify and present the world in miniature inevitably mean that much of their collections are forgotten and marginalized. Renowned for his work exploring taxonomy, archaeology and ecology, Mark Dion in his "Bureau" documents his opportunistic encounters with the Museum of Manchester’s neglected drawers and overlooked recesses that are home to redundant labels, orphaned mounts, defunct teaching models, botanical freaks, Egyptian fakes and the minutiae that have fallen through the cracks of museum practice and lain abandoned. Dion’s "Bureau of the Centre for the Study of Surrealism and its Legacy" is both a repository for the detritus of museum life and a working process, classifying the museum’s un-classifiable whilst exploring the bureaucratic workings of the institution.
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livres
livres
Publication:
avril 2005, London
avril 2005, London
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livres
livres
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Publication:
février 2008, Los Angeles, Köln
février 2008, Los Angeles, Köln
Titre:
Cosima Von Bonin Roger and out: fat female forty fade
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
Cosima Von Bonin Roger and out: fat female forty fade
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$67.00
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Over the last 15 years, von Bonin has produced sculpture, photography, textile "paintings," installation, performance, film, video and music--often combined in large installations. This generous survey addresses ideas of play, indoctrination, structure, improvisation, cultural and gender representations, identity and self-reflection--with both absurdity and humor.
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livres
livres
Publication:
février 2008, Los Angeles, Köln
février 2008, Los Angeles, Köln
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livres
livres
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$37.00
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
Publication:
mars 2008, Texas
mars 2008, Texas
Titre:
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
John Chamberlain The Foam Sculpture
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Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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livres
livres
Publication:
mars 2008, Texas
mars 2008, Texas
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livres
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$52.00
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red(...)
$52.00
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Résumé:
Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red(...)
Publication:
février 2008, Los Angeles
février 2008, Los Angeles
Titre:
Francis Alys. The politics of rehearsal
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$52.00
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red Volkswagen Beetle attempting to ascend a steep hill in Tijuana: its attempts are synchronized with the sound track of Mexican danzon musicians rehearsing. "Ensayo 2, 2005" follows the rehearsal of a dancer practicing a striptease, and "Ensayo 3" will be produced by Alys specifically for the exhibition. Other works include "When Faith Moves Mountains" and "Song for Lupita," as well as many paintings, photographs and drawings. This significant new publication contains a DVD and an in-depth exploration of Alys's oeuvre by Russell Ferguson, organizer of the exhibition, focusing on the theme of rehearsal, which is so characteristic of Alys' work.
Francis Alys. The politics of rehearsal
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Foreword by Ann Philbin. Edited and with text by Russell Ferguson. The Politics of Rehearsal accompanies the first large-scale American museum exhibit on Francis Alys, one of the most acclaimed artists working today. The centerpiece of the book is Alys' Rehearsal (Ensayo) series, but a number of related earlier works are included. "Ensayo 1, 1999-2000" shows a red Volkswagen Beetle attempting to ascend a steep hill in Tijuana: its attempts are synchronized with the sound track of Mexican danzon musicians rehearsing. "Ensayo 2, 2005" follows the rehearsal of a dancer practicing a striptease, and "Ensayo 3" will be produced by Alys specifically for the exhibition. Other works include "When Faith Moves Mountains" and "Song for Lupita," as well as many paintings, photographs and drawings. This significant new publication contains a DVD and an in-depth exploration of Alys's oeuvre by Russell Ferguson, organizer of the exhibition, focusing on the theme of rehearsal, which is so characteristic of Alys' work.
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livres
livres
Publication:
février 2008, Los Angeles
février 2008, Los Angeles
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livres
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$47.00
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et(...)
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et(...)
Publication:
octobre 2007, Lyon
octobre 2007, Lyon
Titre:
Wade Guyton - La salle de bains
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et réalisent pourtant un bouleversement complet des codes du modernisme. Elle sont produites à l’aide de très grandes imprimantes jet d’encre dans lesquelles Guyton fait passer plusieurs fois la toile pour y imprimer des motifs et lettrages dont les erreurs, les coulures et les défauts d’impression font partie du programme général de composition.
Wade Guyton - La salle de bains
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Monographie / livre d'artiste sous couverture transparente imprimée : reproduction sur papier glacé de 3 séries de printer drawings, réalisés à partir de pages de livres d’art ; texte de Vincent Pécoil. Né en 1972 à Hammond, Indiana, Wade Guyton vit et travaille à New York. Ses œuvres assument la structure et l’apparence de peintures au sens traditionnel du terme, et réalisent pourtant un bouleversement complet des codes du modernisme. Elle sont produites à l’aide de très grandes imprimantes jet d’encre dans lesquelles Guyton fait passer plusieurs fois la toile pour y imprimer des motifs et lettrages dont les erreurs, les coulures et les défauts d’impression font partie du programme général de composition.
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livres
livres
Publication:
octobre 2007, Lyon
octobre 2007, Lyon
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livres
livres
Titre:
Ensemble
Ensemble
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$23.00
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Published for the exhibition Ensemble, September 7 to December 16, 2007, at the Institute of Contemporary Art of the University of Pennsylvania.
$23.00
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Published for the exhibition Ensemble, September 7 to December 16, 2007, at the Institute of Contemporary Art of the University of Pennsylvania.
Publication:
avril 2008, Philadelphia
avril 2008, Philadelphia
Titre:
Ensemble
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$23.00
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Published for the exhibition Ensemble, September 7 to December 16, 2007, at the Institute of Contemporary Art of the University of Pennsylvania.
Ensemble
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Published for the exhibition Ensemble, September 7 to December 16, 2007, at the Institute of Contemporary Art of the University of Pennsylvania.
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livres
livres
Publication:
avril 2008, Philadelphia
avril 2008, Philadelphia
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livres
livres
Titre:
Daniel Buren
Daniel Buren
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$36.00
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This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
$36.00
(disponible en magasin)
Résumé:
This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
Publication:
mars 2008, London
mars 2008, London
Titre:
Daniel Buren
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$36.00
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Résumé:
This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
Daniel Buren
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$36.00
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This volume collects recent works by the French conceptualist known for his site specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing complex appropriated spatial structures.
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livres
livres
Publication:
mars 2008, London
mars 2008, London
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livres
livres
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$17.00
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
$17.00
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Résumé:
The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in(...)
Titre:
Liam Gillick. Woven/Intersected/Revised
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Liam Gillick. Woven/Intersected/Revised
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The woven/Intersected/Reciewed series, gathering preparatory material, documentation on the works, and essays by critics or the artists themselves, these volumes contribute a discussion around commissioning, the notions of public vs. private collection, and the relationship between artists and patrons. Liam Gillick’s book shows the realization of his designs in conference rooms, corridors, and offices, coinciding with his sustained interest in the negotiation of a middle ground between corporate culture and contemporary art. The volume is accompanied by an artist’s essay discussing the dissolution of the public/private dichotomy into a grey zone of semi-public/semi-private spheres.
Classification:
livres
livres
Publication:
mars 2008, Lugano
mars 2008, Lugano
