1823 Résultats
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livres
livres
Titre:
Rachel Harrison If I did it
Rachel Harrison If I did it
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Gracing the cover jacket of Rachel Harrison's highly anticipated second monograph is an informal monument to the man who holds the Americas' namesake. The only hint to this memorial for the 15th century Italian explorer, Amerigo Vespucci, is an apple resting on an outcropping of neon-green cement; of course the fact that the apple is not only artificial but has a bite(...)
$56.00
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Résumé:
Gracing the cover jacket of Rachel Harrison's highly anticipated second monograph is an informal monument to the man who holds the Americas' namesake. The only hint to this memorial for the 15th century Italian explorer, Amerigo Vespucci, is an apple resting on an outcropping of neon-green cement; of course the fact that the apple is not only artificial but has a bite(...)
Publication:
mars 2008, Zurich
mars 2008, Zurich
Titre:
Rachel Harrison If I did it
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$56.00
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Résumé:
Gracing the cover jacket of Rachel Harrison's highly anticipated second monograph is an informal monument to the man who holds the Americas' namesake. The only hint to this memorial for the 15th century Italian explorer, Amerigo Vespucci, is an apple resting on an outcropping of neon-green cement; of course the fact that the apple is not only artificial but has a bite taken out of it suggests otherwise to the discovery of these "Edenic" continents. This slight yet important fact raises the basic concept of if i did it: the active disavowal of art's political function as a museological testament to the "progress" of social history. By tossing off this monumental propensity, Harrison builds "antimonuments;" not so much sculptures but lumpen aggregates of pop psychology. In addition to Vespucci, throughout the book, one finds that celebrities Johnny Depp and Tiger Woods are included in a pantheon with John Locke and 18th century Corsican revolutionary Pasquale Paoli, meanwhile Al Gore checks the temperature, Claude Levi-Strauss checks the door with a taxidermied hen and rooster and a bi-curious Alexander the Great is the master of ceremonies. The title, taken from O.J. Simpson's infamous "hypothetical" account of his murder of Nicole Brown Simpson and Donald Goldman, groups this role call of high- and low- brow idols into a nonhierarchical tableau where cultural and political value are allotted only where one sees fit.
Rachel Harrison If I did it
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$56.00
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Résumé:
Gracing the cover jacket of Rachel Harrison's highly anticipated second monograph is an informal monument to the man who holds the Americas' namesake. The only hint to this memorial for the 15th century Italian explorer, Amerigo Vespucci, is an apple resting on an outcropping of neon-green cement; of course the fact that the apple is not only artificial but has a bite taken out of it suggests otherwise to the discovery of these "Edenic" continents. This slight yet important fact raises the basic concept of if i did it: the active disavowal of art's political function as a museological testament to the "progress" of social history. By tossing off this monumental propensity, Harrison builds "antimonuments;" not so much sculptures but lumpen aggregates of pop psychology. In addition to Vespucci, throughout the book, one finds that celebrities Johnny Depp and Tiger Woods are included in a pantheon with John Locke and 18th century Corsican revolutionary Pasquale Paoli, meanwhile Al Gore checks the temperature, Claude Levi-Strauss checks the door with a taxidermied hen and rooster and a bi-curious Alexander the Great is the master of ceremonies. The title, taken from O.J. Simpson's infamous "hypothetical" account of his murder of Nicole Brown Simpson and Donald Goldman, groups this role call of high- and low- brow idols into a nonhierarchical tableau where cultural and political value are allotted only where one sees fit.
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livres
livres
Publication:
mars 2008, Zurich
mars 2008, Zurich
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livres
livres
Prix:
$74.00
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Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the(...)
$74.00
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Résumé:
Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the(...)
Publication:
décembre 2007, Brussels
décembre 2007, Brussels
Titre:
Josh Smith. Christopher Wool. Can your monkey do the dog
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$74.00
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Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the two artists and a new "stratum" superimposed on the previous one... The absence of constraints and lack of mutual censorship regulates the alternating interventions. Only the choice to keep or not to keep the work at the end of the successive alterations is made by "common consent". Once the images have been fully reshaped, they are converted to black and white. Eventually, it becomes impossibe for the artists themselves to distinguish precisely who has done what within this pictorial triangle.
Josh Smith. Christopher Wool. Can your monkey do the dog
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$74.00
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Résumé:
Thanks to the digital imaging and to graphic editors such as Photoshop, Christopher Wool and Josh Smith create here artworks "for four hands". To start, one of them proposes an image representing a work from his corpus. From this basic picture, the other generates another image by reworking it, by adding and/or removing elements. A third layer is then added by one ot the two artists and a new "stratum" superimposed on the previous one... The absence of constraints and lack of mutual censorship regulates the alternating interventions. Only the choice to keep or not to keep the work at the end of the successive alterations is made by "common consent". Once the images have been fully reshaped, they are converted to black and white. Eventually, it becomes impossibe for the artists themselves to distinguish precisely who has done what within this pictorial triangle.
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livres
livres
Publication:
décembre 2007, Brussels
décembre 2007, Brussels
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livres
livres
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$52.00
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Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity(...)
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Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity(...)
Publication:
février 2008, New York
février 2008, New York
Titre:
Romare Bearden a black odyssey
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Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity to play professional baseball for the Philadelphia Athletics. But it is for his rich and textured collages that Bearden is best known today. In 1977, Bearden created a sequence of 20 collages based on episodes from Homer's Odyssey. It may come as a surprise to even his most avid followers that this devoted chronicler of African American culture and the Harlem Renaissance would gravitate to such a canonical text. But in the essay accompanying Romare Bearden: A Black Odyssey, scholar Robert G. O'Meally argues for their thematic consistency and suggests that, in the figures of Odysseus, Penelope, Poseidon, Nausicca and others, Bearden found themes sympathetic to the African American experience. These motifs of wandering, mourning and the questing for home--considering Bearden's scores of interiors and exteriors, country and city life and depictions of family love--emerge as the central themes of all his art. Romare Bearden: A Black Odyssey, the first in-depth consideration of these collages since they were originally exhibited 30 years ago, will prove a surprise to Bearden fans and newcomers alike.
Romare Bearden a black odyssey
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Romare Bearden (1911-1988) had a true Renaissance sensibility. He was a fine artist who also successfully turned his hand to printmaking, writing, costume and set design, as well as composing jazz music. In addition, he helped to found the Studio Museum in Harlem, New York's Cinque Gallery and the Black Academy of Arts and Letters, and was once even offered an opportunity to play professional baseball for the Philadelphia Athletics. But it is for his rich and textured collages that Bearden is best known today. In 1977, Bearden created a sequence of 20 collages based on episodes from Homer's Odyssey. It may come as a surprise to even his most avid followers that this devoted chronicler of African American culture and the Harlem Renaissance would gravitate to such a canonical text. But in the essay accompanying Romare Bearden: A Black Odyssey, scholar Robert G. O'Meally argues for their thematic consistency and suggests that, in the figures of Odysseus, Penelope, Poseidon, Nausicca and others, Bearden found themes sympathetic to the African American experience. These motifs of wandering, mourning and the questing for home--considering Bearden's scores of interiors and exteriors, country and city life and depictions of family love--emerge as the central themes of all his art. Romare Bearden: A Black Odyssey, the first in-depth consideration of these collages since they were originally exhibited 30 years ago, will prove a surprise to Bearden fans and newcomers alike.
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livres
livres
Publication:
février 2008, New York
février 2008, New York
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Résumé:
Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen(...)
$27.95
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Résumé:
Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen(...)
Publication:
mars 2008, London/Massachusetts
mars 2008, London/Massachusetts
Titre:
The everyday: Documents on contemporary art
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Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen Ruppersberg, Daniel Spoerri, Wolfgang Tillmans, Mierle Laderman Ukeles, Andy Warhol, Richard Wentworth, Stephen Willats. Writers include: Paul Auster, Maurice Blanchot, Geoff Dyer, Hal Foster, Suzy Gablik, Ben Highmore, Henri Lefebvre, Lucy R. Lippard, Michel Maffesoli, Helen Molesworth, Nikos Papastergiadis, Georges Perec, John Roberts, David Ross, Nicholas Serota, Michael Sheringham, Alison and Peter Smithson, Abigail Solomon-Godeau, Jeff Wall, Jonathan Watkins. About the Editor: Stephen Johnstone is a London-based artist and filmmaker and a Senior Lecturer in the Department of Art at Goldsmiths College, London. Since 1993, he has worked collaboratively with Graham Ellard, and their film and video work has been exhibited in museums and galleries including the Centre Pompidou, the Tate Liverpool, the Museum of Modern Art, Sydney, and the National Film Theatre, London.
The everyday: Documents on contemporary art
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Artists surveyed include: Chantal Akerman, Francis Alÿs, Vladimir Arkhipov, Ian Breakwell, Stanley Brouwn, Sophie Calle, Marcel Duchamp, Fischli & Weiss, Nan Goldin, Dan Graham, Mona Hatoum, Susan Hiller, Ilya and Emilia Kabakov, Mary Kelly, Lettrist International, Jonas Mekas, Annette Messager, Aleksandra Mir, Roman Ondák, Yoko Ono, Gabriel Orozco, Martha Rosler, Allen Ruppersberg, Daniel Spoerri, Wolfgang Tillmans, Mierle Laderman Ukeles, Andy Warhol, Richard Wentworth, Stephen Willats. Writers include: Paul Auster, Maurice Blanchot, Geoff Dyer, Hal Foster, Suzy Gablik, Ben Highmore, Henri Lefebvre, Lucy R. Lippard, Michel Maffesoli, Helen Molesworth, Nikos Papastergiadis, Georges Perec, John Roberts, David Ross, Nicholas Serota, Michael Sheringham, Alison and Peter Smithson, Abigail Solomon-Godeau, Jeff Wall, Jonathan Watkins. About the Editor: Stephen Johnstone is a London-based artist and filmmaker and a Senior Lecturer in the Department of Art at Goldsmiths College, London. Since 1993, he has worked collaboratively with Graham Ellard, and their film and video work has been exhibited in museums and galleries including the Centre Pompidou, the Tate Liverpool, the Museum of Modern Art, Sydney, and the National Film Theatre, London.
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livres
livres
Publication:
mars 2008, London/Massachusetts
mars 2008, London/Massachusetts
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livres
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$42.00
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Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which(...)
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Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which(...)
Titre:
Erik Steinbrecher: Minimalist Kitsch
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$42.00
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Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which at first seems to be an ironic reply to the assumed purity of Minimalism, represents the very substance of Steinbrecher's work: "Minimalist Kitsch" signifies a productive contradiction between reduction and immoderation. Minimalist Kitsch offers readers some background on the artist's career, which has largely matured off of the American stage, and recent works, including several seen for the first time here.
Erik Steinbrecher: Minimalist Kitsch
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$42.00
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Résumé:
Erik Steinbrecher, an artist who also has training as an architect, was born in 1963 in Basel, and currently works in Berlin. His oeuvre, which includes an archive of more than 20,000 photographs, as well as sculptures and installations based on those images, has been shown at Documenta X (on bus shelters), and at P.S.1 (Couch Park). The title of this new monograph, which at first seems to be an ironic reply to the assumed purity of Minimalism, represents the very substance of Steinbrecher's work: "Minimalist Kitsch" signifies a productive contradiction between reduction and immoderation. Minimalist Kitsch offers readers some background on the artist's career, which has largely matured off of the American stage, and recent works, including several seen for the first time here.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Classification:
livres
livres
Titre:
Like origami gone wrong
Like origami gone wrong
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$34.00
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
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Résumé:
Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
Titre:
Like origami gone wrong
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$34.00
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Résumé:
Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
Like origami gone wrong
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$34.00
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Résumé:
Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
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livres
livres
Publication:
octobre 2007, Thun
octobre 2007, Thun
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livres
livres
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$89.95
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle(...)
$89.95
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle(...)
Titre:
Les fleurs du mal illustrées par la peinture symboliste et décadente
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$89.95
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Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle finissant. Cette complicité des arts souligne autant les préoccupations baudelairiennes que celles d'artistes non moins visionnaires: la volonté d'exprimer par des images fortes les aspirations et les désillusions d'une génération dont la sensibilité s'exacerbe à la recherche de la vérité.
Les fleurs du mal illustrées par la peinture symboliste et décadente
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$89.95
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Résumé:
Cet ouvrage réunit l'intégralité des poèmes des Fleurs du Mal de Charles Baudelaire illustrés par cent quatre-vingt-cinq œuvres peintes, dessinées, lithographiées, aquarellées, essentiellement de la seconde moitié du XIXe siècle. Il révèle les correspondances multiples qui existent entre l'œuvre phare que constituent Les Fleurs du Mal et la peinture du XIXe siècle finissant. Cette complicité des arts souligne autant les préoccupations baudelairiennes que celles d'artistes non moins visionnaires: la volonté d'exprimer par des images fortes les aspirations et les désillusions d'une génération dont la sensibilité s'exacerbe à la recherche de la vérité.
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livres
livres
Publication:
novembre 2007, Paris
novembre 2007, Paris
Classification:
livres
livres
Titre:
Murakami Takashi
Murakami Takashi
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$84.00
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Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects(...)
$84.00
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Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects(...)
Publication:
octobre 2007, Los Angeles, New York
octobre 2007, Los Angeles, New York
Titre:
Murakami Takashi
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$84.00
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Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.
Murakami Takashi
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Takashi Murakami is one of contemporary art’s most innovative and important figures. Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.
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livres
livres
Publication:
octobre 2007, Los Angeles, New York
octobre 2007, Los Angeles, New York
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livres
livres
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$19.95
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Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature(...)
$19.95
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Résumé:
Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature(...)
Publication:
mai 2007, Marseille
mai 2007, Marseille
Titre:
Découvrez votre artiste favori
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$19.95
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Résumé:
Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature privée, et il est essentiel d'y répondre de la façon la plus honnête et directe qui soit. Vous observerez toutefois que les questions deviennent de plus en plus aisées à mesure du déroulement de ce test. Quoi qu'il est soit, nous ne souhaitons pas que cet exercice vous soit inconfortable.
Découvrez votre artiste favori
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Prix:
$19.95
(disponible sur commande)
Résumé:
Nous sommes ici pour répondre à vos besoins. Le test Latenta à choix multiples vous offre une opportunité unique de découvrir votre artiste favori: son profil psychologique, le genre de travail qu'il produit, son attitude envers son oeuvre, son public. Pour obtenir un résultat le plus précis possible, il est important de répondre à des question qui sont parfois de nature privée, et il est essentiel d'y répondre de la façon la plus honnête et directe qui soit. Vous observerez toutefois que les questions deviennent de plus en plus aisées à mesure du déroulement de ce test. Quoi qu'il est soit, nous ne souhaitons pas que cet exercice vous soit inconfortable.
Classification:
livres
livres
Publication:
mai 2007, Marseille
mai 2007, Marseille
Classification:
livres
livres
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$35.00
(disponible sur commande)
Résumé:
Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making(...)
$35.00
(disponible sur commande)
Résumé:
Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making(...)
Titre:
Inhabiting : The works of Isabelle Hayeur / Habiter : les oeuvres d'Isabelle Hayeur
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making an acerbic comment on the residential folly that has led to the exponential growth of the suburbs.
Inhabiting : The works of Isabelle Hayeur / Habiter : les oeuvres d'Isabelle Hayeur
Actions:
Prix:
$35.00
(disponible sur commande)
Résumé:
Through her choice of images and themes, Hayeur expresses an anxiety about the way humanity has come to occupy the natural territory. The representation not only of a site but of what has happened to it turns her work into something akin to history painting. A history painting that expresses a moral judgment on the rapid degradation of the natural world while also making an acerbic comment on the residential folly that has led to the exponential growth of the suburbs.
Classification:
livres
livres
Publication:
juillet 2006, Oakville
juillet 2006, Oakville
