1823 Résultats
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livres
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Résumé:
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
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Résumé:
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own(...)
Publication:
octobre 2006, Cambridge, Mass.
octobre 2006, Cambridge, Mass.
Titre:
Sensorium : embodied experience, technology, and contemporary art
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The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Sensorium : embodied experience, technology, and contemporary art
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Résumé:
The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In "Sensorium", contemporary artists and writers explore the implications of the techno-human interface. Ten artists, chosen by an international team of curators, offer their own edgy investigations of embodied technology and the technologized body. These range from Matthieu Briand's experiment in "controlled schizophrenia" and Janet Cardiff and Georges Bures Miller's uneasy psychological soundscapes to Bruce Nauman's uncanny night visions and François Roche's destabilized architecture. The art in "Sensorium" - which accompanies an exhibition at the MIT List Visual Arts Center - captures the aesthetic attitude of this hybrid moment, when modernist segmentation of the senses is giving way to dramatic multisensory mixes or transpositions. Artwork by each artist appears with an analytical essay by a curator, all of it prefaced by an anchoring essay on "The Mediated Sensorium" by Caroline Jones. In the second half of "Sensorium", scholars, scientists, and writers contribute entries to an "Abecedarius of the New Sensorium." These short, playful pieces include Bruno Latour on "Air," Barbara Maria Stafford on "Hedonics," Michel Foucault (from a little-known 1966 radio lecture) on the "Utopian Body," Donna Haraway on "Compoundings," and Neal Stephenson on the "Viral." Sensorium is both forensic and diagnostic, viewing the culture of the technologized body from the inside, by means of contemporary artists' provocations, and from a distance, in essays that situate it historically and intellectually.
Classification:
livres
livres
Publication:
octobre 2006, Cambridge, Mass.
octobre 2006, Cambridge, Mass.
Classification:
livres
livres
Prix:
$30.95
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Résumé:
Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and(...)
$30.95
(disponible en magasin)
Résumé:
Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and(...)
Titre:
Thomas Demand / Hans Ulrich Obrist : the conversation series 10
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Résumé:
Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and rules of operation, the reconstruction and reverberation of history, work processes, studio realities and significant exhibitions of recent years. This wide-ranging conversation, modestly illustrated with black-and-white images, is as intelligent as it is revealing, giving the reader an unprecedented glimpse into the minds of two of the most brilliant players on the international art scene. Demand lives between Berlin and New York, where a retrospective of his work was shown at The Museum of Modern Art in 2005. Hans Ulrich Obrist is the Co-Director of the Musee d'Art Moderne de la Ville de Paris, as well as the Serpentine Gallery, London, where he lives and works.
Thomas Demand / Hans Ulrich Obrist : the conversation series 10
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Résumé:
Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and rules of operation, the reconstruction and reverberation of history, work processes, studio realities and significant exhibitions of recent years. This wide-ranging conversation, modestly illustrated with black-and-white images, is as intelligent as it is revealing, giving the reader an unprecedented glimpse into the minds of two of the most brilliant players on the international art scene. Demand lives between Berlin and New York, where a retrospective of his work was shown at The Museum of Modern Art in 2005. Hans Ulrich Obrist is the Co-Director of the Musee d'Art Moderne de la Ville de Paris, as well as the Serpentine Gallery, London, where he lives and works.
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livres
livres
Publication:
juillet 2007, Köln
juillet 2007, Köln
Classification:
livres
livres
Prix:
$24.00
(disponible en magasin)
Résumé:
"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a(...)
$24.00
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Résumé:
"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a(...)
Publication:
juillet 2007, Cologne
juillet 2007, Cologne
Titre:
Yona Friedman / Hans Ulrich Obrist : the conversation series 7
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$24.00
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Résumé:
"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known for his 1958 manifesto, L'Architecture mobile, Friedman's ideas have remained influential. His work was featured at the 2002 Documenta.
Yona Friedman / Hans Ulrich Obrist : the conversation series 7
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$24.00
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Résumé:
"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known for his 1958 manifesto, L'Architecture mobile, Friedman's ideas have remained influential. His work was featured at the 2002 Documenta.
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livres
livres
Publication:
juillet 2007, Cologne
juillet 2007, Cologne
Classification:
livres
livres
Titre:
Mamma Andersson
Mamma Andersson
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$72.00
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The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled(...)
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Résumé:
The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled(...)
Publication:
mai 2007, Göttingen / London
mai 2007, Göttingen / London
Titre:
Mamma Andersson
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Résumé:
The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled with elements from myths, films and dreams, the absurd and the realistic, in the same picture. Her early works feature children in vast landscapes, echoing her own childhood in northern Sweden. The figures are set, each separately, in forests, by lakes, in the countryside. This rural setting later gives way to the interiors of the art world – cluttered framers’ workshops, libraries and elegant salons with finely ornamented objects. More recently, these rooms have opened up towards new worlds, where dream and reality seem to be careening. Whatever motifs she paints, the atmosphere appears to be fairly constant: a form of serenity in between finding and forgetting. The titles underline the ambiguity, explaining nothing but running parallel with the paintings.
Mamma Andersson
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The Swedish painter Karin Mamma Andersson works with a highly idiosyncratic imagery, engendered by the mysteries of dreams, fairytales and everyday life. She paints with an indefatigable passion for storytelling, spreading the paint thickly with broad, sweeping gestures, or dryly and sparsely, across the canvas. Glimmering beauty and dark maelstroms of doom are sampled with elements from myths, films and dreams, the absurd and the realistic, in the same picture. Her early works feature children in vast landscapes, echoing her own childhood in northern Sweden. The figures are set, each separately, in forests, by lakes, in the countryside. This rural setting later gives way to the interiors of the art world – cluttered framers’ workshops, libraries and elegant salons with finely ornamented objects. More recently, these rooms have opened up towards new worlds, where dream and reality seem to be careening. Whatever motifs she paints, the atmosphere appears to be fairly constant: a form of serenity in between finding and forgetting. The titles underline the ambiguity, explaining nothing but running parallel with the paintings.
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livres
livres
Publication:
mai 2007, Göttingen / London
mai 2007, Göttingen / London
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livres
livres
Prix:
$57.00
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Résumé:
Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui(...)
$57.00
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Résumé:
Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui(...)
Publication:
janvier 2006, Paris
janvier 2006, Paris
Titre:
In situ : un panorama de l'art urbain de 1975 à nos jours
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Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui cependant, une nouvelle génération d'artistes, dont beaucoup ont grandi le Posca à la main, revisite l'esthétique de la rue. Après l'effervescence des années 80 et la répression des années 90, cette " nouvelle vague " marie les techniques, multiplie les supports et développe un langage plastique original en marge des circuits officiels. C'est à un panorama de l'art urbain que In Situ nous convie. L'ouvrage revient sur l'apparition et le développement de cette mouvance foisonnante et dresse un état des lieux des pratiques. Les artistes y racontent leur parcours, expliquent leur démarche, analysent et commentent un mode d'expression dont la vitalité séduit les citadins.
In situ : un panorama de l'art urbain de 1975 à nos jours
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Résumé:
Un coup d'œil attentif aux murs des grandes villes suffit à s'en convaincre : l'art a conquis la rue. Malgré l'interdiction proclamée par la République, affiches, pochoirs ou graffitis rehaussent de couleurs l'environnement des citadins. Le phénomène n'est pas nouveau. Depuis quarante ans, des plasticiens questionnent la ville et y exposent leurs œuvres. Aujourd'hui cependant, une nouvelle génération d'artistes, dont beaucoup ont grandi le Posca à la main, revisite l'esthétique de la rue. Après l'effervescence des années 80 et la répression des années 90, cette " nouvelle vague " marie les techniques, multiplie les supports et développe un langage plastique original en marge des circuits officiels. C'est à un panorama de l'art urbain que In Situ nous convie. L'ouvrage revient sur l'apparition et le développement de cette mouvance foisonnante et dresse un état des lieux des pratiques. Les artistes y racontent leur parcours, expliquent leur démarche, analysent et commentent un mode d'expression dont la vitalité séduit les citadins.
Classification:
livres
livres
Publication:
janvier 2006, Paris
janvier 2006, Paris
Classification:
livres
livres
Titre:
Art conceptuel
Art conceptuel
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Résumé:
Dans les années soixante, l'artiste américain Sol LeWitt propose la dénomination " Art conceptuel " pour désigner une pratique artistique qui relègue la réalisation de l'œuvre d'art à l'arrière-plan des considérations esthétiques. En revanche, l'accent y est mis sur le concept ou l'idée qui la sous-tend. Les travaux de facture artisanale sont ainsi relayés par des(...)
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Résumé:
Dans les années soixante, l'artiste américain Sol LeWitt propose la dénomination " Art conceptuel " pour désigner une pratique artistique qui relègue la réalisation de l'œuvre d'art à l'arrière-plan des considérations esthétiques. En revanche, l'accent y est mis sur le concept ou l'idée qui la sous-tend. Les travaux de facture artisanale sont ainsi relayés par des(...)
Titre:
Art conceptuel
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Dans les années soixante, l'artiste américain Sol LeWitt propose la dénomination " Art conceptuel " pour désigner une pratique artistique qui relègue la réalisation de l'œuvre d'art à l'arrière-plan des considérations esthétiques. En revanche, l'accent y est mis sur le concept ou l'idée qui la sous-tend. Les travaux de facture artisanale sont ainsi relayés par des esquisses, des écrits, voire des instructions qui valent œuvre à part entière. Un aspect important de l'art conceptuel est en fait la dématérialisation de l'œuvre d'art, et, partant, l'accomplissement de l'œuvre dans l'imagination du spectateur, qui en réactualise constamment le concept. Au vu de l'inhérente critique institutionnelle qui le caractérise et par sa remise en question de la conception traditionnelle de l'art, l'art conceptuel revêt une importance d'actualité en tant que modèle alternatif, notamment à une époque marquée par le déferlement incessant d'images et la réanimation de formes d'art réputées conservatrices comme la peinture.
Art conceptuel
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Dans les années soixante, l'artiste américain Sol LeWitt propose la dénomination " Art conceptuel " pour désigner une pratique artistique qui relègue la réalisation de l'œuvre d'art à l'arrière-plan des considérations esthétiques. En revanche, l'accent y est mis sur le concept ou l'idée qui la sous-tend. Les travaux de facture artisanale sont ainsi relayés par des esquisses, des écrits, voire des instructions qui valent œuvre à part entière. Un aspect important de l'art conceptuel est en fait la dématérialisation de l'œuvre d'art, et, partant, l'accomplissement de l'œuvre dans l'imagination du spectateur, qui en réactualise constamment le concept. Au vu de l'inhérente critique institutionnelle qui le caractérise et par sa remise en question de la conception traditionnelle de l'art, l'art conceptuel revêt une importance d'actualité en tant que modèle alternatif, notamment à une époque marquée par le déferlement incessant d'images et la réanimation de formes d'art réputées conservatrices comme la peinture.
Classification:
livres
livres
Publication:
janvier 2006, Cologne
janvier 2006, Cologne
Classification:
livres
livres
Titre:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Publication:
février 2009, Alberta
février 2009, Alberta
Titre:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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$20.00
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Résumé:
Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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livres
livres
Publication:
février 2009, Alberta
février 2009, Alberta
Classification:
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livres
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$69.95
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound(...)
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound(...)
Titre:
Boris Mikhailov: yesterday's sandwich
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound boards and enclosed within a specially created folder and slip case Yesterday's Sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society
Boris Mikhailov: yesterday's sandwich
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$69.95
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An extraordinary double world of Soviet drudgery Juxtaposed with sex and beauty, created by Boris Mikhailov, one of the most Influential photographers from the former Soviet Union Previously unpublished due to artistic restrictions imposed during the Communist era, this is a unique and highly collectible object, formed of 52 colour tableaux printed on separate unbound boards and enclosed within a specially created folder and slip case Yesterday's Sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society
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livres
livres
Publication:
février 2009
février 2009
Classification:
livres
livres
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$34.00
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
Publication:
mars 2009, Rotterdam
mars 2009, Rotterdam
Titre:
Tempting fate by swimming alone
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
Tempting fate by swimming alone
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$34.00
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This first monograph on British performance artist William Hunt (born in 1977) is designed to unfold to 43 x 33 inches, revealing a performatively produced silk screen of the artist's body. Produced in a limited edition of 500. 1 pg folded into 28 sections / 8 duotone
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livres
livres
Publication:
mars 2009, Rotterdam
mars 2009, Rotterdam
Classification:
livres
livres
Titre:
Michael Hakimi
Michael Hakimi
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$46.00
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
$46.00
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Résumé:
The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative(...)
Titre:
Michael Hakimi
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The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
Michael Hakimi
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$46.00
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Résumé:
The murals, computer images, paper works, drawings and objects of Berlin-based Michael Hakimi are combined in site-specific installations to form intricate networks of meaning. Hakimi expands the function of his formally reduced, two-dimensional images by means of his interventions, emphasizing the semantic divide between object and sign. The artist examines the narrative potential of symbols and basic geometric shapes through the collagelike interaction of his works with readymades of the simplest materials. His installation "Large Oven" (2004), for example, realized for the Kunstverein Hamburg, and the spatial project "Roof" (2007), produced for the Kunsthalle Basel, both of which are comprehensively documented for the first time in the present publication, create walk-in scenarios reflecting social, political and urban realities. Beyond these works, this retrospective monograph presents all of Hakimi's work since 2002.
Classification:
livres
livres
Publication:
mars 2009, Ostfildern
mars 2009, Ostfildern
