1823 Résultats
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livres
livres
Titre:
Julie Mehretu: city sitings
Julie Mehretu: city sitings
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
$46.00
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Résumé:
Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
Publication:
février 2009, Detroit
février 2009, Detroit
Titre:
Julie Mehretu: city sitings
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
Julie Mehretu: city sitings
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Published on the occasion of the exhibition Julie Mehretu City Sitings organised by the Detroit Institute of Arts.
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livres
livres
Publication:
février 2009, Detroit
février 2009, Detroit
Classification:
livres
livres
Titre:
Chris Johanson: Totalities
Chris Johanson: Totalities
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$54.00
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of(...)
$54.00
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Résumé:
This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of(...)
Titre:
Chris Johanson: Totalities
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$54.00
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of the wood used in the exhibition was recycled, either from New York State, from dumpsters near the artist's Brooklyn studio or from discarded art-shipping crates. The artist even asked his friends and acquaintances for scraps of wood, endeavoring to give his materials a third life. In this volume, he alludes to the degradation of the planet and the beauty of the world through art, reminding us all of our terrestrial responsibilities.
Chris Johanson: Totalities
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$54.00
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This book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals-how they live within themselves, and how they are affected by humans-with an emphasis on conservation. All of the wood used in the exhibition was recycled, either from New York State, from dumpsters near the artist's Brooklyn studio or from discarded art-shipping crates. The artist even asked his friends and acquaintances for scraps of wood, endeavoring to give his materials a third life. In this volume, he alludes to the degradation of the planet and the beauty of the world through art, reminding us all of our terrestrial responsibilities.
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livres
livres
Publication:
février 2009
février 2009
Classification:
livres
livres
Titre:
The Klee universe
The Klee universe
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$72.00
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
$72.00
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Résumé:
There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes(...)
Titre:
The Klee universe
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$72.00
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There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
The Klee universe
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$72.00
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Résumé:
There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism “Art does not reproduce the visible, rather it makes visible” testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.
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livres
livres
Publication:
janvier 2009, Berlin
janvier 2009, Berlin
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livres
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$70.00
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted(...)
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted(...)
Publication:
janvier 2009, London, Ostfildern
janvier 2009, London, Ostfildern
Titre:
Gerhard Richter : 4900 Colours
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$70.00
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted squares of glass in seventy-two colors. Published on the occasion of the exhibition "Gerhard Richter 4900 colours : version II" held at the Serpentine Gallery, London, 23 September - 16 November 2008.
Gerhard Richter : 4900 Colours
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Gerhard Richter’s 4900 Colours from 2007 is a major new work consisting of bright monochrome squares that have been randomly arranged in a grid pattern to create stunning fields of kaleidoscopic color. It was produced at the same time he developed his design for the south transept window of Cologne Cathedral, unveiled in August 2007, which is made up of 11,500 handcrafted squares of glass in seventy-two colors. Published on the occasion of the exhibition "Gerhard Richter 4900 colours : version II" held at the Serpentine Gallery, London, 23 September - 16 November 2008.
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livres
livres
Publication:
janvier 2009, London, Ostfildern
janvier 2009, London, Ostfildern
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livres
livres
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$99.00
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
$99.00
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Résumé:
Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
Titre:
The third mind: american artists contemplate Asia, 1860-1989
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$99.00
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
The third mind: american artists contemplate Asia, 1860-1989
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$99.00
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Résumé:
Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
Classification:
livres
livres
Publication:
janvier 2009, New York
janvier 2009, New York
Classification:
livres
livres
Titre:
Light art
Light art
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$55.00
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This is a volume on Light Art, the current in contemporary art that uses artificial light as its primary expressive instrument. In the first section an extensive introductory essay by Amnon Barzel underlines how practically interrupted study into the chromatic values of light have been part of the history of art from its very beginnings right through to the most(...)
$55.00
(disponible sur commande)
Résumé:
This is a volume on Light Art, the current in contemporary art that uses artificial light as its primary expressive instrument. In the first section an extensive introductory essay by Amnon Barzel underlines how practically interrupted study into the chromatic values of light have been part of the history of art from its very beginnings right through to the most(...)
Publication:
juillet 2006, 2005
juillet 2006, 2005
Titre:
Light art
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$55.00
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Résumé:
This is a volume on Light Art, the current in contemporary art that uses artificial light as its primary expressive instrument. In the first section an extensive introductory essay by Amnon Barzel underlines how practically interrupted study into the chromatic values of light have been part of the history of art from its very beginnings right through to the most recent developments, recalling the experiences of Caravaggio and de La Tour regarding internal light and the expressionists for external light, thus underlining how the invention of artificial light has enriched the light-art relationship opening a fascinating new chapter, inaugurated by the experiments carried out from the fifties by artists such as Fontana, Flavin, Merz and others. A text by Paolo Targetti follows dealing with the fundamental role played by the relationship between art and industry in contemporary art. Consuelo de Gara conducts an extended interview of James Turrell, the US artist unanimously considered the greatest master of Light Art. The second section is devoted to the Targetti Light Art Collection, one of the most prestigious collections in the world dealing with artificial light. The images and description of each of the works which make up the collection are accompanied by a retrospective critical text on the artists who created them. Among the artists presented are some of considerable fame including Olafur Eliasson, Gilberto Zorio, Anne and Patrick Poirier, Fabrizio Plessi and Hidetoshi Nagasawa as well as young up-and-coming talents, winners of the first four editions of the International Targetti Light Art Prize.
Light art
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$55.00
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Résumé:
This is a volume on Light Art, the current in contemporary art that uses artificial light as its primary expressive instrument. In the first section an extensive introductory essay by Amnon Barzel underlines how practically interrupted study into the chromatic values of light have been part of the history of art from its very beginnings right through to the most recent developments, recalling the experiences of Caravaggio and de La Tour regarding internal light and the expressionists for external light, thus underlining how the invention of artificial light has enriched the light-art relationship opening a fascinating new chapter, inaugurated by the experiments carried out from the fifties by artists such as Fontana, Flavin, Merz and others. A text by Paolo Targetti follows dealing with the fundamental role played by the relationship between art and industry in contemporary art. Consuelo de Gara conducts an extended interview of James Turrell, the US artist unanimously considered the greatest master of Light Art. The second section is devoted to the Targetti Light Art Collection, one of the most prestigious collections in the world dealing with artificial light. The images and description of each of the works which make up the collection are accompanied by a retrospective critical text on the artists who created them. Among the artists presented are some of considerable fame including Olafur Eliasson, Gilberto Zorio, Anne and Patrick Poirier, Fabrizio Plessi and Hidetoshi Nagasawa as well as young up-and-coming talents, winners of the first four editions of the International Targetti Light Art Prize.
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livres
livres
Publication:
juillet 2006, 2005
juillet 2006, 2005
Classification:
livres
livres
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$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and(...)
Publication:
mars 2008, Texas
mars 2008, Texas
Titre:
John Chamberlain The Foam Sculpture
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$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
John Chamberlain The Foam Sculpture
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$37.00
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Résumé:
Here is the flip-side of John Chamberlain's well-known crushed car sculptures: his work in foam. Just as revelatory in their formal sophistication, these works, primarily made from 1966 to 1970, with a few made in the late 1970s and early 1980s, boggle the eye with their simplicity. To make them, Chamberlain looped rope around a mass of plain or painted urethane foam and tightened it to create dynamic tensions, which resulted in seductively rounded volumes. These sculptures are essential to Chamberlain's oeuvre, and this is the first publication to address them. Its first section is based on the Marfa, Texas, Chinati Foundation exhibition of 2005-2006, with installation shots and photographs of each exhibited piece; the second section assembles a total of 85 foam sculptures, constituting an almost complete catalogue of this group, and an update to Chamberlain's catalogue raisonne of 1986. Essays by Klaus Kertess, Iris Winkelmeyer and Marianne Stockebrand treat the sculptures in the larger context of Chamberlain's oeuvre and discuss the issue of conservation.
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livres
livres
Publication:
mars 2008, Texas
mars 2008, Texas
Classification:
livres
livres
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$62.00
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Résumé:
This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
$62.00
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Résumé:
This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
Titre:
Jeroen de Rijke / Willem de Rooij
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$62.00
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This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
Jeroen de Rijke / Willem de Rooij
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$62.00
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Résumé:
This catalog is published in conjunction with two exhibitions: one at K21 in Düsseldorf (december 8, 2007- April 13, 2008) and one at MAMbo in Bologna (April 20-June 8, 2008).
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livres
livres
Publication:
septembre 2008, Köln
septembre 2008, Köln
Classification:
livres
livres
Prix:
$24.00
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Résumé:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
$24.00
(disponible sur commande)
Résumé:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Publication:
janvier 1900
janvier 1900
Titre:
Black Light white noise: sound and light in contemporary art
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$24.00
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Résumé:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
Black Light white noise: sound and light in contemporary art
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Prix:
$24.00
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Résumé:
The DVD extensively documents the sound and light works in the exhibition including audio and video recordings and installations, and is accompanied by a 68-page catalogue (21 color plates and 6 halftones) with essays by Valerie Cassel-Oliver, Romi Crawford and Greg Tate.
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livres
livres
Publication:
janvier 1900
janvier 1900
Classification:
livres
livres
Titre:
Fleuve russe
Fleuve russe
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$14.95
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
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Résumé:
«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
Titre:
Fleuve russe
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$14.95
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
Fleuve russe
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$14.95
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«Fleuve russe» avec une chanson de Lucien Midnight & David Brunet (mini-CD inclus), paroles de Myriam Cliche.
Classification:
livres
livres
Publication:
mai 2008, Montréal
mai 2008, Montréal
