1868 Résultats
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Cofounded by artist Jason Reed and educator Ryan Sprott in 2007, Borderland Collective is a long-term participatory art and education project based in Texas. The project utilizes collaborations between artists, educators, youth and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue and varying modes of creation(...)
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Cofounded by artist Jason Reed and educator Ryan Sprott in 2007, Borderland Collective is a long-term participatory art and education project based in Texas. The project utilizes collaborations between artists, educators, youth and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue and varying modes of creation(...)
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Otherwise, it would be just another river: Ten years of Borderland Collective’s practice in collaboration and dialogue
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Cofounded by artist Jason Reed and educator Ryan Sprott in 2007, Borderland Collective is a long-term participatory art and education project based in Texas. The project utilizes collaborations between artists, educators, youth and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue and varying modes of creation and reflection. "Otherwise, it would be just another river" focuses on the participatory education and socially engaged art practices of Borderland Collective over the last 10 years. The book shares stories and collective knowledge about the US–Mexico border created by students, teachers, artists and community members in an array of Borderland Collective projects through poems, prose, photographs and drawings.
Otherwise, it would be just another river: Ten years of Borderland Collective’s practice in collaboration and dialogue
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Cofounded by artist Jason Reed and educator Ryan Sprott in 2007, Borderland Collective is a long-term participatory art and education project based in Texas. The project utilizes collaborations between artists, educators, youth and community members to engage complex social issues and build space for diverse perspectives, meaningful dialogue and varying modes of creation and reflection. "Otherwise, it would be just another river" focuses on the participatory education and socially engaged art practices of Borderland Collective over the last 10 years. The book shares stories and collective knowledge about the US–Mexico border created by students, teachers, artists and community members in an array of Borderland Collective projects through poems, prose, photographs and drawings.
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Publication:
mai 2023
mai 2023
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
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Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
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Publication:
mars 2022
mars 2022
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$65.00
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One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and(...)
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One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and(...)
Publication:
septembre 2023
septembre 2023
Titre:
Murakami: Unfamiliar people- swelling of monsterized human ego
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One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and manga. But beyond the happy flowers and kawaii characters that have defined Murakami’s career lurk darker manifestations: the sharp-toothed, multi-eyed monsters that have increasingly become the artist’s vehicle for expressing the effects of rampant consumerism, human fallibility, and the perils of life in the digital fast lane. This book explores these themes in works from the last decade, presenting a disquieting vision of monsterized beings born in an era of unprecedented environmental, political, and social turmoil. Conversations with Murakami and essays by Laura W. Allen, Hiroko Ikegami, and Masako Shiba deconstruct what monsters mean to the artist and reflect on new directions in Murakami’s sculpture and the genesis of his recent NFT projects.
Murakami: Unfamiliar people- swelling of monsterized human ego
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One of Japan’s leading contemporary artists, Takashi Murakami (b. 1962) is known for a wide-ranging practice that encompasses not only fine art but fashion, consumer products, curation, and entertainment. Founder of the Superflat movement, Murakami makes art that is larger than life, boldly colored, and buoyant, with a Pop sensibility that draws inspiration from anime and manga. But beyond the happy flowers and kawaii characters that have defined Murakami’s career lurk darker manifestations: the sharp-toothed, multi-eyed monsters that have increasingly become the artist’s vehicle for expressing the effects of rampant consumerism, human fallibility, and the perils of life in the digital fast lane. This book explores these themes in works from the last decade, presenting a disquieting vision of monsterized beings born in an era of unprecedented environmental, political, and social turmoil. Conversations with Murakami and essays by Laura W. Allen, Hiroko Ikegami, and Masako Shiba deconstruct what monsters mean to the artist and reflect on new directions in Murakami’s sculpture and the genesis of his recent NFT projects.
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livres
Publication:
septembre 2023
septembre 2023
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livres
Titre:
Ruth Asawa: Through line
Ruth Asawa: Through line
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Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers(...)
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Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers(...)
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Ruth Asawa: Through line
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Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers across materials and techniques; how Asawa’s drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers’s pedagogy and Asawa’s lifelong adoption of his type of paper folding. Tracing Asawa’s artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist’s drawings includes reproductions of more than one hundred works—many of which have never been published—organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.
Ruth Asawa: Through line
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Ruth Asawa (1926–2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa’s oeuvre throughout her career, featuring essays that examine the range of Asawa’s aesthetic maneuvers across materials and techniques; how Asawa’s drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers’s pedagogy and Asawa’s lifelong adoption of his type of paper folding. Tracing Asawa’s artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist’s drawings includes reproductions of more than one hundred works—many of which have never been published—organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.
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Publication:
septembre 2023
septembre 2023
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring(...)
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring(...)
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The world outside: Louise Nevelson at midcentury
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades. Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture.The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality.
The world outside: Louise Nevelson at midcentury
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Known for her monumental wooden wall pieces and outdoor sculptures, Louise Nevelson (1899–1988) was a towering figure in twentieth-century American art. A more nuanced picture of Nevelson emerges in ''The world outside: Louise Nevelson at midcentury''. Discussions about Nevelson’s early involvement with modern dance and subsequent immersion in avant-garde theater bring new understandings of her drawings and sculptures. A reframing of her travels to Mexico and Guatemala in the early 1950s demonstrates, for the first time, how colonial archaeology haunted her visual language for decades. Other little-known facets of Nevelson’s life—her interest in folk art, architecture, and period furniture—open up a conversation about the artist’s approach to America’s past material culture.The book also reconsiders Nevelson’s work in the context of the environmental movement. Additionally, three contemporary artists relate Nevelson’s role in their careers and lives, a local expert describes her roots and relationship to Maine, and the artist’s granddaughter shares thoughts on Nevelson’s spirituality.
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livres
Publication:
septembre 2023
septembre 2023
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livres
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Hanne Darboven--Writing Time
Hanne Darboven--Writing Time
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Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction(...)
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Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction(...)
Publication:
octobre 2023
octobre 2023
Titre:
Hanne Darboven--Writing Time
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Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction drawings—abstract works based in transversal and mirroring strategies—made during her two-year stay in New York in the late 1960s. The next section maps how Darboven adapted her drawing practice into formulas that calculate specific dates and durations into a single number, which the artist represented as anything from a series of calligraphic lines to a set of consecutively drawn boxes. The book concludes with a close look at Inventions that Have Changed Our World, an installation from 1996 that documents each day of the twentieth century according to Darboven’s formulas and assigns an inventor, ranging from Johannes Gutenberg to the Wright brothers, to represent each of the century’s ten decades. This engaging overview highlights how Darboven's work offers a deeply idiosyncratic accounting of art and life that challenges time as a linear and objective measure.
Hanne Darboven--Writing Time
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Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction drawings—abstract works based in transversal and mirroring strategies—made during her two-year stay in New York in the late 1960s. The next section maps how Darboven adapted her drawing practice into formulas that calculate specific dates and durations into a single number, which the artist represented as anything from a series of calligraphic lines to a set of consecutively drawn boxes. The book concludes with a close look at Inventions that Have Changed Our World, an installation from 1996 that documents each day of the twentieth century according to Darboven’s formulas and assigns an inventor, ranging from Johannes Gutenberg to the Wright brothers, to represent each of the century’s ten decades. This engaging overview highlights how Darboven's work offers a deeply idiosyncratic accounting of art and life that challenges time as a linear and objective measure.
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livres
Publication:
octobre 2023
octobre 2023
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livres
Titre:
Enzo Mari: Drawings
Enzo Mari: Drawings
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The late Italian artist and writer Enzo Mari (1932–2020) is perhaps most famed for his modernist and industrial furniture designs, such as the box chair and the “sof sof” chair, but he produced an expansive oeuvre in art across various mediums. This catalog, published for an exhibition at Galleria Massimo Minini, gathers the artist’s drawings, prints and sculptures. The(...)
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The late Italian artist and writer Enzo Mari (1932–2020) is perhaps most famed for his modernist and industrial furniture designs, such as the box chair and the “sof sof” chair, but he produced an expansive oeuvre in art across various mediums. This catalog, published for an exhibition at Galleria Massimo Minini, gathers the artist’s drawings, prints and sculptures. The(...)
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Enzo Mari: Drawings
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The late Italian artist and writer Enzo Mari (1932–2020) is perhaps most famed for his modernist and industrial furniture designs, such as the box chair and the “sof sof” chair, but he produced an expansive oeuvre in art across various mediums. This catalog, published for an exhibition at Galleria Massimo Minini, gathers the artist’s drawings, prints and sculptures. The works in the volume embody the fruits of Mari’s research into “programmed” or “algorithmic” art; he was especially interested in creating works that could be enjoyed diachronically. To that end, he created a series of models consisting of a programmed combination of prefabricated module elements; these sequences visually represent the passage of time.
Enzo Mari: Drawings
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The late Italian artist and writer Enzo Mari (1932–2020) is perhaps most famed for his modernist and industrial furniture designs, such as the box chair and the “sof sof” chair, but he produced an expansive oeuvre in art across various mediums. This catalog, published for an exhibition at Galleria Massimo Minini, gathers the artist’s drawings, prints and sculptures. The works in the volume embody the fruits of Mari’s research into “programmed” or “algorithmic” art; he was especially interested in creating works that could be enjoyed diachronically. To that end, he created a series of models consisting of a programmed combination of prefabricated module elements; these sequences visually represent the passage of time.
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livres
Publication:
août 2023
août 2023
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Exposition inédite conçue par Patti Smith et Soundwalk Collective pour le Centre Pompidou, EVIDENCE est une (en)quête poétique et immersive. Muni d'un casque hypersensible qui réagit à ses mouvements, le visiteur est invité à une déambulation physique et sonore sur les traces d'Arthur Rimbaud, Antonin Artaud, René Daumal, à la rencontre de leur univers poétique et(...)
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Exposition inédite conçue par Patti Smith et Soundwalk Collective pour le Centre Pompidou, EVIDENCE est une (en)quête poétique et immersive. Muni d'un casque hypersensible qui réagit à ses mouvements, le visiteur est invité à une déambulation physique et sonore sur les traces d'Arthur Rimbaud, Antonin Artaud, René Daumal, à la rencontre de leur univers poétique et(...)
Titre:
Evidence : Soundwalk Collective & Patti Smith
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Exposition inédite conçue par Patti Smith et Soundwalk Collective pour le Centre Pompidou, EVIDENCE est une (en)quête poétique et immersive. Muni d'un casque hypersensible qui réagit à ses mouvements, le visiteur est invité à une déambulation physique et sonore sur les traces d'Arthur Rimbaud, Antonin Artaud, René Daumal, à la rencontre de leur univers poétique et symbolique réunis dans un même territoire imaginaire. L'espace d'exposition montrera des projections de films réalisés sur ces différents territoires, des objets récoltés sur place tels des talismans, des installations organiques et poétiques représentant les territoires traversés par chaque poète. Au terme du parcours, le visiteur fait face à une installation: sur le modèle des murs d'investigation, Patti Smith juxstapose et mêle des photocopies de documents, des photos d'archives, des poèmes, des dessins originaux de sa collection personnelle ou de celles du MNAM et du MoMa, autant de preuves d'existence du parcours de ces poètes et de leur inspiration pour proposer une véritable plongée dans leur pensée.
Evidence : Soundwalk Collective & Patti Smith
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Exposition inédite conçue par Patti Smith et Soundwalk Collective pour le Centre Pompidou, EVIDENCE est une (en)quête poétique et immersive. Muni d'un casque hypersensible qui réagit à ses mouvements, le visiteur est invité à une déambulation physique et sonore sur les traces d'Arthur Rimbaud, Antonin Artaud, René Daumal, à la rencontre de leur univers poétique et symbolique réunis dans un même territoire imaginaire. L'espace d'exposition montrera des projections de films réalisés sur ces différents territoires, des objets récoltés sur place tels des talismans, des installations organiques et poétiques représentant les territoires traversés par chaque poète. Au terme du parcours, le visiteur fait face à une installation: sur le modèle des murs d'investigation, Patti Smith juxstapose et mêle des photocopies de documents, des photos d'archives, des poèmes, des dessins originaux de sa collection personnelle ou de celles du MNAM et du MoMa, autant de preuves d'existence du parcours de ces poètes et de leur inspiration pour proposer une véritable plongée dans leur pensée.
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livres
Publication:
août 2023
août 2023
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livres
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$54.00
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The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society,(...)
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The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society,(...)
Titre:
Surreal spaces: The life and art of Leonora Carrington
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The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society, and England to embrace new experiences and forge a unique artistic style in Europe and the Americas. In this evocative illustrated biography, writer and journalist Joanna Moorhead traces her cousin’s footsteps, exploring the artist’s life, loves, friendships, and work. Leading readers on a personal journey across Britain, Ireland, France, Italy, Spain, Portugal, the United States, and Mexico, ''Surreal spaces'' describes the places and experiences that would become etched in Carrington’s memory and be echoed, sometimes decades later, in her art and writing—whether her grandmother’s kitchen with its giant stove; a remote Cornish hideaway where she holidayed with Max Ernst, Lee Miller, and Man Ray; the Left Bank of Paris; an asylum in Santander, Spain; New York, where she lived among other European exiles; or Mexico City, her final sanctuary. 'Houses are really bodies,' Carrington wrote in her novella ''The Hearing Trumpet''. 'We connect ourselves with walls, roofs and objects just as we hang on to our livers, skeletons, flesh and blood streams.'
Surreal spaces: The life and art of Leonora Carrington
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The British-born artist and writer Leonora Carrington (1917–2011) is one of the vanguards in the history of women artists and the history of Surrealism. The interests of this visionary—feminism, ecology, the arcane and the mystical, the interconnectedness of everything—are now shared by many. Challenging the conventions of her time, Carrington abandoned family, society, and England to embrace new experiences and forge a unique artistic style in Europe and the Americas. In this evocative illustrated biography, writer and journalist Joanna Moorhead traces her cousin’s footsteps, exploring the artist’s life, loves, friendships, and work. Leading readers on a personal journey across Britain, Ireland, France, Italy, Spain, Portugal, the United States, and Mexico, ''Surreal spaces'' describes the places and experiences that would become etched in Carrington’s memory and be echoed, sometimes decades later, in her art and writing—whether her grandmother’s kitchen with its giant stove; a remote Cornish hideaway where she holidayed with Max Ernst, Lee Miller, and Man Ray; the Left Bank of Paris; an asylum in Santander, Spain; New York, where she lived among other European exiles; or Mexico City, her final sanctuary. 'Houses are really bodies,' Carrington wrote in her novella ''The Hearing Trumpet''. 'We connect ourselves with walls, roofs and objects just as we hang on to our livers, skeletons, flesh and blood streams.'
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livres
Publication:
août 2023
août 2023
Classification:
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livres
Titre:
Judy Chicago-isms
Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic(...)
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Judy Chicago-isms
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A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
Judy Chicago-isms
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Prix:
$24.00
(disponible en magasin)
Résumé:
A fierce activist for women’s rights and against climate change, Judy Chicago defines herself best: “I’m Judy Chicago, and I’m an artist and a troublemaker.” A leader of the Women’s Art Movement of the 1970s, Chicago also founded the first feminist art program in the United States. She is renowned for her monumental installation ''The Dinner Party'' (1974–1979), an iconic work that celebrates female luminaries from history and mythology, including Georgia O’Keefe, Emily Dickinson, Sojourner Truth, and Hatshepsut. Gathered from interviews and other sources, Judy Chicago-isms is an inspiring collection of the memorable and powerful words of a trailblazing artist.
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
