Fucked up & photocopied
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Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new. Images were compiled out of whatever material(...)
Fucked up & photocopied
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Raw, brazen and totally intense, Fucked Up + Photocopied is a collection of frenetic flyers produced for the American punk scene between 1977 and 1985. Many were created by the musicians themselves and demonstrate the emphasis within the punk scene on individuality and the manic urge of its members to create things new. Images were compiled out of whatever material could be found, often photocopied and, still warm, stapled to the nearest telephone pole to warn the world about next week's gig. One glance and you can sense the fury of live performances by bands such as Black Flag, the Dead Kennedys and The Minutemen, and, through the subtext the reader is exposed to the psyche of a generation of musicians stripped bare: The Germs, J.F.A, NOFX, The Circle Jerks, X, Devo, The Cramps, The Exploited, Screamers, The Avengers, The Dils and more. Fucked Up + Photocopied is the definitive reference book on the North American Punk scene and covers New York, Los Angeles, San Francisco, Boston, MA, San Jose, CA, Washington, DC, Houston, TX, and Canada's Toronto and Vancouver.
Arts graphiques imprimés
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REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art(...)
Arts graphiques imprimés
octobre 2008, New York
Real life magazine selected writings and projects 1979-1994
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REAL LIFE Magazine: Selected Writings and Projects 1979-1994 highlights a selection of writings and artists' projects from REAL LIFE magazine, which was originally edited by artist, writer, and curator, Thomas Lawson and writer, Susan Morgan. Published in twenty-three issues from 1979-1994 as an intermittent black and white magazine, REAL LIFE featured artists and art historians writing on art, media and popular culture interspersed with pictorial contributions. The development of the magazine through its 15 year history, traces the influences, development and transitions of artists through the 80s.
Arts graphiques imprimés
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the(...)
Arts graphiques imprimés
avril 2018
The walls have the floor: mural journal, May '68
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Fifty years ago, in 1968, barricades were erected in the streets of Paris for the first time since the Paris Commune of nearly one hundred years before. The events of May 1968 began with student protests against the Vietnam War and American imperialism, expanded to rebellion over student living conditions and resistance to capitalist consumerism. An uprising at the Sorbonne was followed by wildcat strikes across France, uniting students and workers and bringing the country's economy to a halt. There have been many accounts of these events. This book tells the story in a different way, through the graffiti inscribed by protestors as they protested.
Arts graphiques imprimés
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Arts graphiques imprimés
avril 2020
Soviet space graphics: cosmic visions from the USSR
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This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Presenting more than 250 illustrations - depicting discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - 'Soviet Space Graphics' unlocks the door to the creative inner workings of the USSR.
Arts graphiques imprimés
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In May 1968, thousands of workers and students took to the streets of Paris, provoking an unprecedented wave of strikes, walkouts and demonstrations. The confrontations between police and protesters led to a general strike of eleven million workers that brought the country to a virtual standstill and nearly toppled Charles de Gaulle's government. The faculty and student(...)
Beauty is in the street: a visual record of the May '68 uprising
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In May 1968, thousands of workers and students took to the streets of Paris, provoking an unprecedented wave of strikes, walkouts and demonstrations. The confrontations between police and protesters led to a general strike of eleven million workers that brought the country to a virtual standstill and nearly toppled Charles de Gaulle's government. The faculty and student body of the Ecole des Beaux Arts were among the strikers, and a number of the students met spontaneously in the college's lithographic department to produce the first poster of the revolt. From this initiative was born the Atelier Populaire, a collective of print shops that produced hundreds of posters to encourage the protestors and to report on police brutality. These posters included many of the often Situationist-inspired mottos for which May '68 is remembered today, such as “Be young and shut up” and “return to normal” (accompanied by a picture of a herd of sheep). Beauty Is in the Street reproduces more than 200 of these posters in full color, which have since become landmarks in political art and graphic design.
Arts graphiques imprimés
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The World in Pocket-Size Format documents the exceptional postcard collection of Adolf Feller. In 1889 Feller, a Swiss entrepreneur, began collecting postcards on various business trips as mementos of his travels. When news of his hobby reached his friends and relatives, others began sending picture postcards as well. After his death, Feller’s daughter, Elisabeth,(...)
The world in pocket-size format
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The World in Pocket-Size Format documents the exceptional postcard collection of Adolf Feller. In 1889 Feller, a Swiss entrepreneur, began collecting postcards on various business trips as mementos of his travels. When news of his hobby reached his friends and relatives, others began sending picture postcards as well. After his death, Feller’s daughter, Elisabeth, continued to seek out postcards from around the world. The collection now includes 54,000 postcards from 140 countries, with especially impressive examples from 1893–1930, the height of the picture postcard’s popularity. A testament to one man’s obsession, provides a new way to experience the history of the postcard as a means of both artistic expression and communication.
Arts graphiques imprimés
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TASS posters were created by a large collective of Soviet writers, printers, and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy, and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve(...)
Windows on the war: soviet TASS posters at home and abroad 1941-1945
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TASS posters were created by a large collective of Soviet writers, printers, and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy, and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve as international cultural "ambassadors," rallying Allied and neutral nations to the Soviet cause. Drawn from the Art Institute of Chicago''s collection, as well as other private and public holdings, these TASS posters have not been seen since World War II. An international team of scholars presents the TASS posters both as unique historical objects and as artworks that reveal how preeminent artists of the day used unconventional technical and visual means to contribute to the war effort, marking a major chapter in the history of design and propaganda. Generously illustrated, the book presents photographs, documentary materials, and memorabilia in meaningful juxtapositions with images of the TASS posters. Also included are documents illuminating the expression of Russian cultural life in the United States during the war, opening a fascinating window onto the war along the Eastern Front.
Arts graphiques imprimés
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This book presents a unique collection of postcards of New York City. With more than 900 vintage cards spanning a whole century, it attests to the city’s urban development and shows its most beautiful buildings and landmarks in the larger context of architectural and social history.
New York in postcards, 1880-1980 : the Andreas Adam collection
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This book presents a unique collection of postcards of New York City. With more than 900 vintage cards spanning a whole century, it attests to the city’s urban development and shows its most beautiful buildings and landmarks in the larger context of architectural and social history.
Arts graphiques imprimés
$25.00
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Marking the centenary of his birth, the "Poster Collection" series devotes its latest edition to the popular Swiss poster designer Herbert Leupin. Primarily conceiving posters for consumer goods, for many years Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Handle cigarettes. He helped these and(...)
Arts graphiques imprimés
août 2016
Herbert Leupin: Poster Collection 28
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Marking the centenary of his birth, the "Poster Collection" series devotes its latest edition to the popular Swiss poster designer Herbert Leupin. Primarily conceiving posters for consumer goods, for many years Leupin created advertising for products as diverse as the soft drink Pepita, charcuterie from Grossmetzgerei Bell, and Roth-Handle cigarettes. He helped these and many other companies develop their own brand identity and a recognizable presence in public space. In doing so, he struck the right balance between old-school artist's posters and a methodology for a successful publicity strategy - and thus bridged the increasingly wide divide between art, graphic design, and advertising.
Arts graphiques imprimés
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On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.
Niklaus Troxler: Poster collection 34
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On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.
Arts graphiques imprimés