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"Make new history", the companion publication to the 2017 Chicago Architecture Biennial, invites speculation on the status and importance of historical material to the field of architecture today. The book brings together an eminent collection of historians, curators and practitioners and features over a hundred artists and architects from the exhibition.
novembre 2017
Make new history: Chicago Architecture Biennial 2017
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"Make new history", the companion publication to the 2017 Chicago Architecture Biennial, invites speculation on the status and importance of historical material to the field of architecture today. The book brings together an eminent collection of historians, curators and practitioners and features over a hundred artists and architects from the exhibition.
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This book compiles the RCR Arquitectes own unique cosmogony: a vision of humans, of nature and life in general that transcends mere architecture. Nature and history is the physical place that has been chosen to develop a space by RCR Arquitectes to conceive and experiment and to rethink man's relationship with the world. This physical space is located in the La Vila, in(...)
RCR Dream and nature: Catalonia in Venice
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This book compiles the RCR Arquitectes own unique cosmogony: a vision of humans, of nature and life in general that transcends mere architecture. Nature and history is the physical place that has been chosen to develop a space by RCR Arquitectes to conceive and experiment and to rethink man's relationship with the world. This physical space is located in the La Vila, in the Bianya Valley (Catalonia), surrounded by woods, water, farmland, country houses, etc. It's a creative, experimental project, and one that is constantly evolving. Technological advances and innovation are applied on an experiential basis in this landscape. New realities are generated, like the humanitacle, a project about the synthesis of man and the built habitat in relation to the surroundings, nature and technology, and la dona i l 'home nu´vol (cloud woman and cloud man), creative beings par excellence and creators of reality. This book introduces this utopia under construction.
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as(...)
Biennials as sites of historical narration
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This book explores how artists and curators evoke the past as a part of the present within the framework of contemporary art biennials. Can the nonlinear and poly vocal form of the art biennial—distinctly different from that of historical museums and academia—provide an experimental testing ground for publicly processing the past and reimagining the future? Conceived as a resource for the fields of art and exhibition studies, as well as for readers interested in history and social change, the book includes reflections on artistic and curatorial strategies, from Lagos to Prishtina and from Venice to Gwangju. The 2019 and 2021 editions of the Göteborg International Biennial for Contemporary Art are featured as case-studies opening up for a wider discussion about the relationship between art and the production of historical consciousness.
Biennale
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Conceived as a record that delves deeper into a special section of the Biennale Architettura 2021, this publication comprises essays and photo essays that pertain to specific geographic locations. While the main exhibition is primarily organized in five parts that contemplate a new spatial contract at five scales—as diverse beings, as new households, as emerging(...)
Co-habitats: imagining the future of cohabitation in Venice and beyond
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Conceived as a record that delves deeper into a special section of the Biennale Architettura 2021, this publication comprises essays and photo essays that pertain to specific geographic locations. While the main exhibition is primarily organized in five parts that contemplate a new spatial contract at five scales—as diverse beings, as new households, as emerging communities, across borders and as one planet—this volume showcases analytical examples of how we come together at all five of them in and around Venice, as well as in Addis Ababa, Beirut, India, Rio de Janeiro, Hong Kong, New York, Prishtina and more.
Biennale
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What constitutes the social context of architecture? What kind of stories can be told about how lived experiences across global communities, cities, territories, and ecologies resonate with architectural and space-making practices? The 2019 Chicago Architecture Biennial explores the implications of architecture and the built environment as they relate to land, memory,(...)
...And other such stories. 2019 Chicago Architecture Biennial
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What constitutes the social context of architecture? What kind of stories can be told about how lived experiences across global communities, cities, territories, and ecologies resonate with architectural and space-making practices? The 2019 Chicago Architecture Biennial explores the implications of architecture and the built environment as they relate to land, memory, rights, and civic participation — drawing buildings, planning, art, policy making, education, and activism into new conversations at global and civic scales.
Biennale
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Le catalogue prospectif Carbone 20 met en exergue des pratiques artistiques qui font appel au collectif et font naître d’autres manières de faire. Il explore les réseaux visibles et invisibles, s’arrêtant sur des initiatives multiples et situées, de Saint-Étienne à sa région et jusqu’à l’international. Cet ouvrage rassemble des entretiens, des témoignages, des mises en(...)
Carbone 20: Biennale d'artist-run spaces et artist-run initiatives, Saint-Étienne
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Le catalogue prospectif Carbone 20 met en exergue des pratiques artistiques qui font appel au collectif et font naître d’autres manières de faire. Il explore les réseaux visibles et invisibles, s’arrêtant sur des initiatives multiples et situées, de Saint-Étienne à sa région et jusqu’à l’international. Cet ouvrage rassemble des entretiens, des témoignages, des mises en perspectives historiques, des analyses d'expériences. Il est parsemé d'images liées à ces propositions et de scans de projets éditoriaux, comme autant d'entrées dans les pratiques auto-organisées. C’est une célébration de tentatives et de stratégies aux formes et aux engagements différents, dans ce présent où il n’y aurait pas d’alternatives, qui nous amène sans cesse à interroger positionnements, manières de circuler, de faire, d’agir et d’être ensemble notamment par le champ de l’art contemporain.
Biennale
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Exhibiting at the German Pavilion of the 18th Venice Architecture Biennale, this collaboration between the Summacumfemmer Büro Juliane Greb Collective and ARCH+ proposes a sustainable approach to architecture, prioritizing restoration and maintenance of existing buildings over the profligate use of resources in new constructions.
Biennale
septembre 2023
Open for maintenance. German pavillion, 18th Venice Architecture Biennale
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Exhibiting at the German Pavilion of the 18th Venice Architecture Biennale, this collaboration between the Summacumfemmer Büro Juliane Greb Collective and ARCH+ proposes a sustainable approach to architecture, prioritizing restoration and maintenance of existing buildings over the profligate use of resources in new constructions.
Biennale
Neighbors: A manifesto. A play for two pavillions and ten conversations. Venice Architecture Biennal
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The Swiss Pavilion at the 18th International Architecture Exhibition of the Venice Biennale exhibits itself and the relations to its immediate surroundings. The exhibition is a conversation over the shared boundary of the pavilions of Switzerland (1952, designed by Bruno Giacometti) and Venezuela (1954, designed by Carlo Scarpa), the only two in the Giardini not fully(...)
Neighbors: A manifesto. A play for two pavillions and ten conversations. Venice Architecture Biennal
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The Swiss Pavilion at the 18th International Architecture Exhibition of the Venice Biennale exhibits itself and the relations to its immediate surroundings. The exhibition is a conversation over the shared boundary of the pavilions of Switzerland (1952, designed by Bruno Giacometti) and Venezuela (1954, designed by Carlo Scarpa), the only two in the Giardini not fully detached: they share one wall. Artist Karin Sander and art historian Philip Ursprung temporarily open this wall and dismantle the gates from the Swiss Pavilion, thus revealing unanticipated connections between the two neighbors, both distant and close. The complementing book offers a manifesto, a play with the two buildings as dramatis personae, and three brief topical essays. Ten conversations with architectural historian Kurt W. Forster, photographers Paolo Gasparini and Guido Giudi, and Venezuelan architects Elisa Silva and Margarita López-Maya round off this volume.
Biennale
livres
Floating territories
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This work consists of a box containing a series of experimental and unfolding publications reflecting upon a project of dispersed conversations between architect Yona Friedman, artists Nico Dockx, Helena Sidiropoulos, Jochem Vanden Ecker and sound collective Building Transmissions - all invited by curators Germana Jaulin and Chiara Parisi - to be part of 'Floating(...)
Floating territories
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This work consists of a box containing a series of experimental and unfolding publications reflecting upon a project of dispersed conversations between architect Yona Friedman, artists Nico Dockx, Helena Sidiropoulos, Jochem Vanden Ecker and sound collective Building Transmissions - all invited by curators Germana Jaulin and Chiara Parisi - to be part of 'Floating Territories' - a transbiennial project that took place at the Istanbul/ Athens/ and Venice biennials in 2007. The work is an architecture of thoughts and visual impressions reflecting our Floating Territories journey of experiences.
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janvier 2009
Biennale
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This publication unfolds an inside view of the installation by Elizabeth Hatz at the 16th International Architecture Exhibition of La Biennale di Venezia. It shows how the installation has been made using 133 pigmented prints of original drawings from Drawing Matter in Somerset, ArkDes in Stockholm, the architects' private archives and a large hand drawing by Hatz on a(...)
Biennale
mai 2018
Line, light, locus: Elizabeth Hatz
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This publication unfolds an inside view of the installation by Elizabeth Hatz at the 16th International Architecture Exhibition of La Biennale di Venezia. It shows how the installation has been made using 133 pigmented prints of original drawings from Drawing Matter in Somerset, ArkDes in Stockholm, the architects' private archives and a large hand drawing by Hatz on a specially designed table-bench. The fold-out cover illustrates the room's four walls, each of which organise four concept-sets relating to the Biennale theme of Freespace: Ground–Floor, Temple–Shed, Niche–Stoa and Mind–Space. The full-sized colour plates inside show in more detail the collage of drawings on each wall, illustrating how the printing process allowed Hatz to orchestrate the size as well as position of each drawing within these exploratory fields. Hatz's accompanying essay invokes the spatial experience created by the room-drawings and the rich conversations they capture.
Biennale