This is Montréal!
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Un projet d'exposition à partir de la collection permanente conçue par le commissaire Andrew Hunter.
mars 2008, Montréal
This is Montréal!
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Un projet d'exposition à partir de la collection permanente conçue par le commissaire Andrew Hunter.
Start, stop.
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Cette publication est en lien avec une exposition en deux volets sur la rythmicité ses déploiements, ses variations et ses mouvements conçue par Christof Migone sur une période de deux ans. Douze artistes y ont participé. La publication documente non seulement ces deux manifestations, mais est animée par la même proposition. Le rythme est au coeur de chacune des(...)
Start, stop.
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Cette publication est en lien avec une exposition en deux volets sur la rythmicité ses déploiements, ses variations et ses mouvements conçue par Christof Migone sur une période de deux ans. Douze artistes y ont participé. La publication documente non seulement ces deux manifestations, mais est animée par la même proposition. Le rythme est au coeur de chacune des interventions des collaborateurs à savoir l'artiste et écrivain Christof Migone, le philosophe André-Louis Paré, le poète Steve Savage et d'autres artistes.
Art canadien
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À l’occasion de l’ouverture de sa première triennale, le Musée lance un important catalogue de 216 pages, abondamment illustré, intitulé Rien ne se perd, rien ne se crée, tout se transforme. La Triennale québécoise 2008, publié en éditions française et anglaise.
Art canadien
mai 2008, Montréal
Rien ne se perd, rien ne se crée, tout se transforme: la triennale québécoise 2008
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À l’occasion de l’ouverture de sa première triennale, le Musée lance un important catalogue de 216 pages, abondamment illustré, intitulé Rien ne se perd, rien ne se crée, tout se transforme. La Triennale québécoise 2008, publié en éditions française et anglaise.
Art canadien
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The photographs of Angela Grauerholz (born 1952) are filled with people, glimpses of public and private interiors, and ethereal rural and urban landscapes. Their out-of-focus quality transforms them into a stream of consciousness—“a representation of our experience: a continuous prodding into something that escapes us continuously.”
Angela Grauerholz: Scotia Bank Award
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The photographs of Angela Grauerholz (born 1952) are filled with people, glimpses of public and private interiors, and ethereal rural and urban landscapes. Their out-of-focus quality transforms them into a stream of consciousness—“a representation of our experience: a continuous prodding into something that escapes us continuously.”
Art canadien
Archetypes: David K. Ross
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Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view(...)
Archetypes: David K. Ross
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Archetypes features a recent series by Canadian artist David K. Ross, who works at the interface of photography, film, and installation. His images of architectural mock-ups, staged at night with dramatic lighting that isolates structures from their surroundings, demonstrate how these objects have become a charged form of proto-architecture. They also change how we view the practice of architecture by documenting and framing unseen aspects of its emergence. Built at full scale, these architectural fragments—to be removed from construction sites as buildings near completion—ensure that a project can be executed exactly to design, and they provide clients with a simulation of a building that leaves little space for speculation. The task of mock-up documentation is usually left to architects and contractors, who take quick snapshots for their reference during site visits.The book offers a platform to consider what it means to pre-construct fragments of buildings in all their complexity.
Art canadien
Ad Astra
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''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the(...)
septembre 2021
Ad Astra
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''Ad Astra'' is an artist book created as part of a public art project commissioned for the medical library of the University of Montreal Health Center (CHUM), in Montréal, Quebec. Involving the arts, science, and public participation, ''Ad Astra'' consists of an archive of messages that are poetically sent to the stars and to the future. The messages, collected from the hospital community, are transformed by means of a collaboration between art and neuroscience to generate astral images, and ultimately, a collective artwork representing a collection of prayers, hopes and fears. Rooted in deep human experiences,''Ad Astra'' gives voice to the range of emotions and the cycle of life and death that the hospital context is witness to daily. In compliment to the permanent multimedia artwork installed in the library, the book presents a tightly knit set of relationships among the various elements that compose the project, including messages, portraits, neurological diagrams, video-stills, citations, and texts. An introductory essay by Claire Moeder creatively illuminates the core interests of the project while the graphic design by Criterium echoes the installation with material means. The book is a nomadic archive and tactile object that was created to travel beyond the primary site of medical library, and ultimately towards the stars.
Michael Snow: Cover to cover
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For years an out-of-print rarity, Canadian artist, filmmaker and musician Michael Snow's classic 1975 artist's book 'Cover to Cover' is available once again, in this facsimile edition. Flipping through 'Cover to Cover', which is composed entirely of photographs in narrative sequence, one might describe it as a book made by a filmmaker. Each individual page features a(...)
Michael Snow: Cover to cover
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For years an out-of-print rarity, Canadian artist, filmmaker and musician Michael Snow's classic 1975 artist's book 'Cover to Cover' is available once again, in this facsimile edition. Flipping through 'Cover to Cover', which is composed entirely of photographs in narrative sequence, one might describe it as a book made by a filmmaker. Each individual page features a distinct moment, seen from one perspective on the front, and from a diametrically opposed angle on the back, occasionally pivoting between interior and exterior spaces. Midway through the book, the images are inverted such that the volume must be turned upside-down to be looked at right-side up. The result is a disorienting study in simultaneity.
Art canadien
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This publication combines critical essays and visual notes compiled by the Canadian-born, Berlin–based sculptor, installation and sound artist, over the course of a collaboration with composer and musician George van Dam and a TV script written by Christine Lang and Christoph Dreher.
Angela Bulloch: Source Book 10
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This publication combines critical essays and visual notes compiled by the Canadian-born, Berlin–based sculptor, installation and sound artist, over the course of a collaboration with composer and musician George van Dam and a TV script written by Christine Lang and Christoph Dreher.
Art canadien
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar(...)
Marcel Dzama : the never known
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar Schlemmer. This volume, published for Dzama's exhibitions at Sies + Höke and Kunstverein Braunschweig, reproduces a wealth of new work, including images, stage sets, puppets, dioramas and sculptures from the films; a suite of ten drawings called Forgotten Terrorists (2008-2011), that draw on a photograph of the Palestinian terrorist and hijacker Leila Khaled; and other recent drawings, such as "Pepper Spray Saturday" (2011), an interpretation of the already iconic image of policeman John Pike pepper spraying Occupy protesters at University of California Davis.
Art canadien
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In the guise of diva Miss Chief Eagle Testikle, Kenneth Monkman takes camp aesthetics to new extremes of political disturbance. Setting queer against straight, and both these against his dual identity as a Canadian of Cree descent, Monkman aka Miss Chief revisits the way key events in North American history have been represented. Recent performances and installations(...)
Interpellations: three essays on Kent Monkman
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In the guise of diva Miss Chief Eagle Testikle, Kenneth Monkman takes camp aesthetics to new extremes of political disturbance. Setting queer against straight, and both these against his dual identity as a Canadian of Cree descent, Monkman aka Miss Chief revisits the way key events in North American history have been represented. Recent performances and installations featured outlandish versions of objects like Indian moccasins in museum displays, videos with tragicomic takes on Indians' as the other to colonists, and Monkman's own extraordinary paintings. Based on masterpieces of landscape and history art, these expose the repressions and fantasies grounding narratives of the winning of the West. Interpellations will be of exceptional interest to art historians and all those concerned with North American aboriginal civilization. Essays from acclaimed art historians Richard Hill, Jonathan Katz, and Todd Porterfield address issues central to Monkman's activity: among others, absurdist tactics, alternative models of time and history, the interplay of identity, sexuality, and sovereignty. A camp design with gilt-edge pages and ultra-rich color illustrations makes this book an ideal vehicle for presenting Miss Chief's rampages through art history.
Art canadien