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The interaction between color and architecture determines our perception of space, and defines the tectonic relationships. The fascinating spatial potential of color, and the multi-layered dimensions of interpretation in the experience of color are design and communication means which, however, are often not fully used ? color oscillates between autonomy and functional(...)
novembre 2018
Thinking color in space: positions, projects, potentials
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The interaction between color and architecture determines our perception of space, and defines the tectonic relationships. The fascinating spatial potential of color, and the multi-layered dimensions of interpretation in the experience of color are design and communication means which, however, are often not fully used ? color oscillates between autonomy and functional purpose, and should be understood as a distinct "material" that can be used as part of the design. The book focuses both on the tangible aspects and design criteria of color, and on its indeterminate nature and its experience value. Using examples in art and architecture, the spatial interdependency of color is illustrated, as is its interaction with structure, light, and geometry.
Under the rainbow
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Ce livre s'inscrit dans un projet de recherche réalisé à l'ECAL, portant un regard critique sur les standards dans le domaine de l'impression offset. Sont rassemblés ici des textes et des images ayant un lien avec l'impression en couleur et relatant des histoires parfois connues, d'autres oubliées ou certaines encore jamais racontées.
Under the rainbow
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(disponible en magasin)
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Ce livre s'inscrit dans un projet de recherche réalisé à l'ECAL, portant un regard critique sur les standards dans le domaine de l'impression offset. Sont rassemblés ici des textes et des images ayant un lien avec l'impression en couleur et relatant des histoires parfois connues, d'autres oubliées ou certaines encore jamais racontées.
$37.00
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From 1933 to 1934, Sanzo Wada published a collection of colour combinations that was the first of its kind in Japan. Following on that enduring bestseller, ''A dictionary of color combinations vol. 2'' brings back two more works by Wada published in 1935–1936 and 1938, respectively. The book presents 72 colour patterns themed on the Japanese seasons and another 165 drawn(...)
Dictionary of color combinations, Volume 2
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From 1933 to 1934, Sanzo Wada published a collection of colour combinations that was the first of its kind in Japan. Following on that enduring bestseller, ''A dictionary of color combinations vol. 2'' brings back two more works by Wada published in 1935–1936 and 1938, respectively. The book presents 72 colour patterns themed on the Japanese seasons and another 165 drawn from early to mid-twentieth-century fashion, interior, and graphic design, making it an indispensable reference for designers, fashion and interior specialists, illustrators, photographers, writers, and indeed anyone engaged in creative work.
Nature's palette: A color reference system from the natural world. Werner's Nomenclature of Colors
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First published in 1814, Werner’s Nomenclature of Colours is a taxonomically organized guide to color in the natural world. Compiled by German geologist Abraham Gottlob Werner, the book was expanded and enhanced in 1821 by Patrick Syme, who added color swatches and further color descriptions, bringing the total number of classified hues to 110. The resulting resource has(...)
Nature's palette: A color reference system from the natural world. Werner's Nomenclature of Colors
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First published in 1814, Werner’s Nomenclature of Colours is a taxonomically organized guide to color in the natural world. Compiled by German geologist Abraham Gottlob Werner, the book was expanded and enhanced in 1821 by Patrick Syme, who added color swatches and further color descriptions, bringing the total number of classified hues to 110. The resulting resource has been invaluable not only to artists and designers but also to zoologists, botanists, mineralogists, anatomists, and explorers. 'Nature’s Palette' makes this remarkable volume available to today’s readers, and is now fully enhanced with new illustrations of all the animals, plants, and minerals Werner referenced alongside each color swatch.
$105.00
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The traditional colors of Japan have been in use since the seventh century, originally to indicate rank and social hierarchy but, over time, their significance has broadened to include all manner of designed objects. This landmark volume celebrates a curated selection of 200 colours (iro in Japanese), with each traditional shade illustrated by one or more items – ranging(...)
Iro: the essence of color in Japanese design
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The traditional colors of Japan have been in use since the seventh century, originally to indicate rank and social hierarchy but, over time, their significance has broadened to include all manner of designed objects. This landmark volume celebrates a curated selection of 200 colours (iro in Japanese), with each traditional shade illustrated by one or more items – ranging from 16th-century kimonos to contemporary chairs, humble kitchen utensils to precious ceramics – providing a unique route to a deeper appreciation of Japanese design. Expertly bound in a traditional Japanese style, this stunning book is a beautiful design object in its own right and is a must-have for all lovers of design.
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The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. It is divided into three main(...)
Colour beyond the surface: art in architecture
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The book discusses the role of art in architecture with a particular focus on colour and the dynamic relationships between light, form, material surface, space and movement. Drawing on historical examples to establish recurring themes, it examines the work of artists and architects whose use of colour is informed by artistic practice. It is divided into three main sections: the first focusing on architecture, the second on the artworks and the final section on collaboration. Throughout, it bridges time, comparing historic artworks and spaces with contemporary ones, addressing key questions such as ''if an artwork is self-sufficient, how is this accommodated within an architectural setting without compromising both?'' and setting out examples of what does and doesn’t work.
$41.95
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Au fil d'une mise en scène intuitive en douze actes et vingt-quatre tableaux, ils nous invitent à observer, deviner et interpréter les multiples facettes de la couleur dans l'art.
Chromamix des couleurs dans l'art et autres histoires
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Au fil d'une mise en scène intuitive en douze actes et vingt-quatre tableaux, ils nous invitent à observer, deviner et interpréter les multiples facettes de la couleur dans l'art.
B/lack, beyond monochrome
$60.00
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The colour black is considered by many as a simple expression of darkness and gloom, indeed as a non-colour or the mere absence of light. In actuality however, like no other colour it stands for entire conditions of the soul, for the immense wealth of cultural-historical connotations, which evokes the most opposing of associations: Malewitsch's black square, a black hole,(...)
novembre 2009
B/lack, beyond monochrome
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$60.00
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The colour black is considered by many as a simple expression of darkness and gloom, indeed as a non-colour or the mere absence of light. In actuality however, like no other colour it stands for entire conditions of the soul, for the immense wealth of cultural-historical connotations, which evokes the most opposing of associations: Malewitsch's black square, a black hole, black riders, the black widow, black magic, black sheep, black box or black beauty - black stands for the traditional and the modern, for reduction and for opulence, for deprivation and for exoticism, for eccentricity and for elegance, for gravity, etc.
$225.00
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One of the most influential books on colour ever published. Originally issued in 1963 as a limited-edition set of commentary and 150 silkscreened colour plates, the book introduced generations of students, artists, designers, and collectors to Albers' unique approach to complex principles. While the original publication has long been out of print, this beautiful new(...)
Interaction of color: new complete edition
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One of the most influential books on colour ever published. Originally issued in 1963 as a limited-edition set of commentary and 150 silkscreened colour plates, the book introduced generations of students, artists, designers, and collectors to Albers' unique approach to complex principles. While the original publication has long been out of print, this beautiful new edition now brings Interaction back into classrooms, studios, and on to bookshelves. Lavishly produced as a two-volume slipcased set, this book replicates Albers' revolutionary exercises, explaining concepts such as colour relativity and vibrating and vanishing boundaries through the use of colour, shape, die-cut forms, and movable flaps that illustrate his astonishing demonstrations of the changing and relative nature of colour. Also included for the first time are new studies from the Albers archive, produced by the artist's students in the early 1960s.
Colourmania
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In the world of graphics some designers have devoted their entire body of work to one color, sometimes showing it off in all of its full-bodied glory, sometimes stripping it back to its barest essentials. Colour Mania brings together an eclectic group of talented designers who have one thing in common: they are artists who simply can’t get enough of one particular color(...)
Colourmania
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In the world of graphics some designers have devoted their entire body of work to one color, sometimes showing it off in all of its full-bodied glory, sometimes stripping it back to its barest essentials. Colour Mania brings together an eclectic group of talented designers who have one thing in common: they are artists who simply can’t get enough of one particular color — be that red, orange, yellow, green, blue, purple, black or white. This book offers a depth of understanding of individual colors that is unprecedented.