130 Résultats
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livres
livres
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club(...)
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club(...)
Titre:
Photobooks &: A critical companion to the contemporary medium
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club project, Johnston examines current trends and practices, emphasizing connections (made and missed) between makers and readers. Johnston calls for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making with making public.
Photobooks &: A critical companion to the contemporary medium
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club project, Johnston examines current trends and practices, emphasizing connections (made and missed) between makers and readers. Johnston calls for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making with making public.
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livres
livres
Publication:
août 2022
août 2022
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livres
livres
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This third Dossier is dedicated to oil and gas photo books from the Artphilein Library collection. It is part of their long-time research and collection of documentation of the exploitation of natural resources (in 2022 the first chapter was dedicated to mining of rocks, minerals and coal). By viewing the books on display, scrolling through the images of the covers of the(...)
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This third Dossier is dedicated to oil and gas photo books from the Artphilein Library collection. It is part of their long-time research and collection of documentation of the exploitation of natural resources (in 2022 the first chapter was dedicated to mining of rocks, minerals and coal). By viewing the books on display, scrolling through the images of the covers of the(...)
Publication:
mai 2023
mai 2023
Titre:
Artphilein dossier 2: A storyline of oil & gas
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This third Dossier is dedicated to oil and gas photo books from the Artphilein Library collection. It is part of their long-time research and collection of documentation of the exploitation of natural resources (in 2022 the first chapter was dedicated to mining of rocks, minerals and coal). By viewing the books on display, scrolling through the images of the covers of the books reproduced here with a short caption, reading Davide Monteleone’s text, looking at his photographs, as well as Marco D’Anna’s disturbing shots featured at the beginning and end of this publication, the viewer will get a much clearer idea of the many problems and risks associated with the exploitation of oil and gas.
Artphilein dossier 2: A storyline of oil & gas
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Résumé:
This third Dossier is dedicated to oil and gas photo books from the Artphilein Library collection. It is part of their long-time research and collection of documentation of the exploitation of natural resources (in 2022 the first chapter was dedicated to mining of rocks, minerals and coal). By viewing the books on display, scrolling through the images of the covers of the books reproduced here with a short caption, reading Davide Monteleone’s text, looking at his photographs, as well as Marco D’Anna’s disturbing shots featured at the beginning and end of this publication, the viewer will get a much clearer idea of the many problems and risks associated with the exploitation of oil and gas.
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livres
livres
Publication:
mai 2023
mai 2023
Classification:
livres
livres
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$43.50
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Résumé:
What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers,(...)
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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers,(...)
Titre:
Future book(s): Sharing ideas on books and (art) publishing
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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers, printing houses, distributors, booksellers, historians and art-historians, critics, policymakers, editors, students, and many others have enthusiastically shared their views with us, looking ahead five, twenty or seventy-two years (to the year 2100). At times utopian, wildly fantasizing, at other times with realistic scenarios, in both text and images, exciting for anyone who loves books and/or is involved in books and cultural content. Each section of this publication will be designed by various young designers, to celebrate its scope and diversity.
Future book(s): Sharing ideas on books and (art) publishing
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$43.50
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What is the future of the book? And, specifically, what is the future of books on art, design and architecture, and cultural-critical publications? We asked a large number of international interested individuals to respond to this question. Journalists, artists, architects, curators, translators, designers, philosophers, sociologists, teachers, book scholars, publishers, printing houses, distributors, booksellers, historians and art-historians, critics, policymakers, editors, students, and many others have enthusiastically shared their views with us, looking ahead five, twenty or seventy-two years (to the year 2100). At times utopian, wildly fantasizing, at other times with realistic scenarios, in both text and images, exciting for anyone who loves books and/or is involved in books and cultural content. Each section of this publication will be designed by various young designers, to celebrate its scope and diversity.
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livres
livres
Publication:
octobre 2023
octobre 2023
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livres
livres
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European(...)
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European(...)
Titre:
No longer innocent : book art in America, 1960-1980
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European precursors of these kinds of artists' books, then quickly moves to America with the development of artists and books and non-profit organization. "No Longer Innocent" also addresses the ways book art affected and responded to art movements, such as Pop, Fluxus, or Conceptualism.
No longer innocent : book art in America, 1960-1980
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"No Longer Innocent: Book Art in America : 1960–1980" is the first history to trace the emergence of the artist's book in the U.S. during the 1960s and 1970s. This history takes a inclusive view of the varied field of book art and redresses the sporadic or confused acknowledgment from the art world that has long marginalized the artist's book. The book identifies European precursors of these kinds of artists' books, then quickly moves to America with the development of artists and books and non-profit organization. "No Longer Innocent" also addresses the ways book art affected and responded to art movements, such as Pop, Fluxus, or Conceptualism.
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livres
livres
Publication:
juillet 2005, New York
juillet 2005, New York
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livres
livres
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking(...)
Titre:
Penguin by design : a cover story 1935-2005
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Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
Penguin by design : a cover story 1935-2005
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Résumé:
Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book-cover design and the role of artists and designers in creating and defining the Penguin look. Coupling in-depth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
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livres
livres
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the(...)
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the(...)
Titre:
Le Corbusier : architect of books
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the books and previously unpublished archive material. We come to understand the process through which Le Corbusier’s books first came into being as well as the significance that he accorded to books as an essential medium within his output.
Le Corbusier : architect of books
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In his lifetime, Le Corbusier meticulously planned and realized over 40 books. In this publication these works are thoroughly and comprehensively presented in order to familiarize viewers with the lesser-known book designer. Cathérine de Smet, an art historian and critic with profound knowledge on this aspect of Le Corbusier’s work, is our guide through photographs of the books and previously unpublished archive material. We come to understand the process through which Le Corbusier’s books first came into being as well as the significance that he accorded to books as an essential medium within his output.
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livres
livres
Publication:
avril 2005, Baden
avril 2005, Baden
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livres
livres
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"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight(...)
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Résumé:
"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight(...)
Publication:
août 2005, New York
août 2005, New York
Titre:
By its cover : modern American book cover design
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"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff–Geismar, Karen Goldberg, Chip Kidd, and John Gall.
By its cover : modern American book cover design
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Résumé:
"By its Cover" traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff–Geismar, Karen Goldberg, Chip Kidd, and John Gall.
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livres
livres
Publication:
août 2005, New York
août 2005, New York
Classification:
livres
livres
Prix:
$50.00
(disponible en magasin)
Résumé:
It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability(...)
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It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability(...)
Titre:
Classic book jackets : the design legacy of George Salter
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$50.00
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It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability to reduce the illustrated dust jacket -- a new part of the book package -- to its essential elements. He could visually evoke -- with typography, calligraphy, and pictorial imagery -- the contents of any given book. Salter's life and work bridged two continents and cultures, and spanned the severest political turmoil of the 20th century. Through a tumultuous life, nothing halted his tireless and brilliant design work. Classic Book Jackets tells Salter's story and describes the innovative design thinking he brought to his design students (including his designation of seven different jacket types that are still valid today). It includes more than 200 reproductions of his finest works, and a complete catalogue of his jackets, designs, layouts, and lettering jobs for the book trade.
Classic book jackets : the design legacy of George Salter
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$50.00
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Résumé:
It's said that you can't judge a book by its cover. George Salter, a legendary figure in the field of book design, never subscribed to this belief. For more than forty years, his beautifully drawn and lettered covers served as elegant windows onto the works of such revered authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability to reduce the illustrated dust jacket -- a new part of the book package -- to its essential elements. He could visually evoke -- with typography, calligraphy, and pictorial imagery -- the contents of any given book. Salter's life and work bridged two continents and cultures, and spanned the severest political turmoil of the 20th century. Through a tumultuous life, nothing halted his tireless and brilliant design work. Classic Book Jackets tells Salter's story and describes the innovative design thinking he brought to his design students (including his designation of seven different jacket types that are still valid today). It includes more than 200 reproductions of his finest works, and a complete catalogue of his jackets, designs, layouts, and lettering jobs for the book trade.
Classification:
livres
livres
Publication:
janvier 2005, New York
janvier 2005, New York
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livres
livres
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$33.95
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Résumé:
Les couvertures des livres de poche publiés depuis 1935 par la maison Penguin Books font aujourd'hui partie intégrante de la culture disciplinaire des designers graphiques dans le monde entier – mais qu'en est-il de la forme typographique des textes littéraires que publie le célèbre éditeur britannique ? Andrew Barker, qui travailla chez Penguin pendant plus d'une(...)
$33.95
(disponible en magasin)
Résumé:
Les couvertures des livres de poche publiés depuis 1935 par la maison Penguin Books font aujourd'hui partie intégrante de la culture disciplinaire des designers graphiques dans le monde entier – mais qu'en est-il de la forme typographique des textes littéraires que publie le célèbre éditeur britannique ? Andrew Barker, qui travailla chez Penguin pendant plus d'une(...)
Titre:
La typographie des Penguin Classics
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$33.95
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Les couvertures des livres de poche publiés depuis 1935 par la maison Penguin Books font aujourd'hui partie intégrante de la culture disciplinaire des designers graphiques dans le monde entier – mais qu'en est-il de la forme typographique des textes littéraires que publie le célèbre éditeur britannique ? Andrew Barker, qui travailla chez Penguin pendant plus d'une décennie, expose ici le processus méthodologique à l'œuvre dans sa révision de la mise en texte des ouvrages de la collection « Penguin Classics », une référence incontournable dans le paysage de l'édition littéraire au Royaume-Uni, et nous offre par la même occasion une leçon de typographie fondamentale aussi exigeante que nécessaire. Ce texte aussi lucide qu'exigeant est complété d'un long entretien avec l'auteur dans lequel il revient sur son parcours de designer de livre et les valeurs intellectuelles et éthiques qui sous-tendent sa pratique.
La typographie des Penguin Classics
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Les couvertures des livres de poche publiés depuis 1935 par la maison Penguin Books font aujourd'hui partie intégrante de la culture disciplinaire des designers graphiques dans le monde entier – mais qu'en est-il de la forme typographique des textes littéraires que publie le célèbre éditeur britannique ? Andrew Barker, qui travailla chez Penguin pendant plus d'une décennie, expose ici le processus méthodologique à l'œuvre dans sa révision de la mise en texte des ouvrages de la collection « Penguin Classics », une référence incontournable dans le paysage de l'édition littéraire au Royaume-Uni, et nous offre par la même occasion une leçon de typographie fondamentale aussi exigeante que nécessaire. Ce texte aussi lucide qu'exigeant est complété d'un long entretien avec l'auteur dans lequel il revient sur son parcours de designer de livre et les valeurs intellectuelles et éthiques qui sous-tendent sa pratique.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
Classification:
livres
livres
![twen [1959–1971]](/img-bookstore/KAP1lPcLjT0yznZFwQrqNe1nFuI=/700x1043/LV38553.jpg)
Titre:
twen [1959–1971]
twen [1959–1971]
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Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
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Résumé:
Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
Publication:
janvier 2024
janvier 2024
Titre:
twen [1959–1971]
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Résumé:
Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
twen [1959–1971]
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Résumé:
Une plongée spectaculaire dans le travail du directeur artistique Willy Fleckhaus pour le magazine allemand twen, qui fut sans doute, au cours des années 1960, le magazine le plus influent au monde en termes d'audace visuelle et d'innovation graphique, et qui reste une référence incontournable pour de nombreux praticiens contemporains.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
