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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club(...)
Photobooks &: A critical companion to the contemporary medium
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Elucidating key issues and themes in contemporary photobook culture—from the medium’s post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading—Matt Johnston’s "Photobooks &" combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club project, Johnston examines current trends and practices, emphasizing connections (made and missed) between makers and readers. Johnston calls for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making with making public.
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for(...)
Artist's magazines : an alternative space for art
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Magazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In this publication, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.
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Endlessly diverse, bookplates (also called ex libris, Latin for "from the books of") are small decorative labels to be pasted inside a book's cover to express personal ownership. Originating in their modern printed form in 16th-century Germany, where books were highly valuable and treasured, bookplates became an art form practiced by artists across Europe and beyond. This(...)
Ex Libris: the art of bookplates
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Endlessly diverse, bookplates (also called ex libris, Latin for "from the books of") are small decorative labels to be pasted inside a book's cover to express personal ownership. Originating in their modern printed form in 16th-century Germany, where books were highly valuable and treasured, bookplates became an art form practiced by artists across Europe and beyond. This book traces the evolution of bookplate design over time and across national boundaries, showcasing 100 key examples of ex libris art.
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The book examines the key factors that distinguish various zines. It introduces projects in which the printing process significantly influences aesthetics or in which limited distribution to a small, clearly defined target audience becomes part of the overall concept. Through interviews with people involved in zine production and distribution, the book sheds light on(...)
avril 2011
Behind the zines: Self-publishing culture
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The book examines the key factors that distinguish various zines. It introduces projects in which the printing process significantly influences aesthetics or in which limited distribution to a small, clearly defined target audience becomes part of the overall concept. Through interviews with people involved in zine production and distribution, the book sheds light on various strategies for this evolving media form.
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Presents an overview of the hundred-year old Dutch private press-movement: a relatively small, yet exceedingly dynamic, creative and influential part of the Dutch book culture. Passionate booklovers were and still are producing extraordinary editions at home. These books appeared in limited editions, printed on extraordinary paper, often with specially created fonts and(...)
The ideal book: private presses in the Netherlands, 1910-2010
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Presents an overview of the hundred-year old Dutch private press-movement: a relatively small, yet exceedingly dynamic, creative and influential part of the Dutch book culture. Passionate booklovers were and still are producing extraordinary editions at home. These books appeared in limited editions, printed on extraordinary paper, often with specially created fonts and designed with care. This illustrated survey starts with the pioneers J.C. Bloem, J. Greshoff, P.N. van Eyck and J.F. van Royen – continues via internationally known artists such as S.H. de Roos and H.N. Werkman to the pragmatic printers who now operate in the margins of the book trade. Edited by Paul van Capelleveen en Clemens de Wolf.
Books by Ettore Sottsass
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This book features the magazines and books which Ettore Sottsass wrote, illustrated or edited over a period of 60 years from 1947-2006. Works on printed paper for which Sottsass set up texts, illustrations and/or graphic inventions. His multi-faceted publishing works are grouped together in eight separate sections - the magazine “Room East 128. Chronicle”, books(...)
mars 2011
Books by Ettore Sottsass
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This book features the magazines and books which Ettore Sottsass wrote, illustrated or edited over a period of 60 years from 1947-2006. Works on printed paper for which Sottsass set up texts, illustrations and/or graphic inventions. His multi-faceted publishing works are grouped together in eight separate sections - the magazine “Room East 128. Chronicle”, books published for the “East 128” edition, “Pianeta Fresco”, inserts in architecture and design magazines, illustrated books and theoretical writings, catalogues for the “Memphis” Group, the magazine “Terrazzo” and augural publications for Studio Sottsass Associati - and are accompanied by contributions by Barbara Radice, Andrea Branzi, Michele De Lucchi, Nathalie Du Pasquier, Elio Fiorucci, Christoph Radl, Franco Raggi and Lea Vergine.
Books: a living history
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From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed. The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times,(...)
Books: a living history
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From the first scribbling on papyrus to the emergence of the e-book, this wide-ranging overview of the history of the book provides a fascinating look at one of the most efficient, versatile, and enduring technologies ever developed. The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times, through the revolutionary impact of Gutenberg’s invention of the printing press, to the rise of a publishing culture in the nineteenth and twentieth centuries, and the subsequent impact of new technologies on this culture. Many of the great individual titles of the past two millennia are discussed as well as the range of book types and formats that have emerged in the last few hundred years, from serial and dime novels to paperbacks, children’s books, and Japanese manga. The volume ends with a discussion of the digital revolution in book production and distribution and the ramifications for book lovers, who can’t help but wonder whether the book will thrive—or even survive—in a form they recognize. Martyn Lyons is professor of history at the University of New South Wales in Sydney, Australia, and the author of A History of Reading and Writing in the Western World (Palgrave Macmillan, 2009) and Reading Culture and Writing Practices in Nineteenth-Century France (University of Toronto Press, 2008).
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The Most Beautiful Swiss Books’ is one of the most reputed competitions of its kind worldwide and has helped build up the international recognition enjoyed by contemporary Swiss book design. Prize winning designers include Adéla Svobodová, Anna Haas, Julia Born (who also won the Jan Tschichold Award), Kay Bachmann, Aude Lehmann, and sofie’s Kommunikationsdesign among(...)
The most beautiful Swiss books, 2010
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The Most Beautiful Swiss Books’ is one of the most reputed competitions of its kind worldwide and has helped build up the international recognition enjoyed by contemporary Swiss book design. Prize winning designers include Adéla Svobodová, Anna Haas, Julia Born (who also won the Jan Tschichold Award), Kay Bachmann, Aude Lehmann, and sofie’s Kommunikationsdesign among others. With an essay by Adam Szymczyk and introduction by Anisha Imhasly.
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For the yearly Best Book Designs competition and the exhibition at the Temporary Stedelijk Museum in Amsterdam, thirtysix books published in the Netherlands in 2010 selected for the quality of their design, typography, printing, illustration and production. This book contains extended photographic profiles of the winning books, plus an illuminating introduction and(...)
The best Dutch book designs 2010
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For the yearly Best Book Designs competition and the exhibition at the Temporary Stedelijk Museum in Amsterdam, thirtysix books published in the Netherlands in 2010 selected for the quality of their design, typography, printing, illustration and production. This book contains extended photographic profiles of the winning books, plus an illuminating introduction and judges’ report. Designed by Niels Schrader.
The book as art: artists' books from the National Museum of Women in the arts, second edition
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"The Book as Art" presents more than one hundred limited-edition volumes held by the National Museum of Women in the Arts in Washington, DC. These books take every conceivable form as they engage a wide variety of subjects from food and family to politics and poetry. Twelve recent acquisitions are included in this new, updated paperback edition.
The book as art: artists' books from the National Museum of Women in the arts, second edition
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"The Book as Art" presents more than one hundred limited-edition volumes held by the National Museum of Women in the Arts in Washington, DC. These books take every conceivable form as they engage a wide variety of subjects from food and family to politics and poetry. Twelve recent acquisitions are included in this new, updated paperback edition.