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In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if(...)
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Résumé:
In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if(...)
Titre:
Design Gallery Milano versus design industry
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In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if autonomous and independent from the classic industrial market, Design Gallery is a structural phenomenon in the dynamic system of design, since it represents its complementary avant-garde. Through its interpretation of design, conceived as a discipline rather than a profession – research rather than product – Design Gallery marked in fact a story of radical creativity and unbroken experimentation. This book presents through images and words the history of Design Gallery and outlines the philosophy of its development over the past twenty years. The first part of the book features photographs of the Design Gallery warehouse, taken by Michele De Lucchi in the Autumn of 2009. Published in the second part are the texts gathered together during a lunch at Michele De Lucchi’s office on 30th October 2009 with Andrea Branzi, Michele De Lucchi, Brunella and Mario Godani, Alessandro Mendini. The photographs of the objects were chosen from Design Gallery’s historical archives, and are the work of photographers who have followed and encouraged the Gallery’s work. Lastly, the chronology at the end of the book gives the fullest possible details of the Gallery’s annual collections, produced by groups or individual designers and artists.
Design Gallery Milano versus design industry
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Résumé:
In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if autonomous and independent from the classic industrial market, Design Gallery is a structural phenomenon in the dynamic system of design, since it represents its complementary avant-garde. Through its interpretation of design, conceived as a discipline rather than a profession – research rather than product – Design Gallery marked in fact a story of radical creativity and unbroken experimentation. This book presents through images and words the history of Design Gallery and outlines the philosophy of its development over the past twenty years. The first part of the book features photographs of the Design Gallery warehouse, taken by Michele De Lucchi in the Autumn of 2009. Published in the second part are the texts gathered together during a lunch at Michele De Lucchi’s office on 30th October 2009 with Andrea Branzi, Michele De Lucchi, Brunella and Mario Godani, Alessandro Mendini. The photographs of the objects were chosen from Design Gallery’s historical archives, and are the work of photographers who have followed and encouraged the Gallery’s work. Lastly, the chronology at the end of the book gives the fullest possible details of the Gallery’s annual collections, produced by groups or individual designers and artists.
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livres
livres
Publication:
juillet 2010
juillet 2010
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Design, époques et styles
Design, époques et styles
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livres
livres
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and(...)
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and(...)
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Design, époques et styles
Design, époques et styles
Publication:
décembre 2009
décembre 2009
Titre:
The ballets russes and the art of design
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.
The ballets russes and the art of design
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The Ballets Russes was a phenomenon of the early twentieth century, permeating daily life wherever the company traveled and leaving a lasting impact on dance, theater, and the visual arts. Sergei Diaghilev, impresario from 1909 until his death in 1929, fused the most avant-garde, groundbreaking movements in dance, choreography, art, design, and costume into unique and stunning productions. The work was exciting, and always new, and it stretched the limits of the possible in art. The color, form, and material in costume and set design astonished audiences, transforming every corner of Western culture in the twentieth century. The Ballets Russes and the Art of Design explores these revolutionary icons and ideas, illuminating Sergei Diaghilev's profound revitalization of the arts, which continues to influence us today. Ten essays by internationally recognized experts and 200 color and black-and-white illustrations—many from private collections and never-before-published—discuss a broad range of topics, including set and costume designs, graphic design and poster art, photographs and postcards, Diaghilev's presence in the media, and private and museum collections of Ballets Russes treasures.
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at(...)
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at(...)
Titre:
Century of the child: growing by design 1900-2000
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In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at The Museum of Modern Art, examines individual and collective visions for the material world of children, from utopian dreams for the "citizens of the future" to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking-engendering, in the process, reappraisals of some of the iconic names in twentieth-century design and enriching the unfolding narrative of modern design with other, less familiar figures.
Century of the child: growing by design 1900-2000
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Résumé:
In 1900, Swedish design reformer and social theorist Ellen Key published The Century of the Child, presaging the coming century as a period of intensified focus and progressive thinking around the rights, development and well-being of children. Taking inspiration from Key-and looking back through the twentieth century-this volume, published to accompany an exhibition at The Museum of Modern Art, examines individual and collective visions for the material world of children, from utopian dreams for the "citizens of the future" to the dark realities of political conflict and exploitation. Surveying more than 100 years of toys, clothing, playgrounds, schools, children's hospitals, nurseries, furniture, posters, animation and books, this illustrated catalogue illuminates how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play have informed experimental aesthetics and imaginative design thinking-engendering, in the process, reappraisals of some of the iconic names in twentieth-century design and enriching the unfolding narrative of modern design with other, less familiar figures.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
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$45.00
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation:(...)
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation:(...)
Titre:
The brittle decade: visualizing Japan in the 1930s
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation: bustling streets of department stores, cafés and teahouses, movie theaters and ballroom dance halls. Modern architecture, industrial design and fashion overshadowed traditional arts as Japan strove to take its place in a cosmopolitan world. The Brittle Years examines the different ways in which designers and artists visualized what it meant to be modern in Japan in the years leading up to World War II. Its 160 full-color illustrations of paintings, textiles and graphic arts are astonishing not only for their great visual impact but also for the insight they provide into a rapidly transforming nation.
The brittle decade: visualizing Japan in the 1930s
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Modernity took many forms in 1930s Japan, but in the tumultuous years before militarism pushed the country toward global aggression, it was most visibly associated with a glittering consumer culture. Inundated with western jazz-age trends and new technologies, Japan’s big cities, especially Tokyo, offered the most enticing attractions to a newly liberated generation: bustling streets of department stores, cafés and teahouses, movie theaters and ballroom dance halls. Modern architecture, industrial design and fashion overshadowed traditional arts as Japan strove to take its place in a cosmopolitan world. The Brittle Years examines the different ways in which designers and artists visualized what it meant to be modern in Japan in the years leading up to World War II. Its 160 full-color illustrations of paintings, textiles and graphic arts are astonishing not only for their great visual impact but also for the insight they provide into a rapidly transforming nation.
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livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
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$86.00
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book(...)
$86.00
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book(...)
Titre:
Postmodernism: Style and subversion, 1970-1990
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book assesses the impact of the phenomenon on all areas of art and design. It covers architecture, interiors and urban planning; product, graphic and furniture design; the fashion and style industries; and photography, film, television and video
Postmodernism: Style and subversion, 1970-1990
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$86.00
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The radical ideas associated with Postmodernism swept through the arts in the 1970s, but have always been hard to summarise. Postmodernism: Style and Subversion 1970-90 presents the movement as not merely an aesthetic vocabulary, but also as a subversive attitude - a new way of looking at the world. Bringing together practitioners, theorists and critics, this book assesses the impact of the phenomenon on all areas of art and design. It covers architecture, interiors and urban planning; product, graphic and furniture design; the fashion and style industries; and photography, film, television and video
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
Titre:
Art nouveau
Art nouveau
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$69.95
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Ce livre propose un parcours à travers les techniques et les matériaux de l'art nouveau.
$69.95
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Résumé:
Ce livre propose un parcours à travers les techniques et les matériaux de l'art nouveau.
Titre:
Art nouveau
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$69.95
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Ce livre propose un parcours à travers les techniques et les matériaux de l'art nouveau.
Art nouveau
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$69.95
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Résumé:
Ce livre propose un parcours à travers les techniques et les matériaux de l'art nouveau.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
Titre:
Fifties house
Fifties house
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$43.99
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Résumé:
The post-war consumer boom of the 1950s, coupled with a desire for new, innovative design resulted in one of the most exciting decades in the history of interiors - a visual revolution that was captured on the pages of British House & Garden. In Fifties House, mid-century modern Catriona Gray has drawn on the magazine's peerless archive, curating the best illustrations(...)
$43.99
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Résumé:
The post-war consumer boom of the 1950s, coupled with a desire for new, innovative design resulted in one of the most exciting decades in the history of interiors - a visual revolution that was captured on the pages of British House & Garden. In Fifties House, mid-century modern Catriona Gray has drawn on the magazine's peerless archive, curating the best illustrations(...)
Titre:
Fifties house
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$43.99
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The post-war consumer boom of the 1950s, coupled with a desire for new, innovative design resulted in one of the most exciting decades in the history of interiors - a visual revolution that was captured on the pages of British House & Garden. In Fifties House, mid-century modern Catriona Gray has drawn on the magazine's peerless archive, curating the best illustrations and photographs to show how the use of colour, pattern, homewares and furniture evolved through the decade.
Fifties house
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$43.99
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Résumé:
The post-war consumer boom of the 1950s, coupled with a desire for new, innovative design resulted in one of the most exciting decades in the history of interiors - a visual revolution that was captured on the pages of British House & Garden. In Fifties House, mid-century modern Catriona Gray has drawn on the magazine's peerless archive, curating the best illustrations and photographs to show how the use of colour, pattern, homewares and furniture evolved through the decade.
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livres
livres
Publication:
avril 2015
avril 2015
Sujet:
Design, époques et styles
Design, époques et styles
Classification:
livres
livres
Titre:
Decorative art 1960s
Decorative art 1960s
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$24.95
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Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade.
$24.95
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Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade.
Titre:
Decorative art 1960s
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$24.95
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Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade.
Decorative art 1960s
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$24.95
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Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade.
Classification:
livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Design, époques et styles
Design, époques et styles
Classification:
livres
livres
Titre:
Early Georgian interiors
Early Georgian interiors
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$110.50
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Résumé:
The interiors of the great country and town houses built in Britain in the eighteenth century were splendid creations, increasingly extravagant as fashions changed and aristocratic home owners attempted to outdo one another. This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles,(...)
$110.50
(disponible sur commande)
Résumé:
The interiors of the great country and town houses built in Britain in the eighteenth century were splendid creations, increasingly extravagant as fashions changed and aristocratic home owners attempted to outdo one another. This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles,(...)
Titre:
Early Georgian interiors
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$110.50
(disponible sur commande)
Résumé:
The interiors of the great country and town houses built in Britain in the eighteenth century were splendid creations, increasingly extravagant as fashions changed and aristocratic home owners attempted to outdo one another. This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles, silver, and artworks. John Cornforth, the foremost authority on British interiors of this era, covers a wide range of subjects. He discusses changing social practice and the uses to which rooms were put; the way that fashions in dress mirrored fashions in interiors; the impact of chinoiserie and Eastern styles that became prevalent due to burgeoning trade; the primacy of upholstery in beds, curtains, wall hangings, seat furniture, and case covers; the influence of decorator William Kent; and the ways that collections of art were integrated into designs. And he concludes with detailed case studies of eight pre-eminent country houses.
Early Georgian interiors
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$110.50
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Résumé:
The interiors of the great country and town houses built in Britain in the eighteenth century were splendid creations, increasingly extravagant as fashions changed and aristocratic home owners attempted to outdo one another. This gorgeous book surveys the decorative schemes of these fabulous homes, considering the combined effects created by design, furniture, textiles, silver, and artworks. John Cornforth, the foremost authority on British interiors of this era, covers a wide range of subjects. He discusses changing social practice and the uses to which rooms were put; the way that fashions in dress mirrored fashions in interiors; the impact of chinoiserie and Eastern styles that became prevalent due to burgeoning trade; the primacy of upholstery in beds, curtains, wall hangings, seat furniture, and case covers; the influence of decorator William Kent; and the ways that collections of art were integrated into designs. And he concludes with detailed case studies of eight pre-eminent country houses.
Classification:
livres
livres
Publication:
décembre 2004, London
décembre 2004, London
Sujet:
Design, époques et styles
Design, époques et styles
Classification:
livres
livres
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$34.95
(disponible en magasin)
Résumé:
Si le rôle joué par le dessin dans l’alchimie de la peinture n’est plus à démontrer, plus secrète est sa place dans le domaine des arts décoratifs. Prisées pour les ornemanistes des XVIIe et XVIIIe siècles, les "feuilles" d’arts décoratifs sont à redécouvrir pour le XIXe siècle, même si le destin ne les a sauvées qu’avec parcimonie de la destruction. Depuis sa(...)
$34.95
(disponible en magasin)
Résumé:
Si le rôle joué par le dessin dans l’alchimie de la peinture n’est plus à démontrer, plus secrète est sa place dans le domaine des arts décoratifs. Prisées pour les ornemanistes des XVIIe et XVIIIe siècles, les "feuilles" d’arts décoratifs sont à redécouvrir pour le XIXe siècle, même si le destin ne les a sauvées qu’avec parcimonie de la destruction. Depuis sa(...)
Titre:
L'objet et son double : dessins d'arts décoratifs des collections du musée d'Orsay
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$34.95
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Si le rôle joué par le dessin dans l’alchimie de la peinture n’est plus à démontrer, plus secrète est sa place dans le domaine des arts décoratifs. Prisées pour les ornemanistes des XVIIe et XVIIIe siècles, les "feuilles" d’arts décoratifs sont à redécouvrir pour le XIXe siècle, même si le destin ne les a sauvées qu’avec parcimonie de la destruction. Depuis sa création, le musée d’Orsay a eu à coeur d’en assembler une collection significative dont une sélection est exposée, à partir des fonds des artistes les plus emblématiques tels Viollet-le-Duc, Lassus, Bracquemond, Bugatti, Gallé, Lalique, Van de Velde, etc.
L'objet et son double : dessins d'arts décoratifs des collections du musée d'Orsay
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$34.95
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Résumé:
Si le rôle joué par le dessin dans l’alchimie de la peinture n’est plus à démontrer, plus secrète est sa place dans le domaine des arts décoratifs. Prisées pour les ornemanistes des XVIIe et XVIIIe siècles, les "feuilles" d’arts décoratifs sont à redécouvrir pour le XIXe siècle, même si le destin ne les a sauvées qu’avec parcimonie de la destruction. Depuis sa création, le musée d’Orsay a eu à coeur d’en assembler une collection significative dont une sélection est exposée, à partir des fonds des artistes les plus emblématiques tels Viollet-le-Duc, Lassus, Bracquemond, Bugatti, Gallé, Lalique, Van de Velde, etc.
Classification:
livres
livres
Publication:
décembre 2006, Paris
décembre 2006, Paris
Sujet:
Design, époques et styles
Design, époques et styles
