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This book explores the emergence of the artist and designer profession after the First World War and the further development of this career in close proximity to capitalist industrial production. The book features articles on teaching models pioneered by schools like the Design Laboratory, New York (the first comprehensive school of modernist design in the United States(...)
The new designer: Design as a profession. Schools as departure no.2
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This book explores the emergence of the artist and designer profession after the First World War and the further development of this career in close proximity to capitalist industrial production. The book features articles on teaching models pioneered by schools like the Design Laboratory, New York (the first comprehensive school of modernist design in the United States that was open to general enrollment); the School of Arts and Crafts (Škola umeleckých remesiel), Bratislava; the Ulm School of Design (Hochschule für Gestaltung Ulm), Germany; and Industrial Design College (Escola Superior de Desenho Industrial), Rio de Janeiro.
Théorie du design
$41.50
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As the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, ''Centered'' advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in(...)
Centered: people and ideas diversifying design
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As the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, ''Centered'' advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume feature important and underrepresented design work and projects, both historical and present-day, including: Gee’s Bend Quilters, by Stephen Child and Isabella D’Agnenica; A Chinese Typographic Archive, by YuJune Park and Caspar Lam; Indigenous Sovereignty and Design: An Interview with Sadie Red Wing (Her Shawl is Yellow); The Truck Art of India, by Shantanu Suman; New Lessons from the Bauhaus: An Interview with Ellen Lupton; Vocal Type: An Interview with Tré Seals; Decolonizing Graphic Design, A Must, by Cheryl D. Miller.
Théorie du design
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
An anthology of Blackness: the state of Black design
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in ''An anthology of Blackness'' include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, ''An anthology of Blackness'' is a pioneering contribution to the literature of social justice.
Théorie du design
Our daily debates
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It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Théorie du design
mars 2008, New York, Amsterdam, London
Our daily debates
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It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Théorie du design
Pre-Specifics
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The demand for design competence crosses almost all disciplinary boundaries, making the designers of today particularly ubiquitous in their influence. Pre-Specifics argues that the most promising strategies for the design disciplines of tomorrow can be forecast in the common codes of "virtual relations" shared by material, biological, technological, cognitive and media(...)
Pre-Specifics
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The demand for design competence crosses almost all disciplinary boundaries, making the designers of today particularly ubiquitous in their influence. Pre-Specifics argues that the most promising strategies for the design disciplines of tomorrow can be forecast in the common codes of "virtual relations" shared by material, biological, technological, cognitive and media perspectives. The book features contributions, statements, and conversations with internationally renowned authors such as Greg Lynn, Christopher Peterka, Wolfgang Weingart, Marcel Alexander Niggli, Christian Labonte, Fiona Raby and Anthony Dunne, Christian Doelker, Philipp Sarasin, Raymond Guidot, Eric Zimmerman and Manfred Fassler among others. It is designed by Ludovic Balland, and published with the Institute for Research in Art and Design HGK FHNW in Basel.
Théorie du design
livres
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By winning the 2008 Winterhouse Award for Design Writing, David Barringer firmly established himself as the freshest and most interesting writer on the subject. His articles, which have appeared in publications from Print to Emigre, are notable for his strong personal point of view, literary style, and even humor, not always attributes associated with writing about(...)
There's nothing funny about design
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By winning the 2008 Winterhouse Award for Design Writing, David Barringer firmly established himself as the freshest and most interesting writer on the subject. His articles, which have appeared in publications from Print to Emigre, are notable for his strong personal point of view, literary style, and even humor, not always attributes associated with writing about design. In this collection of essays, Barringer’s first, he wonders why drug names have so many X’s in them, ponders the rise of gory DVD covers, and ruminates on his father’s business card collection, pythons, and the human skull – proving again and again that design is everywhere you look for it, (but may not have seen) without the powerful magnifying lens of this talented and exciting observer and writer.
livres
janvier 2009
Théorie du design
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This handbook has been put together on the occasion of Martin Beck's exhibition Panel 2: 'Nothing better than a touch of ecology and catastrophe to unite the social classes...' at Gasworks, 19 September - 9 November 2008.
Martin Beck 'Nothing better than a touch of ecology...'
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This handbook has been put together on the occasion of Martin Beck's exhibition Panel 2: 'Nothing better than a touch of ecology and catastrophe to unite the social classes...' at Gasworks, 19 September - 9 November 2008.
Théorie du design
Collections of nothing
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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of "security" envelopes (eight hundred patterns), "the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered(...)
Collections of nothing
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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of "security" envelopes (eight hundred patterns), "the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered by a stone." What makes this book, bred of a midlife crisis, extraordinary is the way King weaves his autobiography into the account of his collection, deftly demonstrating that the two stories are essentially one. "I lost and found myself in remote topical aisles of scholarship-wreck," he says of his hours in Yale’s library, reading the most obscure books he could find. His hard-won self-awareness gives his disclosures an intensity that will likely resonate with all readers, even those whose collections of nothing contain nothing at all.
Théorie du design
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"TOMORROW NOW - when design meets science fiction" exhibition catalogue.
Tomorrow now: when design meets science fiction
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"TOMORROW NOW - when design meets science fiction" exhibition catalogue.
Théorie du design
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Desarting - a study of the tension between industrial and visual design.
Desarting where visual and industrial design mutually attract and distract
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Desarting - a study of the tension between industrial and visual design.
Théorie du design