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"Against the anthropocene" scrutinizes the proposal that we are in a human-driven epoch regarding climate change. In this slender but dense volume, cultural theorist T.J. Demos analyzes the biases within contemporary visual culture popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects demonstrating that(...)
Against the anthropocene: visual culture and environment today
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"Against the anthropocene" scrutinizes the proposal that we are in a human-driven epoch regarding climate change. In this slender but dense volume, cultural theorist T.J. Demos analyzes the biases within contemporary visual culture popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects demonstrating that it does not merely describe a geologic period, but actively supports the neoliberal financialization of nature, anthropocentric political economy, and endorsement of geo-engineering as a preferred method of approaching climate change. To develop creative alternatives, Demos argues we need to carefully consider the underlying motives the Anthropocene thesis.
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The North is a complex place that is beautiful, moody, and anything but untouched. The Arctic, part of the international North that is pivotal to the world because of climate change, is no longer a frontier of the past. The same interest in the North that preoccupied artists and explorers of the Romantic era has returned greater than ever, but rather than merely depicting(...)
octobre 2016
Up here: The North at the center of the world
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The North is a complex place that is beautiful, moody, and anything but untouched. The Arctic, part of the international North that is pivotal to the world because of climate change, is no longer a frontier of the past. The same interest in the North that preoccupied artists and explorers of the Romantic era has returned greater than ever, but rather than merely depicting its grandeur, today's artists, scientists, and explorers question the future of the landscape. "Up here" connects art, science, and environment at a time when unprecedented climate change requires unprecedented innovation. The contributors explore the ideas of "wilderness" and "remoteness," the lessons to be learned from cold places and indigenous knowledge, and how the Arctic is a signal for global change.
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"La réduction des gaz à effet de serre (GES) mènera automatiquement à une amélioration de notre qualité de vie", "L’hydroélectricité est la clé pour l’enrichissement du Québec", "Le Canada est une grande puissance énergétique", ... Voilà autant de mythes sans cesse répétés par les politiciens, les groupes d’intérêt, les porte-parole de l’industrie et les médias. Ces(...)
février 2017
Gagner la guerre du climat : douze mythes à déboulonner
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"La réduction des gaz à effet de serre (GES) mènera automatiquement à une amélioration de notre qualité de vie", "L’hydroélectricité est la clé pour l’enrichissement du Québec", "Le Canada est une grande puissance énergétique", ... Voilà autant de mythes sans cesse répétés par les politiciens, les groupes d’intérêt, les porte-parole de l’industrie et les médias. Ces mythes nous donnent l’impression de maîtriser la transition énergétique et nous confortent dans l’illusion que nous avons les outils pour atteindre nos objectifs de réduction de GES sans toucher à ce qu’on appelle encore "le modèle québécois". La situation n’est pas meilleure dans le reste du Canada, où l’ensemble des gouvernements provinciaux oscille entre objectifs ambitieux et inaccessibles, programmes de réduction des émissions de GES aussi coûteux qu’inefficaces ou, carrément, déni du problème. Quant au gouvernement fédéral, après trois décennies d’inaction, il tarde encore à mettre sur pied une politique nationale sur la question. Normand Mousseau déboulonne systématiquement chacun de ces mythes et démontre de manière irréfutable la vérité suivante : la solution au problème des changements climatiques n’est pas de nature technologique ou scientifique, mais bel et bien politique.
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central(...)
janvier 2022
Breathe: investigations into our environmentally tangled future
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central agents in the conception and design of our planetary existence.
$86.00
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'The Forces Behind the Forms', titled after a phrase coined by artist Per Kirkeby, who also coined the term “Anthropocene,” takes up the widely conducted debate over how much our environment is influenced by human activity. Comprehensive and fully illustrated, this substantial hardcover catalog documents a variety of compelling projects and installations by 12(...)
juillet 2016
The forces behind the forms: geology, matter, process in contemporary art
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'The Forces Behind the Forms', titled after a phrase coined by artist Per Kirkeby, who also coined the term “Anthropocene,” takes up the widely conducted debate over how much our environment is influenced by human activity. Comprehensive and fully illustrated, this substantial hardcover catalog documents a variety of compelling projects and installations by 12 artists—Olafur Eliasson, Per Kirkeby, Roger Hiorns and Giuseppe Penone, among others—engaging the geo-aesthetics of matter and transformative processes in both nature and art in installations, images and objects.
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
mai 2017
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Anthropocene Feminism
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What does feminism have to say to the Anthropocene? How does the concept of the Anthropocene impact feminism? This book is a daring and provocative response to the masculinist and techno-normative approach to the Anthropocene so often taken by technoscientists, artists, humanists, and social scientists. By coining and, for the first time, fully exploring the concept of(...)
mars 2017
Anthropocene Feminism
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What does feminism have to say to the Anthropocene? How does the concept of the Anthropocene impact feminism? This book is a daring and provocative response to the masculinist and techno-normative approach to the Anthropocene so often taken by technoscientists, artists, humanists, and social scientists. By coining and, for the first time, fully exploring the concept of “anthropocene feminism,” it highlights the alternatives feminism and queer theory can offer for thinking about the Anthropocene. Feminist theory has long been concerned with the anthropogenic impact of humans, particularly men, on nature. Consequently, the contributors to this volume explore not only what current interest in the Anthropocene might mean for feminism but also what it is that feminist theory can contribute to technoscientific understandings of the Anthropocene. With essays from prominent environmental and feminist scholars on topics ranging from Hawaiian poetry to Foucault to shelled creatures to hypomodernity to posthuman feminism, this book highlights both why we need an anthropocene feminism and why thinking about the Anthropocene must come from feminism.
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En 2004, Perrine et Charles Hervé-Gruyer créent la Ferme du Bec Hellouin, en Haute-Normandie. Cette ferme fait aujourd’hui référence en matière d’agriculture naturelle et attire des visiteurs du monde entier. Ce récit est celui d’une famille qui réussit à créer, en quelques années seulement, une oasis de vie généreuse sur des terres peu fertiles. C’est également une(...)
mai 2017
Permaculture : guérir la Terre, nourrir les hommes. Nouvelle édition
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En 2004, Perrine et Charles Hervé-Gruyer créent la Ferme du Bec Hellouin, en Haute-Normandie. Cette ferme fait aujourd’hui référence en matière d’agriculture naturelle et attire des visiteurs du monde entier. Ce récit est celui d’une famille qui réussit à créer, en quelques années seulement, une oasis de vie généreuse sur des terres peu fertiles. C’est également une vaste enquête menée autour du monde, à la rencontre de pionniers de l’agriculture qui explorent des voies novatrices et inventent le monde de demain.
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"Animal metropolis" brings a Canadian perspective to the growing field of animal history, ranging across species and cities, from the beavers who engineered Stanley Park to the carthorses who shaped the city of Montreal. Some essays consider animals as spectacle: orca captivity in Vancouver, polar bear tourism in Churchill, Manitoba, fish on display in the Dominion(...)
février 2017
Animal metropolis: histories of human-animal relations in urban Canada
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"Animal metropolis" brings a Canadian perspective to the growing field of animal history, ranging across species and cities, from the beavers who engineered Stanley Park to the carthorses who shaped the city of Montreal. Some essays consider animals as spectacle: orca captivity in Vancouver, polar bear tourism in Churchill, Manitoba, fish on display in the Dominion Fisheries Museum, and the racialized memory of Jumbo the elephant in St. Thomas, Ontario. Others examine the bodily intimacies of shared urban spaces: the regulation of rabid dogs in Banff, the maternal politics of pure milk in Hamilton and the circulation of tetanus bacilli from horse to human in Toronto. Another considers the marginalization of women in Canada’s animal welfare movement. The authors collectively push forward from a historiography that features nonhuman animals as objects within human-centered inquiries to a historiography that considers the eclectic contacts, exchanges, and cohabitation of human and nonhuman animals.
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Increasingly and forebodingly, contemporary artists are turning their attention to the subject of climate change, in poignant and often confrontational ways. "The edge of the Earth: climate change in photography and video" explores recent and historic work in the context of present-day environmental concerns, considering the future consequences of the age of the(...)
novembre 2016
The edge of the earth: climate change in photography and video
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Increasingly and forebodingly, contemporary artists are turning their attention to the subject of climate change, in poignant and often confrontational ways. "The edge of the Earth: climate change in photography and video" explores recent and historic work in the context of present-day environmental concerns, considering the future consequences of the age of the anthropocene, and humanity's harsh imprint on our planet. "The edge of the Earth" accompanies a major exhibition at the Ryerson Image Centre in Toronto, and includes works by pioneering and renowned artists such as Edward Burtynsky, Naoya Hatakeyama, Richard Misrach and Robert Rauschenberg; critical propositions on present situations by Chris Jordan, Gideon Mendel and Brandi Merolla; plus visionary works by Jean-Pierre Aube, Adrien Missika, Evariste Richer and Andreas Rutkauskas. Photojournalism from the RIC s Black Star Collection is also included, contextualising artistic reflections within half a century of historical reportage on the environment. Produced as a large-format book with high-quality reproductions throughout, "The edge of the Earth" includes critical texts by Benedicte Ramade and TJ Demos and an introduction by Paul Roth. This critical overview offers the insight of artists into the present climate crisis, with the motive of prompting reconsideration of our increasingly perilous relationship to our planet.