48 Résultats
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Featuring essays by experts in architecture, urbanism and contemporary culture, this book documents 28 site-specific installations and temporary interventions in Germany and Australia, which offer interesting prospects for the revitalization of empty land, neatly demonstrating the great potential of provisional usage of urban spaces. All projects date from 2002 to 2008,(...)
$66.00
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Résumé:
Featuring essays by experts in architecture, urbanism and contemporary culture, this book documents 28 site-specific installations and temporary interventions in Germany and Australia, which offer interesting prospects for the revitalization of empty land, neatly demonstrating the great potential of provisional usage of urban spaces. All projects date from 2002 to 2008,(...)
Titre:
Back to the City : stategies for informal urban interventions
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Featuring essays by experts in architecture, urbanism and contemporary culture, this book documents 28 site-specific installations and temporary interventions in Germany and Australia, which offer interesting prospects for the revitalization of empty land, neatly demonstrating the great potential of provisional usage of urban spaces. All projects date from 2002 to 2008, as curated by architect and urban planner Steffen Lehmann, Professor at the University of Newcastle, Australia,
Back to the City : stategies for informal urban interventions
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Featuring essays by experts in architecture, urbanism and contemporary culture, this book documents 28 site-specific installations and temporary interventions in Germany and Australia, which offer interesting prospects for the revitalization of empty land, neatly demonstrating the great potential of provisional usage of urban spaces. All projects date from 2002 to 2008, as curated by architect and urban planner Steffen Lehmann, Professor at the University of Newcastle, Australia,
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livres
livres
Publication:
janvier 1900
janvier 1900
Sujet:
Expositions collectives
Expositions collectives
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livres
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
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Un coup de dés: writing turned image, an alphabet of pensive language
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
Un coup de dés: writing turned image, an alphabet of pensive language
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This catalogue was published on the occasion of the exhibition "Un coup de dés: Writing Turned Image. An Alphabet of Pensive Language", 19 September - 23 November 2008, Generali Foundation, Vienna
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livres
livres
Publication:
février 2009, Wien, Köln
février 2009, Wien, Köln
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Expositions collectives
Expositions collectives
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livres
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$54.00
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
Titre:
Younger than Jesus: the reader
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
Younger than Jesus: the reader
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
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livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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$47.50
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du(...)
$47.50
(disponible en magasin)
Résumé:
Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du(...)
Publication:
janvier 2009
janvier 2009
Titre:
Architecture sculpture : collections Frac centre et Centre Pompidou
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$47.50
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du Fonds Cardot-Joly, les projets les plus emblématiques de ces artistes-architectes, source d'inspiration de l'architecture prospective d'aujourd'hui.
Architecture sculpture : collections Frac centre et Centre Pompidou
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Dans les années 60, une « révolution » esthétique a vu le jour avec l'Architecture-Sculpture. L'ouvrage présente les onze protagonistes les plus représentatifs de ce courant entre arts plastiques et architecture. D'André Bloc à Pierre Székély en passant par Claude Parent et bien d'autres, il rassemble, à travers les collections du Frac Centre, du Centre Pompidou et du Fonds Cardot-Joly, les projets les plus emblématiques de ces artistes-architectes, source d'inspiration de l'architecture prospective d'aujourd'hui.
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livres
livres
Publication:
janvier 2009
janvier 2009
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livres
livres
Titre:
Bunker: unloaded
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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Expositions collectives
Expositions collectives
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
Titre:
Bunker: unloaded
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In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
Bunker: unloaded
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Résumé:
In the 1990s the Swiss army began the sale of two thirds of their military property. In 2002 the art exhibition UNLOADED - COMING UP FOR AIR took place in several disused army bunkers at Oberschan in the Rhine Valley. This publication documents the art interventions, alongside a critical discussion and other supplementary information.
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livres
livres
Publication:
janvier 1900, Luzern
janvier 1900, Luzern
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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$40.00
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8(...)
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8(...)
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Expositions collectives
Expositions collectives
Publication:
novembre 2008, Berlin
novembre 2008, Berlin
Titre:
Who says concrete doesn't burn, have you tried? west Berlin film in the '80s
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8 installations, music, and performance bred each other. The book expands on the film series of the same name screened at Kino Arsenal in October 2006. Rainer Bellenbaum, Justin Hoffmann, Matthias Heyden & Ines Schaber, Dirk Schaefer, Stefanie Schulte Strathaus, Marc Siegel, Nicole Wolf, and Florian Wüst address the specific social and cultural conditions of the enclosed city in a variety of ways seen from the present, while the artist Krimo contributed a map of memory to the book.
Who says concrete doesn't burn, have you tried? west Berlin film in the '80s
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The cinema as a space where one spent entire nights played an important role in West Berlin in those days. While a large number of venues opened in squatted houses, which together with the Kino Arsenal, founded in 1970, formed a counter-pole to the commercial cinema landscape, urban spaces were converted to temporary projection locations in which film, super-8 installations, music, and performance bred each other. The book expands on the film series of the same name screened at Kino Arsenal in October 2006. Rainer Bellenbaum, Justin Hoffmann, Matthias Heyden & Ines Schaber, Dirk Schaefer, Stefanie Schulte Strathaus, Marc Siegel, Nicole Wolf, and Florian Wüst address the specific social and cultural conditions of the enclosed city in a variety of ways seen from the present, while the artist Krimo contributed a map of memory to the book.
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livres
livres
Publication:
novembre 2008, Berlin
novembre 2008, Berlin
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
Titre:
A.C.A.D.E.M.Y
A.C.A.D.E.M.Y
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
Titre:
A.C.A.D.E.M.Y
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$42.00
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
A.C.A.D.E.M.Y
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$42.00
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Academy is an international series of exhibitions and projects initiated by Siemens Arts Program and realized in cooperation with the Kunstverein in Hamburg, the Department of Visual Cultures at Goldsmiths College in London, the Museum Van Hedendaage Kunst Antwerpen, MuHKA, and the Van Abbemuseum in Eindhoven.
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livres
livres
Publication:
novembre 2008, Frankfurt
novembre 2008, Frankfurt
Sujet:
Expositions collectives
Expositions collectives
Classification:
livres
livres
Titre:
Archaeologies of the future
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized(...)
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized(...)
Titre:
Archaeologies of the future
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$39.95
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized advocation of time.
Archaeologies of the future
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The exhibition "Archaeologies of the future" brings together some of the latest work by five artists - Martin Beck, Carol Bove, Dora García, Mathias Poledna, Pia Rönicke - who have adopted different angles of vision in their work but who share the same conceptual approach, the identification or recognition of the aesthetic of the just-past presented as a historicized advocation of time.
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livres
livres
Publication:
novembre 2008, Frankfurt
novembre 2008, Frankfurt
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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$55.00
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
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Résumé:
The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often(...)
Sujet:
Expositions collectives
Expositions collectives
Publication:
septembre 2008, Köln
septembre 2008, Köln
Titre:
Elmgreen & Dragset: home is the place you left
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
Elmgreen & Dragset: home is the place you left
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$55.00
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The title of this beautiful Penguin Classic look-alike collection of essays and pictures is taken from a poem that Michael Elmgreen wrote when he was 19 years old. The poem describes, in its own simple, youthful manner, issues of emotional homelessness. Home traditionally alludes to family, local context and nationality--to structures which are pre-set and often disconnected to one's individual desires. The Norwegian-Danish artist duo asked friends and colleagues to react to their own notions of home--as a place they left... or didn't. Featuring texts and image-based contributions by the likes of Bill Arning, Henrik Olesen, Jakob Kolding, Monica Bonvicini, Jens Hoffmann and David Shrigley, among many others. Berlin-based Michael Elmgreen and Ingar Dragset have collaborated since 1995. They have had recent solo exhibitions at the Serpentine Gallery in London and The Power Plant in Toronto.
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livres
livres
Publication:
septembre 2008, Köln
septembre 2008, Köln
Sujet:
Expositions collectives
Expositions collectives
Classification:
livres
livres
Titre:
After nature
After nature
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$30.00
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original(...)
$30.00
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Résumé:
Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original(...)
Titre:
After nature
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$30.00
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original book, enriched with images that have been hand-placed between the pages, and a new fold-out dust jacket. The result is a singular hybrid that is part appropriation, part recycled material--informed by the artistic tradition of the found object. Conceived as an homage, the catalogue features an essay by the New Museum's Massimiliano Gioni, a complete checklist and 25 color images by each of the featured artists, who include Pawel Althamer, Huma Bhabha, Maurizio Cattelan, William Christenberry, Nathalie Djurberg, Werner Herzog, Zoe Leonard, Klara Liden, Dana Schutz and Tino Sehgal, among others.
After nature
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$30.00
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Published to accompany the acclaimed summer 2008 After Nature exhibition at New York's New Museum, this unique catalogue pays tribute to the work of W.G. Sebald by repurposing existing copies of his 1988 three-part prose poem, from which the show borrowed its title. Called "an arresting gesture" by The New Yorker's Peter Scheldahl, the catalogue consists of the original book, enriched with images that have been hand-placed between the pages, and a new fold-out dust jacket. The result is a singular hybrid that is part appropriation, part recycled material--informed by the artistic tradition of the found object. Conceived as an homage, the catalogue features an essay by the New Museum's Massimiliano Gioni, a complete checklist and 25 color images by each of the featured artists, who include Pawel Althamer, Huma Bhabha, Maurizio Cattelan, William Christenberry, Nathalie Djurberg, Werner Herzog, Zoe Leonard, Klara Liden, Dana Schutz and Tino Sehgal, among others.
Classification:
livres
livres
Publication:
novembre 2008, New York
novembre 2008, New York
Sujet:
Expositions collectives
Expositions collectives
