Cinzia Ruggeri: Cinzia says
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Artist and fashion designer Cinzia Ruggeri (1942–2019) made her artistic research a tool for inquiry into the functional and semantic properties of the object and the architectural and social dimension of the body, according to an original and nonconformist perspective enriched by irony and oneirism. This is the first monograph on this unconventional figure who moved(...)
Cinzia Ruggeri: Cinzia says
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Artist and fashion designer Cinzia Ruggeri (1942–2019) made her artistic research a tool for inquiry into the functional and semantic properties of the object and the architectural and social dimension of the body, according to an original and nonconformist perspective enriched by irony and oneirism. This is the first monograph on this unconventional figure who moved across disciplines with absolute freedom. Her life and versatile practice were driven by the desire to redefine the formal and functional status of elements of everyday life, from apparel to accessories, from furnishings to lighting. Ruggeri created imaginative, provocative, elegant, and never predictable worlds.
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Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of Lucha Libre the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's(...)
Lucha Libre: masked superstars of Mexican wrestling
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Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of Lucha Libre the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's penentrating study of Mexican professional wrestling culture features more than 500 photographs of luchadores like Blue Demon, Santo, The Witch, Adorable Rub', El Solitario and Hurricane Ramirez, as well as pictures of their families, friends and fans--onstage, backstage and even at home.
Création de mode
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Rei Kawakubo of Comme des Garçons is widely recognized as among the most important and influential designers of the past 40 years. Since her Paris debut in 1981, she has blurred the divide between art and fashion and transformed customary notions of beauty, identity, and the body. This illustrated publication weaves an illuminating narrative around Kawakubo’s experiments(...)
Rei Kawakubo / Comme des Garçons
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Rei Kawakubo of Comme des Garçons is widely recognized as among the most important and influential designers of the past 40 years. Since her Paris debut in 1981, she has blurred the divide between art and fashion and transformed customary notions of beauty, identity, and the body. This illustrated publication weaves an illuminating narrative around Kawakubo’s experiments in oppositions and the spaces between boundaries. Photographs of more than 120 examples of Kawakubo’s womenswear for Comme des Garçons accompanied by Kawakubo’s commentary on her designs and process, reveal her conceptual and challenging aesthetic.
Création de mode
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Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea,(...)
Création de mode
septembre 2022
Atelier Zanolli: Fabrics, fashion, craft 1905-1939
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Under the label Atelier Zanolli, a fantastic world of silk fabrics painted and imprinted with patterns, opulently embroidered cushions, colorful pearl creations, and finely crafted leather and wood articles, was created between 1905 and 1939 in Zurich. The Zanollis had immigrated from Italy in 1905. Their family business was run by Antonietta and her daughters Pia, Lea, and Zoe Zanolli. The cultural and stylistic influences manifested in the Zanollis’ visually appealing products range from the avant-garde to an aesthetic forged by a spirit of intellectual national defense against the increasing threat of the totalitarian regimes in Nazi Germany, fascist Italy, and the communist Soviet Union, that was prevalent in Switzerland in the 1930s. Driven by a striving for artistic self-realization, the atelier defied the many economic challenges of the period and carried out many commissions for Zurich’s leading textile businesses and department stores. This book traces the history of Atelier Zanolli, places its work in the context of the growth of Zurich and the Swiss textile industry in the first half of the twentieth century, and for the first time positions the “Zanolli style” internationally. More than six hundred images show the wealth of colors and shapes in a veritable cosmos of textiles and crafted objects, as well as templates, sketches, private photographs, business cards, and letters. The essays illuminate the techniques and work processes used, discuss entire motif families and unique designs, and grant rare comprehensive insight into the tastes of the time.
Création de mode
Future Fashion
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Future Fashion inspire and promotes renewable, reusable, nonpolluting ways to design and make beautiful, highly functional apparel and interiors, proving that style and sustainability can coexist. Earth Pledge is an award-winning environment leader. Promoting sustainability since 1991.
Future Fashion
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Future Fashion inspire and promotes renewable, reusable, nonpolluting ways to design and make beautiful, highly functional apparel and interiors, proving that style and sustainability can coexist. Earth Pledge is an award-winning environment leader. Promoting sustainability since 1991.
Création de mode
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Far from passive containers or neutral fields where particular objects are to be desired, bought, and sold, department stores constitute spaces formative for both shopping behaviour and culture. In the constantly changing environment, in an interplay between retail strategies and responses to customer behaviour, a negotiation is going on of what and who is of importance,(...)
Structuring fashion: department stores as situating practice
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Far from passive containers or neutral fields where particular objects are to be desired, bought, and sold, department stores constitute spaces formative for both shopping behaviour and culture. In the constantly changing environment, in an interplay between retail strategies and responses to customer behaviour, a negotiation is going on of what and who is of importance, who is to be given exposure, and what needs to be hidden. As such, department stores form intricate examples of how shopping spaces are sites of negotiation of public culture, and of reproducing or creating norms and ideas in society. Inspired by the work of Baudrillard and Butler, Wigley, and Williamson, this book investigates how department stores work as situating structures, in which we not only find what we want, but what we should want, who we are, how our society is arranged, and our role in it - an investigation that challenges our understanding of architecture and planning as well as of society in general. Daniel Koch is a researcher and teacher at the School of Architecture, Royal Institute of Technology, Stockholm, Sweden. Structural Fashion is his doctoral dissertation that develops and improves the theories of his former work on spatial systems as producers of meaning, refocusing the main inquiry onto departement stores.
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Dandy style
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The style of the dandy is elegant but bold — dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. 'Dandy style' celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the(...)
Dandy style
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The style of the dandy is elegant but bold — dedicated to the perfection of taste. This meticulously choreographed look has a vibrant history; the legacy of Beau Brummell, the original dandy of Regency England, can be traced in the clothing of urban dandies today. 'Dandy style' celebrates 250 years of male self-expression, investigating the portraiture and wardrobe of the fashionable British man. Combining fashion, art, and photography, the historic and the contemporary, the provocative and the respectable, it considers key themes in the development of male style and identity, including elegance, uniformity, and spectacle. Various types of dandy are represented by iconic figures such as Oscar Wilde, Edward VIII as Prince of Wales, and Gilbert & George. They appear alongside the seminal designs of Vivienne Westwood, Ozwald Boateng, and Alexander McQueen; and portraits by Thomas Gainsborough and David Hockney.
Création de mode
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This publication features unpublished photographs and interviews with key figures from the movement, essays, flyers and ephemera.
Voguing and the house ballroom scene of New York city 1989-92
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This publication features unpublished photographs and interviews with key figures from the movement, essays, flyers and ephemera.
Création de mode
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The second in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Exchanging Clothes focuses on the concept of transnational “circulation and exchange.” These essays focus on not only the global exchange of material commodities across time and space but also of the ideas, images, colors, and textures related to fashion.
Exchanging clothes (habits of being 2)
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The second in a four-part series charting the social, cultural, and political expression of clothing, dress, and accessories, Exchanging Clothes focuses on the concept of transnational “circulation and exchange.” These essays focus on not only the global exchange of material commodities across time and space but also of the ideas, images, colors, and textures related to fashion.
Création de mode
Spacesuit: fashioning apollo
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When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: twenty-one layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of those spacesuits. It is a story of the Playtex Corporation's(...)
Spacesuit: fashioning apollo
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When Neil Armstrong and Buzz Aldrin stepped onto the lunar surface in July of 1969, they wore spacesuits made by Playtex: twenty-one layers of fabric, each with a distinct yet interrelated function, custom-sewn for them by seamstresses whose usual work was fashioning bras and girdles. This book is the story of those spacesuits. It is a story of the Playtex Corporation's triumph over the military-industrial complex--a victory of elegant softness over engineered hardness, of adaptation over cybernetics.
Création de mode