Recherche

Titre:
Chromatic herbarium

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Résumé:
Massimo Gardone with Alessandra Muran has produced a volume that is many things: a living and vivid herbarium of nature's colors with elements collected and photographed while still fresh, but also an evocative photo book capable of enhancing with the eye of the graphic artist the colors and "pantone" of petals, leaves, branches and other elements of nature. The texts accompanying this research are an essay by Francesco Messina and reflections by landscape designer Matteo Lacivita who starts from the naturalistic observation of colors to also talk about painting, music and other art forms that color really cannot do without.

Titre:
The deorhord: An Old English bestiary

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Résumé:
In ''The Deorhord'', Hana Videen presents a glittering Old English bestiary of animals real and imaginary, big and small, ordinary and extraordinary—the good, the bad, and the downright baffling. The curious stories behind these words provide vivid insights into the language, literature, and lives of those who spoke Old English—the language of Beowulf—more than a thousand years ago.

Titre:
Les migrations des plantes

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Résumé:
En rassemblant textes scientifiques, artistiques, et critiques autour de la migration des plantes, cet ouvrage rejoint la discussion contemporaine entre arts et sciences : écrivains, penseurs et artistes y croisent et confrontent leurs regards en abordant des sujets tels que le brassage, le voyage, ou la migration. Quels mots, quels récits et quelles images pour parler des plantes qui prolifèrent, provoquant parfois des peurs de dépaysement et de perte de biodiversité? Les manières que nous avons d’appréhender ces mouvements végétaux font éclater au grand jour des enjeux esthétiques, éthiques et politiques, articulés autour de quatre axes : modalités, indisciplines végétales, ambiguïtés coloniales et postcoloniales et enfin sympoïèses*. L’adresse du livre est plurielle : lecteurs et lectrices sensibles aux mondes académiques, artistiques et du jardin pourront prendre la mesure de ce que peuvent nous dire et nous apprendre les plantes, entre enquêtes photographiques, textes, poèmes, illustrations et entretiens. Avec un préface par Gilles Clément.

Titre:
Beautiful shells: George Perry's Conchology

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In 1811, architect, stone mason and shell obsessive George Perry published an illustrated volume, his Conchology or the Natural History of Shells, featuring 348 illustrated mollusc shells with descriptions of species, many of which were new to science. Despite the effort that went into producing the work, at a time when "conchophilia", or shell fancying, was at its height, Perry’s Conchology all but disappeared without a trace in the scientific literature, apparently actively suppressed by the leading conchologists of the day and then cruelly mocked for decades afterwards. This book reproduces the stunning, exquisitely drawn and sometimes fanciful shell illustrations from this extraordinary forgotten volume. Following an introduction exploring our fascination with shells and their impact on human history, culture and science, each of the sixty-one colour plates is included alongside a description of notable shells and what is known of the mysterious organisms that make them. From the common limpet and razor clam to the valuable cowry and spectacular divine conch, the wide range of shells featured form a treasure trove of natural beauty from our oceans and shores.

Titre:
L'univers des arbres

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Résumé:
Synthèse de l'ensemble des connaissances sur les arbres et les forêts. Au travers d'informations scientifiques, culturelles, historiques et mythologiques, l'auteur explore les caractéristiques, la structure ainsi que le rôle des arbres, notamment dans la lutte contre le réchauffement climatique. L'exploitation abusive des hommes est évoquée, comme le bûcheronnage et l'extraction d'ambre.

Titre:
The metamorphosis of plants

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"The metamorphosis of plants", published in 1790, was Goethe’s first major attempt to describe what he called in a letter to a friend "the truth about the how of the organism." Inspired by the diversity of flora he found on a journey to Italy, Goethe sought a unity of form in diverse structures. He came to see in the leaf the germ of a plant’s metamorphosis—"the true Proteus who can hide or reveal himself in all vegetal forms"—from the root and stem leaves to the calyx and corolla, to pistil and stamens. With this short book—123 numbered paragraphs, in the manner of the great botanist Linnaeus—Goethe aimed to tell the story of botanical forms in process, to present, in effect, a motion picture of the metamorphosis of plants.

Titre:
Corbeaux

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Le corbeau semble un signe inscrit à l'encre noire sur nos paysages. Un signe élégant, marchant posément au sol, s'envolant sans effort et glissant sur le monde. Signe de malheur, parfois, puisqu'il est à l'occasion charognard et a toujours suivi les hommes sur les champs de bataille, à travers les catastrophes. Mais aussi signe de vie. Dans de nombreuses traditions, des Chinois aux Indiens Hopi, la présence du corbeau est interprétée comme un présage heureux. Chez les anciens Grecs, sa parade nuptiale et ses mœurs fidèles lui valaient d'être invoqué comme gage d'amour conjugal. Et partout, son intelligence remarquable a intrigué, exaspéré, étonné ou charmé les humains. Ce livre explore les traces des corvidés (corneilles, corbeaux et pies) dans la mémoire et les cultures du monde, dévoilant les multiples formes du lien entre les hommes et ces oiseaux si fascinants.

Titre:
Rat

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Résumé:
The rat has been described as the shadow of the human. From ancient times it spread via the routes of commerce and conquest to eventually inhabit almost every part of the world. Its impact on history has been enormous in terms of the damage done through plague and disease, the destruction of agricultural produce, and the infestations of cities. At the same time the rat has provided science with a huge resource for experimentation. This highly adaptable, fertile and intelligent creature is almost universally loathed, but there are cultures in which it is revered, even deified. This book traces the history of the human relationship with rats from the first archaeological finds to the genetically engineered rats of the present day, describing its role in the arts and sciences, religion and myth, psychoanalysis and medicine. The author includes wide-ranging examples of the rat’s appearance: in literature – 'The Pied Piper'; Beatrix Potter stories, 'The Wind in the Willows'; in culture – Victorian rat-and-dog baiting pits, its popularity as a pet, even the subject of a ’70s pop song; folklore – it was a good luck symbol in ancient Rome, symbol of cunning in Chinese mythology; and psychoanalysis – Freud’s Rat Man, for example. The book also seeks to answer two problems raised by the complexity of human attitudes to the rat. The first concerns how it was that the rat came to be seen not just as verminous, but also as being particularly despised for being so – more so, in fact, than other parasitic animals. The second concerns the manner in which human attitudes to the rat can be so contradictory, when admiration for its abilities are set against this idea of hatred. The rat can be found at the heart of human preoccupations with hygiene, sexuality and appetite, and exists as a perverse totem for the worst excesses of human behaviour. In 'Rat', Jonathan Burt provides a fascinating account of this animal in history, myth and culture.

Titre:
Fungal inspiration

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Résumé:
This book collates a marvellous compendium of mushrooms and their many facets through fascinating art and illustrations. Brimming with vibrant hues and fascinating forms, it shines a light on the lesser-known side of Mother Nature. Taking a closer look at the mycolic wonders that often escape the eye, each piece in this book is created by artists and creatives from around the globe who seek to convey and bring to life the wild beauty of fungi.

Titre:
Atlas de botanique poétique

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$47.95
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Résumé:
Botaniste, explorateur des forêts tropicales équatoriales qu'il sillonne depuis quarante ans, carnet de croquis en main, Francis Hallé nous invite dans cet Atlas de botanique poétique à un voyage illustré à la rencontre de plantes extraordinaires. Des innombrables carnets d'expédition qui tapissent les étagères de son bureau à Montpellier, il a extrait un échantillon des spécimens les plus étonnants. De Codariocalyx motorius, la plante qui danse, aux Solanaceae d'Argentine, ces arbres souterrains dont on n'aperçoit qu'un tapis de feuilles au sol, leurs modes de développement et d'adaptation dépassent souvent notre compréhension pour enchanter notre imagination. Exubérantes, énigmatiques, dotées d'aptitudes surprenantes, les merveilles végétales présentées dans ce cabinet de curiosités inattendu plaident en faveur de la sauvegarde des forêts tropicales aujourd'hui gravement menacées.