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Titre:
Architecture and polyphony : building in the Islamic world today - the Aga Khan Award for Architecture, the ninth award cycle

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Résumé:
At no time in recent history have architecture, urban planning, rehabilitation and reconstruction been as important to the Islamic World as they are today. Since 1977, the triennial Aga Khan Award has celebrated outstanding contributions to architectural design, logical construction and the revivification of hisoric cities. In this, the ninth Award cycle, the jury has selected seven projects to reflect the rich diversity of Muslim architecture today : Biblioteca Alexandrina - Alexandria, Egypt; Gando Primary School - Gando, Burkina Faso; Sandbag Shelter Prototypes - Various locations; Restoration of Al-Abbas Mosque - Asnaf, Yemen; Old City of Jerusalem Revitalization Program - Old City, Jerusalem; B2 House - Ayvacik, Turkey; Petronus Towers - Kuala Lumpur, Malaysia.

Titre:
House and home in modern Japan : architecture, domestic space, and bourgeois culture, 1880-1930

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Résumé:
A house is a site, the bounds and focus of a community. It is also an artefact, a material extension of its occupants' lives. This book takes the Japanese house in both senses, as site and as artefact, and explores the spaces, commodities, and conceptions of community associated with it in the modern era. As Japan modernized, the principles that had traditionally related house and family began to break down. Even where the traditional class markers surrounding the house persisted, they became vessels for new meanings, as housing was resituated in a new nexus of relations. The house as artefact and the artefacts it housed were affected in turn. The construction and ornament of houses ceased to be stable indications of their occupants' social status, the home became a means of personal expression, and the act of dwelling was reconceived in terms of consumption. Amid the breakdown of inherited meanings and the fluidity of modern society, not only did the increased diversity of commodities lead to material elaboration of dwellings, but home itself became an object of special attention, its importance emphasized in writing, invoked in politics, and articulated in architectural design. The aim of this book is to show the features of this culture of the home as it took shape in Japan.

Titre:
Katsura : imperial villa

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This book presents a detailed history of Katsura, the seventeenth-century imperial palace in Kyoto, Japan, that is a pivotal work of Japanese architecture. First revealed to the modern architectural world by Bruno Taut, the great German architect, in the early twentieth century, Katsura stunned and then excited the architectural community of the West. Le Corbusier and Walter Gropius, pillars of the modernist establishment, were fascinated by Katsura`s "modernity." They saw in its orthogonal and modular spaces, devoid of decoration, clear parallels to contemporary modernism, going so far as to proclaim Katsura a "historical" example of modernity. This book documents the palace in detail, combining newly commissioned photographs, detailed drawings, archival material and historical analysis. Essays by Francesco Dal Co, Walter Gropius, Arata Isozaki, Manfred Speidel, Kenzo Tange and Bruno Taut.

Titre:
Japan-ness in architecture

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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In "Japan-ness in architecture", he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers. Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design. Translated by Sabu Kohso. Foreword by Toshiko Mori.

Titre:
The Age of Sinan : architectural culture in the Ottoman Empire

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Résumé:
During his tenure as Chief Royal Architect (1539-1588) in the "Golden Age" of the Ottoman Empire, Sinan designed hundreds of structures that helped create the renowned urban image of Istanbul, particularly mosques with seemingly weightless, light-filled centralized domes that have been compared with developments in Renaissance Italy. His distinctive architectural idiom left its imprint over a vast empire extending from the Danube to the Tigris, and he became the most celebrated of all Ottoman architects. In this lavishly illustrated, major new assessment of Sinan's oeuvre, Gülru Necipoglu challenges standard views of Sinan as a "Turkish Michelangelo" driven solely by an insatiable urge for artistic experimentation. Her innovative analysis shows that Sinan's rich variety of mosque designs sprang from a process of negotiation between the architect and his elite patrons, both men and women. Defined though they were by social and territorial hierarchies and associated notions of identity, memory, and decorum, Sinan's mosques simultaneously shaped these conceptions. "The Age of Sinan" draws on a wealth of primary sources to reveal the chief architect's monuments as bearers of previously unrecognized dimensions of meaning. A sophisticated study of the cultural and social history of Ottoman architecture, interpreting the works of a seminal figure in the early modern eastern Mediterranean world, it is must-reading for scholars and students of art history and other fields with an interest in the Ottoman Empire.

Titre:
The temple of Jerusalem

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Résumé:
The Temple has become the world's most potent symbol of the human search for an lost ideal, an image of greatness. Goldhill travels across cultural and temporal boundaries to convey the full extent of its impact on religious, artistic, and scholarly imaginations.

Titre:
Anthologie critique de la theorie japonaise

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Ce livre présente l'examen d'un siècle et demi de théorie architecturale japonaise. Les textes et discours théoriques choisis sont ceux qui sont les plus représentatifs des réflexions du monde architectural et de la création au Japon de la fin du XIXe à la fin du XXe siècle. Il montre l'évolution des tendances pour essayer de mettre en évidence la part du milieu.

Titre:
Les palais indiens

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Résumé:
Ce livre aborde les traditions architecturales historiques et régionales de l'Inde. Les plus anciens édifices royaux, les vastes cités impériales et citadelles.

Titre:
Japan, culture of wood : buildings, objects, techniques

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$120.95
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Résumé:
Japan is synonymous worldwide with traditional timber construction and the diversified use of wood in every sphere. Out of a long-enduring tradition emerge products of unrivalled refinement, craftsmanship and minimalist design. From bridges, through dwellings, sliding doors and furniture, to receptacles, tools and musical instruments, this publication presents the technique, tradition, context and production of some 30 different kinds of objects, focusing on the genesis of each. Every step from material selection through to surface finish is captured directly by noted photographer Roland Bauer in fascinating sequences, which combine with the detailed drawings to make each item's composition and production easy to grasp.

Titre:
Algérie, traces d'histoire: architecture, urbanisme et art de la préhistoire à L'Algerie contemporaine

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$77.95
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Résumé:
Cet ouvrage aborde l’Algérie dans sa singularité avec ses richesses humaines, créatrices et symboliques souvent inexplorées, pour suivre aussi la complexité de son histoire et des représentations qui l’ont accompagnée.