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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This(...)
Albers and Moholy-Nagy : from the Bauhaus to the new world
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. This book presents four decades of works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design. With contributions by Hal Forster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, and Michael White.
Modernisme
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this(...)
Modernisme
mai 2006, München / Berlin / London / New York
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this book. Engels' photographs show many buildings in their newly restored conditions and reflect the full range of Bauhaus architecture, one of the most influential schools of architecture in the twentieth century.
Modernisme
Haunted Bauhaus
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The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In ''Haunted Bauhaus,'' art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly(...)
Haunted Bauhaus
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The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In ''Haunted Bauhaus,'' art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories.
Modernisme
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This book unites the pioneering work of six artists and designers: Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Inspired by both local traditions and modern methods, these women made art that reflected and contributed to Mexico’s rich artistic landscape at the height of the modern period. Their work was rooted in modernism and(...)
In a cloud, in a wall, in a chair: six modernists in Mexico at midcentury
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This book unites the pioneering work of six artists and designers: Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, Sheila Hicks. Inspired by both local traditions and modern methods, these women made art that reflected and contributed to Mexico’s rich artistic landscape at the height of the modern period. Their work was rooted in modernism and grounded in abstraction.This constellation of like-minded practitioners shared an affinity for Mexico, a country all lived in or visited between the 1940s and the 1970s. In bringing their works together, this book offers a new lens on modernism in Mexico.
Modernisme
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A collection of more than 400 homes from more than 290 architects, the ''Atlas of Mid-Century Modern Houses'' showcases work by such icons as Marcel Breuer, Richard Neutra, Alvar Aalto, and Oscar Niemeyer, and more. The book is organized geographically into nine continental regions- North America, Central America, South America, Europe North, Europe South, Middle East,(...)
Atlas of mid-century modern houses
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A collection of more than 400 homes from more than 290 architects, the ''Atlas of Mid-Century Modern Houses'' showcases work by such icons as Marcel Breuer, Richard Neutra, Alvar Aalto, and Oscar Niemeyer, and more. The book is organized geographically into nine continental regions- North America, Central America, South America, Europe North, Europe South, Middle East, Africa, Asia and Australasia- and includes classic mid-century modern buildings as well as lesser-known examples across the globe, proving that mid-century modernism was truly an international architectural phenomenon.
Modernisme
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Between 1919 and 1933, the Bauhaus thrived as a school of ideas that encouraged students to experiment with material, colour, and drawing techniques and learn basic skills. One hundred years later, its educational methods are still relevant. This book introduces the famous Foundation course and its major instructors: Joseph Albers, Johannes Itten, and László Moholy-Nagy.(...)
Original Bauhaus exercise book
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Between 1919 and 1933, the Bauhaus thrived as a school of ideas that encouraged students to experiment with material, colour, and drawing techniques and learn basic skills. One hundred years later, its educational methods are still relevant. This book introduces the famous Foundation course and its major instructors: Joseph Albers, Johannes Itten, and László Moholy-Nagy. It offers for the first time a series of more than fifty exercises from the Foundation Course. The book presents a collection of exercises gathered from historical material, mainly from the Bauhaus-Archiv such as drawings, photographs, original notes, and later recollections of the tasks given by the famous Bauhaus artists. The exercises are accompanied by comments by teachers, artists, and experts with different professional backgrounds. These teachings illustrate not only the methods and philosophy of the Bauhaus school, but also provide budding artists with a foundation for developing their own practice, whether it be in drawing, architecture, design, or typography.
Modernisme
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"Hudson Modern" surveys this emerging domestic architecture, featuring nearly twenty houses that integrate with site and region through composition, scale, and materials, and which strike a balance between innovation and rootedness. A reconstructed midcentury house accented in cedar, walnut, and bluestone by Joel Sanders and landscaped by the late Diana Balmori blurs the(...)
Hudson modern: residential landscapes
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"Hudson Modern" surveys this emerging domestic architecture, featuring nearly twenty houses that integrate with site and region through composition, scale, and materials, and which strike a balance between innovation and rootedness. A reconstructed midcentury house accented in cedar, walnut, and bluestone by Joel Sanders and landscaped by the late Diana Balmori blurs the edge of habitation and nature. KieranTimberlake revises the classic vision of a glass box by cladding a home on a rocky site in Pound Ridge in a tapestry of steel, aluminum, copper, and glass. In Rhinebeck, Steven Holl experiments with a radical form that has both ecological and social dimensions.
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Modernisme
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Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the “Bauhausbücher” series. In addition to designing and editing the “Bauhausbücher”, Moholy-Nagy produced a title of his(...)
László Moholy-Nagy: Painting, photography, film. Bauhausbücher 8
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Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the “Bauhausbücher” series. In addition to designing and editing the “Bauhausbücher”, Moholy-Nagy produced a title of his own: the legendary “Painting, Photography, Film”. In this book, Moholy-Nagy’s efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity.
Modernisme
Bauhaus Dessau Architecture
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“Art and technology: a new unity.” It was with this slogan that the Bauhaus moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many(...)
Bauhaus Dessau Architecture
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“Art and technology: a new unity.” It was with this slogan that the Bauhaus moved to Dessau in 1925. The school’s seven years in this industrial city between the Elbe and Mulde Rivers were particularly productive for its designers and architects, who created a unique ensemble of modern architecture that attracts visitors from all over the world to Dessau to this day. Many of the Bauhaus buildings in Dessau are now regarded as key works of European Modernism and some have even become UNESCO World Heritage Sites. They express the revolutionary aim of the historical Bauhaus to bring about fundamental change in society through design and architecture.
Modernisme