195 Résultats
Classification:
livres
livres
Titre:
The theater of the Bauhaus, bauhausbücher 4. Oskar Schlemmer, László Moholy-Nagy & Farkas Molnár
The theater of the Bauhaus, bauhausbücher 4. Oskar Schlemmer, László Moholy-Nagy & Farkas Molnár
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The fourth volume presents the main characteristics of the Bauhaus concept of the stage. It was essentially shaped by Oskar Schlemmer, who had taken over the stage department in 1923. Laszlo Moholy-Nagy took an interest in abstract kinetic and luminary phenomena which he examines in his essay "Theatre, Circus, Variete." Farkas Molnar focused for his part on stage(...)
$56.00
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Résumé:
The fourth volume presents the main characteristics of the Bauhaus concept of the stage. It was essentially shaped by Oskar Schlemmer, who had taken over the stage department in 1923. Laszlo Moholy-Nagy took an interest in abstract kinetic and luminary phenomena which he examines in his essay "Theatre, Circus, Variete." Farkas Molnar focused for his part on stage(...)
Titre:
The theater of the Bauhaus, bauhausbücher 4. Oskar Schlemmer, László Moholy-Nagy & Farkas Molnár
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The fourth volume presents the main characteristics of the Bauhaus concept of the stage. It was essentially shaped by Oskar Schlemmer, who had taken over the stage department in 1923. Laszlo Moholy-Nagy took an interest in abstract kinetic and luminary phenomena which he examines in his essay "Theatre, Circus, Variete." Farkas Molnar focused for his part on stage architecture, which he discusses in detail in this volume.
The theater of the Bauhaus, bauhausbücher 4. Oskar Schlemmer, László Moholy-Nagy & Farkas Molnár
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The fourth volume presents the main characteristics of the Bauhaus concept of the stage. It was essentially shaped by Oskar Schlemmer, who had taken over the stage department in 1923. Laszlo Moholy-Nagy took an interest in abstract kinetic and luminary phenomena which he examines in his essay "Theatre, Circus, Variete." Farkas Molnar focused for his part on stage architecture, which he discusses in detail in this volume.
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livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Modernisme
Modernisme
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livres
livres
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look(...)
$56.00
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Résumé:
Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look(...)
Titre:
Bauhaus at the newsstand: Die Neue Linie 1929-1943
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look of the magazine, whose contents combined fashion, literature, graphic design and art. Unembellished fonts, dynamic diagonals and dramatic use of photomontage were key to the journal's striking appearance. Its authors included Walter Gropius, Aldous Huxley, Gottfried Benn and Thomas Mann. The Bauhaus at the Newsstand illustrates the turbulent times in which the magazine appeared, reproducing spreads, statements, articles, a visual checklist of every issue and analyses of the magazine's delicate balancing act between modernism and conformity.
Bauhaus at the newsstand: Die Neue Linie 1929-1943
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look of the magazine, whose contents combined fashion, literature, graphic design and art. Unembellished fonts, dynamic diagonals and dramatic use of photomontage were key to the journal's striking appearance. Its authors included Walter Gropius, Aldous Huxley, Gottfried Benn and Thomas Mann. The Bauhaus at the Newsstand illustrates the turbulent times in which the magazine appeared, reproducing spreads, statements, articles, a visual checklist of every issue and analyses of the magazine's delicate balancing act between modernism and conformity.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
The Bauhaus group
The Bauhaus group
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In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany’s Weimar and Dessau in the 1920s and early 1930s.
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In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany’s Weimar and Dessau in the 1920s and early 1930s.
Titre:
The Bauhaus group
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In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany’s Weimar and Dessau in the 1920s and early 1930s.
The Bauhaus group
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In this extraordinary group biography, Weber brilliantly brings to life the Bauhaus geniuses and the community of the pioneering art school in Germany’s Weimar and Dessau in the 1920s and early 1930s.
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livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Modernisme
Modernisme
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livres
livres
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$70.00
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these(...)
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these(...)
Titre:
Pride in modesty: Modernist architecture and the vernacular tradition in Italy
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s.
Pride in modesty: Modernist architecture and the vernacular tradition in Italy
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Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$36.00
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
Titre:
AAA 034 : Caribbean modernist architecture
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
AAA 034 : Caribbean modernist architecture
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In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée,(...)
$69.95
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Résumé:
Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée,(...)
Titre:
Modern architecture: representation & reality
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Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée, Nicholas Hawksmoor, Louis Kahn, Henri Labrouste, Augustus Welby Pugin, Karl Friedrich Schinkel, John Soane, Louis Sullivan, Mies van der Rohe, Eugène Viollet-le-Duc, and Frank Lloyd Wright.
Modern architecture: representation & reality
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Résumé:
Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée, Nicholas Hawksmoor, Louis Kahn, Henri Labrouste, Augustus Welby Pugin, Karl Friedrich Schinkel, John Soane, Louis Sullivan, Mies van der Rohe, Eugène Viollet-le-Duc, and Frank Lloyd Wright.
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livres
livres
Publication:
janvier 2010
janvier 2010
Classification:
livres
livres
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Résumé:
The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
$48.95
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Résumé:
The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
Titre:
Twentieth-century architecture and modernity: our past, our present
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Twentieth-century architecture and modernity: our past, our present
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
Titre:
Modern architecture in Japan
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most(...)
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most(...)
Titre:
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most astute critics of the second part of the twentieth century. Tafuri’s ideas about Japanese architecture were primarily formed through texts, including magazine articles and contemporary photographs. How did Tafuri come to select the achievements of Japanese architects as the focus of his reflections on modern architecture? What happens when a historian of architecture relies purely on photographs for making judgments about a building? Edited and introduced by Mohsen Mostafavi, this volume reflects on these questions, and more, and includes a rich collection of images.
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most astute critics of the second part of the twentieth century. Tafuri’s ideas about Japanese architecture were primarily formed through texts, including magazine articles and contemporary photographs. How did Tafuri come to select the achievements of Japanese architects as the focus of his reflections on modern architecture? What happens when a historian of architecture relies purely on photographs for making judgments about a building? Edited and introduced by Mohsen Mostafavi, this volume reflects on these questions, and more, and includes a rich collection of images.
Classification:
livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$75.00
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined(...)
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined(...)
Titre:
Tomorrow's Houses: New England Modernism
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined realizations in houses designed by such masters as Frank Lloyd Wright, Philip Johnson, Mies van der Rohe, Richard Meier, Paul Rudolph, Marcel Breuer, and Walter Gropius, all of whose work is featured in these pages. Photographer Geoffrey Gross has captured in full-color images these composed structures and their appointed interiors, all against the variety of the landscapes of New England.
Tomorrow's Houses: New England Modernism
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Tomorrow’s Houses is a photographed presentation of the modernist houses in Connecticut, Massachusetts, Maine, New Hampshire, and Vermont, built during the early twentieth century through the 1960s. From the suburbs of Connecticut to the mountains of New Hampshire and Vermont, modernism in America found some of its earliest, most idealistic, and, later, most refined realizations in houses designed by such masters as Frank Lloyd Wright, Philip Johnson, Mies van der Rohe, Richard Meier, Paul Rudolph, Marcel Breuer, and Walter Gropius, all of whose work is featured in these pages. Photographer Geoffrey Gross has captured in full-color images these composed structures and their appointed interiors, all against the variety of the landscapes of New England.
Classification:
livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Modernisme
Modernisme
Classification:
livres
livres
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$21.95
(disponible en magasin)
Résumé:
L'Inkhouk (Institut de la Culture artistique) fut en 1920 l'héritier du Soviet des artistes. Ses membres avaient pour mission d'élaborer les théories et les méthodes nouvelles de création formelle. Il fut dirigé d'abord par Kandinsky puis par Rodtchenko. Cet ouvrage montre que l'Inkhouk fut, de 1920 à 1922, le creuset où s'élabora le Constructivisme, dans le feu des(...)
$21.95
(disponible en magasin)
Résumé:
L'Inkhouk (Institut de la Culture artistique) fut en 1920 l'héritier du Soviet des artistes. Ses membres avaient pour mission d'élaborer les théories et les méthodes nouvelles de création formelle. Il fut dirigé d'abord par Kandinsky puis par Rodtchenko. Cet ouvrage montre que l'Inkhouk fut, de 1920 à 1922, le creuset où s'élabora le Constructivisme, dans le feu des(...)
Titre:
L'Inkhouk : naissance du constructivisme
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L'Inkhouk (Institut de la Culture artistique) fut en 1920 l'héritier du Soviet des artistes. Ses membres avaient pour mission d'élaborer les théories et les méthodes nouvelles de création formelle. Il fut dirigé d'abord par Kandinsky puis par Rodtchenko. Cet ouvrage montre que l'Inkhouk fut, de 1920 à 1922, le creuset où s'élabora le Constructivisme, dans le feu des discussions. Cette mise en perspective historique s'accompagne d'une documentation photographique, qui permet de constater à quel point les oeuvres originales des constructivistes des années vingt restent fraîches et neuves.
L'Inkhouk : naissance du constructivisme
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L'Inkhouk (Institut de la Culture artistique) fut en 1920 l'héritier du Soviet des artistes. Ses membres avaient pour mission d'élaborer les théories et les méthodes nouvelles de création formelle. Il fut dirigé d'abord par Kandinsky puis par Rodtchenko. Cet ouvrage montre que l'Inkhouk fut, de 1920 à 1922, le creuset où s'élabora le Constructivisme, dans le feu des discussions. Cette mise en perspective historique s'accompagne d'une documentation photographique, qui permet de constater à quel point les oeuvres originales des constructivistes des années vingt restent fraîches et neuves.
Classification:
livres
livres
Publication:
juillet 2013
juillet 2013
Sujet:
Modernisme
Modernisme
