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A photographic exploration of the Soviet monotowns - urban settlements erected around single industries in the hinterlands of the former USSR -; some thriving, others struggling to survive, still others partially abandoned. Through nine chapters with over 130 photographs taken by Russian photographer Alexander Veryovkin, Monotowns by Zupagrafika captures the(...)
Monotowns: Soviet landscapes of post-industrial Russia
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A photographic exploration of the Soviet monotowns - urban settlements erected around single industries in the hinterlands of the former USSR -; some thriving, others struggling to survive, still others partially abandoned. Through nine chapters with over 130 photographs taken by Russian photographer Alexander Veryovkin, Monotowns by Zupagrafika captures the post-industrial landscapes and Soviet-era architecture of the monogorods extending from the Arctic Circle to the Russian Far East, such as Vorkuta, Norilsk, Mirny, Kirovsk, Tolyatti, Cherepovets, Magnitogorsk, Monchegorsk and Nikel, and the daily lives of their inhabitants. Includes informative texts providing a valuable insight into the urban development of the featured cities and a foreword by the architectural critic Konstantin Budarin.
Modernisme
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A photographic insight into the Soviet-era architecture of one of the most extreme, little-known and vast territories on Earth. From the Ural Mountains to the Arctic Circle, the book features the extensive microrayons of Siberia’s urban centres, the brutal landscapes of industrial monotowns, cosmic circuses, concrete theatres and opera houses, as well as prefabricated(...)
Concrete Siberia: Soviet landscapes of the far North
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A photographic insight into the Soviet-era architecture of one of the most extreme, little-known and vast territories on Earth. From the Ural Mountains to the Arctic Circle, the book features the extensive microrayons of Siberia’s urban centres, the brutal landscapes of industrial monotowns, cosmic circuses, concrete theatres and opera houses, as well as prefabricated panel blocks, or panelki, erected on permafrost. Divided into 6 chapters, Concrete Siberia by Zupagrafika contains over 100 photographs capturing the stark splendour of post-war modernist architecture scattered around the cities of Novosibirsk, Omsk, Krasnoyarsk, Norilsk, Irkutsk and Yakutsk and the quotidian lives of their inhabitants.
Modernisme
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This book delves into the architectural heritage of public housing developed in Hong Kong between the 1950s and the 1980s. Embracing the modernist architectural approach, the city initiated mass housing projects that redefined urban living. Towering structures emerged to meet the housing needs of nearly three million residents, resulting in one of the world’s most(...)
Concrete Hong Kong: Build your own Modernist metropolis
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This book delves into the architectural heritage of public housing developed in Hong Kong between the 1950s and the 1980s. Embracing the modernist architectural approach, the city initiated mass housing projects that redefined urban living. Towering structures emerged to meet the housing needs of nearly three million residents, resulting in one of the world’s most futuristic and densely populated urban landscapes. Through captivating photographs and engaging narratives, the first half of Concrete Hong Kong offers a glimpse into the housing estates constructed during the second half of the 20th century, showcasing a variety of structures, including the cruciform Shun On Estate, the vibrant Choi Hung Estate, and the brutalist Po Lai Court. The second half of the book immerses readers in a hands-on experience, featuring six pre-cut and pre-folded models ready to be pressed out and assembled, making this book a must-have for anyone seeking to uncover the hidden stories behind Hong Kong’s concrete jungles. All you need is glue! Includes a foreword by Charles Lai, architect and architectural historian based in Hong Kong.
Modernisme
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The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of(...)
1960s University buildings: The golden age of British modern architecture
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The 1960s continue to hold an almost mythical place in Western culture, particularly in Britain, where change was widespread and infiltrated many aspects of life. This included architecture, whose role in a modern democracy and the form it should take were hotly debated. This book discusses the architectural thinking of the time through an examination of the design of university buildings. While there were notable buildings being built in other spheres, no other field of architecture provided the opportunity to express those ideas as freely, while also reflecting innovative new thinking about education and society. Somehow, the university buildings of the 1960s seemed to represent the cutting edge of modern architecture in the UK. This book provides the first critical analysis and overview of these buildings, designed by some of the leading British architects of the period including Basil Spence, Leslie Martin, Alison and Peter Smithson, Denys Lasdun, Powell and Moya and James Stirling. By placing the buildings in a wider social, cultural and political context, it examines the combination of circumstances and attitudes that produced results that are equally admired and detested and allows us to understand how we might replicate or avoid them in the future.
Modernisme
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener (...)
The architecture of red Vienna 1919-1934
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In 1919 the Social Democrat city council of Vienna initiated a radical program of reforms designed to reshape the city's infrastructure along socialist lines. The centrepiece and most enduring achievement of "Red" Vienna was the construction of the Wiener Gemeindebauten, 400 communal housing blocks, distributed throughout the city, in which workers' dwellings were incorporated with kindergartens, libraries, medical clinics, theaters, cooperative stores, and other public facilities. The 64,000 units housed one tenth of the city's population. Throughout this socialist building campaign, however, Austria was ruled by a conservative, clerical, and antisocialist political majority. Thus the architecture of Red Vienna took shape in the midst of highly charged, and often violent, political conflict between left and right. In this book, Eve Blau looks at how that ideological conflict shaped the buildings of Red Vienna--in terms of their programme, spatial conception, language, and use--as well as how political meaning itself is manifested in architecture. She shows how the architecture of Red Vienna constructed meaning in relation to the ideological conflicts that defined Austrian politics in the interwar period--how it was shaped by the conditions of its making, and how it engaged its own codes, practices, and history to stake out a political position in relation to those conditions. Her investigation sheds light both on the complex relationship among political program, architectural practice, and urban history in interwar Vienna, and on the process by which architecture can generate a collective discourse that includes all members of society.
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décembre 1998, Cambridge, Mass.
Modernisme
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This special issue of a+u includes the following residential buildings: Hvitträsk, 1903 /Saarinen, Lindgren, Gesellius Robie House, 1910 /Frank Lloyd Wright Scheu House, 1912 /Adolf Loos (...)
mai 2000, Tokyo
Visions of the real : modern houses in the 20th century : volume 1, 1900-1949
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This special issue of a+u includes the following residential buildings: Hvitträsk, 1903 /Saarinen, Lindgren, Gesellius Robie House, 1910 /Frank Lloyd Wright Scheu House, 1912 /Adolf Loos Une Petite Maison, 1923 /Le Corbusier Rietveld-Schröder House, 1924 /Gerrit Thomas Rietveld How House, 1925 /Rudolph Schindler Melnikov House, 1929 /Konstantin Melnikov Tugendhat House, 1930 /Ludwig Mies van der Rohe Maison de Verre, 1931 /Pierre Chareau Dammann House, 1932 /Arne Korsmo Schminke House, 1933 /Hans Scharoun Summer House, 1937 /Gunnar Asplund Gropius House, 1937 /Walter Gropius House over the Brook, 1945 /Amancio Williams Kaufmann Desert House, 1946 /Richard Neutra Maison Curutchet, 1949 /Le Corbusier
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mai 2000, Tokyo
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an(...)
Modern architecture in Czechoslovakia and other writings
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The writings of graphic designer, prolific critic, and avant-garde partisan Karel Teige (1900-1951) represent one of the great forgotten legacies of modern artistic theory. Together with Jaromír Krejcar and Josef Chocol, he founded the radical Devetsil group in 1920, an organization committed to promoting international modernism through manifestos and polemics. After meeting Le Corbusier in Paris in 1922, Teige increasingly turned his attention to architecture. Over the next decade he crystallized his ideas on functionalist and constructivist practice through relationships with ideological allies including Adolf Behne, Theo van Doesburg, Hannes Meyer, and El Lissitzky. In "Modern Architecture in Czechoslovakia" (published in 1930), Teige both publicized the modernist efforts of his native country, and aligned them with the avant-garde efforts of the East and West. Now in English for the first time, this work is supplemented by a selection of Teige's other writings on art and architecture. An introduction by Jean-Louis Cohen traces the diverse pursuits of this multifaceted figure.
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janvier 2001, Los Angeles
Modernisme
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and(...)
Modernisme
juillet 2003, Cambridge / London
Impossible histories : historical avant-gardes, neo-avant-gardes, and post-avant-gardes in Yugoslavia, 1918-1991
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"Impossible histories" is the first critical survey of the extraordinary experiments in the arts that took place in the former Yugoslavia from the country's founding in 1918 to its breakup in 1991. The combination of Austro-Hungarian, French, German, Italian, and Turkish influences gave Yugoslavia's avant-gardes a distinct character unlike those of other Eastern and Central European avant-gardes. Censorship and suppression kept much of the work far from the eyes and ears of the Yugoslav people, while language barriers and the inaccessibility of archives caused it to remain largely unknown to Western scholars. Even at this late stage in the scholarly investigation of the avant-garde, few Westerners have heard of the movements Belgrade surrealism, signalism, Yugo-Dada, and zenitism; the groups Alfa, Exat 51, Gorgona, OHO, and Scipion Nasice Sisters Theater; or the magazines Danas, Red Pilot, Tank, Vecnost, and Zvrk. The pieces in this collection offer comparative and interpretive accounts of the avant-gardes in the former Yugoslavian countries of Croatia, Serbia, and Slovenia. The book is divided into four sections : art and politics; literature; visual art and architecture; and art in motion (covering theater, dance, music, film, and video). All of the contributors live in the region and many of them participated in the movements discussed. The book also reprints a selection of the most important manifestos generated by all phases of Yugoslav avant-garde activity.
Modernisme
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Cet ouvrage propose une réinterprétation inédite de l'architecture de la fin du 19e et de l'ensemble du 20e siècle, selon une méthode privilégiant l'analyse de la structure, du revêtement et des matériaux, ainsi que celle de l'influence, tant en termes de conception que de mise en œuvre, des principes formulés par Viollet-le-Duc et Semper. Richement illustré, ce livre(...)
Histoire de l'architecture moderne : structure et revêtement
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Cet ouvrage propose une réinterprétation inédite de l'architecture de la fin du 19e et de l'ensemble du 20e siècle, selon une méthode privilégiant l'analyse de la structure, du revêtement et des matériaux, ainsi que celle de l'influence, tant en termes de conception que de mise en œuvre, des principes formulés par Viollet-le-Duc et Semper. Richement illustré, ce livre offre au lecteur une nouvelle manière de " voir " l'architecture. Rédigé par deux grands spécialistes du domaine et organisé selon une corrélation continue entre textes et images, il constitue une solide référence didactique pour les étudiants et les chercheurs en architecture.
Modernisme
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With nearly five millennia of architectural heritage, China boasts the longest continuous architectural lineage in history. A hundred years after the dawn of the 20th century, the urban landscape of the world's most populous country has now been transformed completely. The pivotal link between the ancient traditions of China's imperial past and the high-rise, glass-clad,(...)
Modernism in China: architectural visions and revolutions
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With nearly five millennia of architectural heritage, China boasts the longest continuous architectural lineage in history. A hundred years after the dawn of the 20th century, the urban landscape of the world's most populous country has now been transformed completely. The pivotal link between the ancient traditions of China's imperial past and the high-rise, glass-clad, lust-for-wealth that characterises China's 21st-century architectural aspirations is a period of modernisation that revolutionised its architectural language and urban fabric. Despite the fact that the reach of Modernism was as effective in early 20th-century China as elsewhere in the world, China remains conspicuously absent from written histories of Modernism - as Modernism does from written histories of China. Modernism in China confronts this by investigating China's unique experience of Modernism, its remarkable variety, striking contradictions and recurrent paradoxes. Modernism in China acquired its own unique language forged from geographical, cultural, historical and political circumstances. This extensive study analyses, for the first time, the role of Modernism in the development of China's architectural and urban landscapes throughout the 20th century and, consequently, offers valuable context to the country's recent resurgence.
Modernisme