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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans,(...)
Charles Marville : Un mémoire du vieux Paris
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans, tableaux ou films. Cette ville de papier s’offre aujourd’hui à nos déambulations imaginaires ; libre à nous de la peupler, au gré des silhouettes que nous y entrevoyons, de mille vies que nous n’avons pas vécues.
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Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
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During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. Basic Forms represents the culmination of their career. Although the subject matter is unglamorous--mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks--the Bechers' passion for their work imbues these(...)
Bernd & Hilla Becher: Basic forms
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During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. Basic Forms represents the culmination of their career. Although the subject matter is unglamorous--mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks--the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph--taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."
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Marc Riboud : Au long cours
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A l'occasion du centenaire de la naissance de l'artiste, une sélection de clichés confidentiels qui témoignent de son talent et de son intérêt pour l'observation du monde et de ses évolutions. La grève des dockers en 1954 en Grande-Bretagne, l'indépendance de l'Algérie en 1962 et la révolution islamique en Iran en 1979 sont quelques-uns des sujets photographiés.
Marc Riboud : Au long cours
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A l'occasion du centenaire de la naissance de l'artiste, une sélection de clichés confidentiels qui témoignent de son talent et de son intérêt pour l'observation du monde et de ses évolutions. La grève des dockers en 1954 en Grande-Bretagne, l'indépendance de l'Algérie en 1962 et la révolution islamique en Iran en 1979 sont quelques-uns des sujets photographiés.
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livres
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Edition limited to 1,000 copies.
Empire: Mr. J.R. Gossage, Dr. H.W. Vogel
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Edition limited to 1,000 copies.
livres
janvier 1900, Tucson
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In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized(...)
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juin 2000, Los Angeles
In focus : Eugène Atget
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Eugène Atget (1857-1927) spent nearly thirty years photographing details of often-inconspicuous buildings, side streets, cul-de-sacs, and public sculptures in his beloved Paris. Yet before his death, he was practically unknown outside of that city. His genius was first recognized about 1924 by two young Americans living and working in Paris—Man Ray and his studio assistant, Berenice Abbott—who appreciated the elements of contradiction, ambivalence, and ambiguity in Atget's images of Parisian architecture, streets, and parks. Presented in this volume are more than fifty of the Getty Museum's two hundred ninety-five pictures by Atget, with commentary on each image by Gordon Baldwin, associate curator of photographs at the J. Paul Getty Museum. "In Focus: Eugène Atget" also contains a chronological overview of his life and an edited transcript of a colloquium on his career, with participants Baldwin; David Featherstone, independent editor and curator; photographer Robbert Flick, professor of art at the University of Southern California; independent scholar David Harris; Weston Naef, curator of photographs, Getty Museum; Francoise Reynaud, curator of photographs at the Musée Carnavalet, Paris; and Michael S. Roth, president, California College of Arts and Crafts.
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juin 2000, Los Angeles
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Josef Sudek
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Dubbed the "poet of Prague," Josef Sudek was one of the most important and celebrated of Czech photographers.
Josef Sudek
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Dubbed the "poet of Prague," Josef Sudek was one of the most important and celebrated of Czech photographers.
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Situating El Lissitzky
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Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
Situating El Lissitzky
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Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
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"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
Manufactured landscapes : the photographs of Edward Burtynsky
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"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
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Durant l’été 1989, Monique Deregibus rencontre au cœur du désert du bassin de Galisteo (Nouveau-Mexique, États-Unis), un lieu spécifique, isolé et puissant, chargé d’histoires chamaniques et de réminiscences autochtones. Pendant dix années (1989-1999), puis au cours d’un dernier voyage en 2017, elle ne cessera d’y revenir pour toujours photographier ces mêmes paysages,(...)
Monique Deregibus: Galisteo equivalences
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Durant l’été 1989, Monique Deregibus rencontre au cœur du désert du bassin de Galisteo (Nouveau-Mexique, États-Unis), un lieu spécifique, isolé et puissant, chargé d’histoires chamaniques et de réminiscences autochtones. Pendant dix années (1989-1999), puis au cours d’un dernier voyage en 2017, elle ne cessera d’y revenir pour toujours photographier ces mêmes paysages, répétés jusqu’à l’usure, ces blocs chaotiques de pierre chargés de pétroglyphes, déposés à la surface, saturant le paysage de si fragiles dess(e)ins.
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