Scénographie d'exposition
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Scénographie d'exposition vous fournira des informations nécessaires sur les aspects concrets d'une pratique responsable du métier - sécurité, confort, lisibilité, ergonomie, interactivité, intégration d'éléments audiovisuels, construction.
Scénographie d'exposition
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$79.95
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Scénographie d'exposition vous fournira des informations nécessaires sur les aspects concrets d'une pratique responsable du métier - sécurité, confort, lisibilité, ergonomie, interactivité, intégration d'éléments audiovisuels, construction.
$18.95
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L'exposition "Dreamlands" au centre Pompidou invite à un voyage à travers le monde et explore les coulisses de notre société de loisirs, où se brouillent les frontières entre culture et divertissement, entre imaginaire et réalité.
Dreamlands: des parcs d'attractions aux cités du futur au Centre Pompidou
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L'exposition "Dreamlands" au centre Pompidou invite à un voyage à travers le monde et explore les coulisses de notre société de loisirs, où se brouillent les frontières entre culture et divertissement, entre imaginaire et réalité.
$30.00
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof(...)
Josep Lluis Sert: Joan Miro foundation
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof terraces above. (Two subsequent expansions to the building were designed by Jaume Freixa, a pupil and longtime colleague of Sert's.) After the first major retrospective of Miró's work occurred in Barcelona in 1968, the artist decided to set up a building to make his work and the work of other contemporary artists permanently accessible to the public. To design the foundation's home, he tapped his old friend Sert, a pioneer in the introduction of modern architecture in Catalonia, who had first met Miró in 1932 and worked with him on the Spanish (Republican) Pavilion at the Paris World Fair in 1937. This volume, one of a series of monographs on new museum architecture, provides a careful look at the design of one of Europe's premier art institutions, and includes an interview with the architects responsible for the recent expansions.
Prix de Rome.nl 2010
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Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
Prix de Rome.nl 2010
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Staged every four years, the PrixdeRome.nl Architecture gives architects, urban planners and landscape architects under the age of 35 the opportunity to display their talents. The subject of the preliminary round of competition was August Allebéplein, a public square in Amsterdam. Participants were invited to create proposals that enhanced the sense of community.
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.(...)
Public photographic spaces, exhibitions of propaganda, from Pressa to the family of man, 1928-55
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This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.
$23.95
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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire(...)
L'architecture exposée: la cité de l'architecture et du patrimoine
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En s'opposant aux destructions révolutionnaires et en exposant les chefs-d'oeuvre sauvés, Alexandre Lenoir a été le précurseur d'une conscience patrimoniale. Mais en dehors de ces circonstances exceptionnelles, l'architecture n'a pas vocation à être transportée pour être exposée grandeur nature. Comment alors la montrer ? Eugène Viollet-le-Duc, en 1879, réussit à faire accepter l'idée d'un musée de moulages, comprenant aussi photographies et maquettes d'architecture, installé dans le palais du Trocadéro. Exposer l'architecture est aujourd'hui la vocation de la Cité de l'architecture et du patrimoine, qui hérite de cette conscience patrimoniale et la projette dans l'avenir, en associant la conservation à la création, insistant sur l'idée d'un patrimoine vivant et d'une architecture contemporaine respectueuse du contexte où elle s'inscrit. Simon Texier, historien de l'architecture, raconte ici l'aventure fondatrice de la Cité - toute jeune institution culturelle qui réunit trois institutions préexistantes : le musée des Monuments français, l'École de Chaillot et l'Institut français d'architecture. Son ambition est immense : construire et faire partager par le plus grand nombre une culture architecturale et urbaine.
$12.00
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly(...)
The Museum of Modern Art in this century
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly revisited, inquired into and reshaped, by its visitors as well as by its staff. The Museum of Modern Art in the 21st Century is an illustrated overview of an institution that is dedicated to accommodating the diversity of contemporary art and an increasingly complex and nuanced understanding of modern art. An essay by Museum director Glenn Lowry examines MoMA's current role in contemporary art as part of its long history of disrupting established paradigms, focusing on the building as a site where viewers actively experience art rather than passively receive it.
The New Acropolis Museum
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A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house.
The New Acropolis Museum
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A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house.
livres
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In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan(...)
octobre 2008
The 1933 Chicago World's fair: century of progress
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In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.
livres
octobre 2008
Thematic museums
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
Thematic museums
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$69.95
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.