233 Résultats
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livres
livres
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In 1968, Robert Smithson reacted to Michael Fried’s influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator’s connection with a work of art as a momentary visual engagement, Smithson’s non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the(...)
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Résumé:
In 1968, Robert Smithson reacted to Michael Fried’s influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator’s connection with a work of art as a momentary visual engagement, Smithson’s non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the(...)
Titre:
Beyond objecthood: the exhibition as a critical form since 1968
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In 1968, Robert Smithson reacted to Michael Fried’s influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator’s connection with a work of art as a momentary visual engagement, Smithson’s non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.”
Beyond objecthood: the exhibition as a critical form since 1968
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In 1968, Robert Smithson reacted to Michael Fried’s influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator’s connection with a work of art as a momentary visual engagement, Smithson’s non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form—and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.”
Classification:
livres
livres
Publication:
février 2017
février 2017
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Thinking about Exhibitions
Thinking about Exhibitions
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$51.95
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The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
$51.95
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Résumé:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Sujet:
Muséologie
Muséologie
Publication:
décembre 1995, London, New York
décembre 1995, London, New York
Titre:
Thinking about Exhibitions
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Résumé:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Thinking about Exhibitions
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Résumé:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Classification:
livres
livres
Publication:
décembre 1995, London, New York
décembre 1995, London, New York
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$39.95
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Résumé:
What if museum critics were challenged to envision their own exhibitions? In this publication, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process(...)
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Résumé:
What if museum critics were challenged to envision their own exhibitions? In this publication, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process(...)
Titre:
Curatorial dreams: critics imagine exhibitions
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$39.95
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What if museum critics were challenged to envision their own exhibitions? In this publication, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design.
Curatorial dreams: critics imagine exhibitions
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$39.95
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Résumé:
What if museum critics were challenged to envision their own exhibitions? In this publication, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design.
Classification:
livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Notes on my dunce cap
Notes on my dunce cap
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$26.00
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Résumé:
A text for those curious about education as a context for creativity and collaboration, and for teachers who want to reconsider hierarchy in their classrooms, Jesse Ball's Notes on My Dunce Cap includes advisory material regarding the creation of syllabi and the manner in which groups may evaluate the work of an individual without harm.
$26.00
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Résumé:
A text for those curious about education as a context for creativity and collaboration, and for teachers who want to reconsider hierarchy in their classrooms, Jesse Ball's Notes on My Dunce Cap includes advisory material regarding the creation of syllabi and the manner in which groups may evaluate the work of an individual without harm.
Titre:
Notes on my dunce cap
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$26.00
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Résumé:
A text for those curious about education as a context for creativity and collaboration, and for teachers who want to reconsider hierarchy in their classrooms, Jesse Ball's Notes on My Dunce Cap includes advisory material regarding the creation of syllabi and the manner in which groups may evaluate the work of an individual without harm.
Notes on my dunce cap
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$26.00
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Résumé:
A text for those curious about education as a context for creativity and collaboration, and for teachers who want to reconsider hierarchy in their classrooms, Jesse Ball's Notes on My Dunce Cap includes advisory material regarding the creation of syllabi and the manner in which groups may evaluate the work of an individual without harm.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$32.50
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Résumé:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
$32.50
(disponible sur commande)
Résumé:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
Titre:
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Résumé:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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$32.50
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Résumé:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Classification:
livres
livres
Publication:
août 2012
août 2012
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$44.00
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects(...)
$44.00
(disponible en magasin)
Résumé:
In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects(...)
Publication:
mai 2016
mai 2016
Titre:
Collective for a socialist architecture: proletarian building exhibition 1931
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$44.00
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Résumé:
In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects participating in the German Building Exhibition and CIAM, they cast architecture as an instrument of power, questioned capitalist solutions to the housing question, and unveiled planning approaches imported from the then-Soviet Union. A full facsimile of the exhibition manifesto/catalog and exhibition panels is featured in addition to contributing essays by contemporary architects, writers and educators, and the Collectives’ Annual Report including a proposed work program and statement of intent. Historical photos are interspersed throughout providing a full reconstruction of this significant architectural and sociopolitical event.
Collective for a socialist architecture: proletarian building exhibition 1931
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$44.00
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Résumé:
In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects participating in the German Building Exhibition and CIAM, they cast architecture as an instrument of power, questioned capitalist solutions to the housing question, and unveiled planning approaches imported from the then-Soviet Union. A full facsimile of the exhibition manifesto/catalog and exhibition panels is featured in addition to contributing essays by contemporary architects, writers and educators, and the Collectives’ Annual Report including a proposed work program and statement of intent. Historical photos are interspersed throughout providing a full reconstruction of this significant architectural and sociopolitical event.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Classification:
livres
livres
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$53.50
(disponible en magasin)
Résumé:
"The new curator: exhibiting architecture and design" examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the 'new curator'. Instead(...)
$53.50
(disponible en magasin)
Résumé:
"The new curator: exhibiting architecture and design" examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the 'new curator'. Instead(...)
Titre:
The new curator: exhibition architecture and design
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$53.50
(disponible en magasin)
Résumé:
"The new curator: exhibiting architecture and design" examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the 'new curator'. Instead of exhibiting finished works or artefacts, the rise of 'performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of 'custodian' or 'expert' but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.
The new curator: exhibition architecture and design
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Prix:
$53.50
(disponible en magasin)
Résumé:
"The new curator: exhibiting architecture and design" examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the 'new curator'. Instead of exhibiting finished works or artefacts, the rise of 'performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of 'custodian' or 'expert' but with the intent to create a shared space of encounter with audiences. To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Actions:
Prix:
$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
Titre:
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
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Prix:
$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
Actions:
Prix:
$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
Classification:
livres
livres
Publication:
février 2022
février 2022
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$21.95
(disponible en magasin)
Résumé:
In our current era of global pandemic and violent political upheaval, the question must be asked: What is our future and whose voices will announce it? These can only be situated voices, each with its own body and space, formed through dialogue within their own communities and in reaction and resistance to dominant discourses. Museum director, curator, and writer Zdenka(...)
$21.95
(disponible en magasin)
Résumé:
In our current era of global pandemic and violent political upheaval, the question must be asked: What is our future and whose voices will announce it? These can only be situated voices, each with its own body and space, formed through dialogue within their own communities and in reaction and resistance to dominant discourses. Museum director, curator, and writer Zdenka(...)
Titre:
Unannounced voices: Curatorial practice and changing institutions
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$21.95
(disponible en magasin)
Résumé:
In our current era of global pandemic and violent political upheaval, the question must be asked: What is our future and whose voices will announce it? These can only be situated voices, each with its own body and space, formed through dialogue within their own communities and in reaction and resistance to dominant discourses. Museum director, curator, and writer Zdenka Badovinac argues that these situated voices of people, artworks, and exhibitions, rooted in the local, can bring incisive, productive change. The call of these voices, in rethinking art, curation, and institutions, is the subject of this powerful essay.
Unannounced voices: Curatorial practice and changing institutions
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Prix:
$21.95
(disponible en magasin)
Résumé:
In our current era of global pandemic and violent political upheaval, the question must be asked: What is our future and whose voices will announce it? These can only be situated voices, each with its own body and space, formed through dialogue within their own communities and in reaction and resistance to dominant discourses. Museum director, curator, and writer Zdenka Badovinac argues that these situated voices of people, artworks, and exhibitions, rooted in the local, can bring incisive, productive change. The call of these voices, in rethinking art, curation, and institutions, is the subject of this powerful essay.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$40.00
(disponible en magasin)
Résumé:
This volume explores how Indigenous visual art and culture operate within and from a structural framework that is unique within the cultural milieu. Through a selection of contributions by Indigenous curators, artists, and scholars brings together perspectives that define curatorial practices, and at the same time postulates Indigenous sovereignty and self-determination(...)
$40.00
(disponible en magasin)
Résumé:
This volume explores how Indigenous visual art and culture operate within and from a structural framework that is unique within the cultural milieu. Through a selection of contributions by Indigenous curators, artists, and scholars brings together perspectives that define curatorial practices, and at the same time postulates Indigenous sovereignty and self-determination(...)
Publication:
mai 2020
mai 2020
Titre:
Becoming our future: Global indigenous curatorial practice
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Prix:
$40.00
(disponible en magasin)
Résumé:
This volume explores how Indigenous visual art and culture operate within and from a structural framework that is unique within the cultural milieu. Through a selection of contributions by Indigenous curators, artists, and scholars brings together perspectives that define curatorial practices, and at the same time postulates Indigenous sovereignty and self-determination within the three countries. These compelling essays begin to unearth the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart.
Becoming our future: Global indigenous curatorial practice
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Prix:
$40.00
(disponible en magasin)
Résumé:
This volume explores how Indigenous visual art and culture operate within and from a structural framework that is unique within the cultural milieu. Through a selection of contributions by Indigenous curators, artists, and scholars brings together perspectives that define curatorial practices, and at the same time postulates Indigenous sovereignty and self-determination within the three countries. These compelling essays begin to unearth the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart.
Classification:
livres
livres
Publication:
mai 2020
mai 2020
