The Biennial reader
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Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial(...)
The Biennial reader
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Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial gathers previously published seminal texts from around the world alongside commissioned contributions from the leading scholars, curators, critics and thinkers today--among them Carlos Basualdo, Daniel Buren, John Clark, Okwui Enwezor, Bruce Ferguson, Milena Hoegsberg, Ranjit Hoskote, Caroline A. Jones, Jakouba Konaté, Gerardo Mosquera and Rafal Niemojewski. Tracing the genealogy of the standard exhibition format and examining some of the most famous examples of the twentieth and twenty-first century this reader explores the artistic, theoretical, and political ambitions of such large-scale exhibition projects.
Muséologie
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Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can(...)
Subtraction: critical spatial practice 4
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Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can create their own alternative markets of durable spatial variables that can be managed and traded by citizens and cities rather than the global financial industry.
Muséologie
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Muséologie
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Contestations brings together a range of artists, theorists and other practitioners to consider the state of education and learning in light of political struggle, institutional crisis and new media platforms. Focusing on creative experiments in education, Contestations seeks to instigate a conversation about the future direction of education that challenges existing(...)
Contestations: learning from critical experiments in education
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Contestations brings together a range of artists, theorists and other practitioners to consider the state of education and learning in light of political struggle, institutional crisis and new media platforms. Focusing on creative experiments in education, Contestations seeks to instigate a conversation about the future direction of education that challenges existing academic models while examining possibilities for strategic intervention and self-organisation.
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
The museum is open: towards a transnational history of museums 1750-1940
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
Muséologie
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Muséologie
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In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
Ten fundamental questions of curating
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In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Muséologie
Museum of the future
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Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also(...)
Museum of the future
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Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also become a more openly discussed topic. How do curators meet these challenges? How do artists view their relationships to museum? How do practitioners navigate between ideas, ideals and realities? This publication gathers interviews with artists, architects and curators of the contemporary art world, such as John Baldessari, Ute Meta Bauer, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Michael Govan, Jacques Herzog, Thomas Hirschhorn, Philipp Kaiser, Rem Koolhaas, Lars Nittve, Hans Ulrich Obrist, Thierry Raspail, Tobias Rehberger and Beatrix Ruf, among others.
Muséologie
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Since the publication of Thinking Contemporary Curating in 2012, art historian Terry Smith has continued his travels through the globalizing art world, talking to curators. The dozen searching conversations in this book--with Carolyn Christov-Bakargiev, Claire Bishop, Zdenka Badovinac, Mami Kataoka, Mari Carmen Ramírez, Okwui Enwezor, Germano Celant, Jens Hoffmann, Hans(...)
Talking contemporary curating
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Since the publication of Thinking Contemporary Curating in 2012, art historian Terry Smith has continued his travels through the globalizing art world, talking to curators. The dozen searching conversations in this book--with Carolyn Christov-Bakargiev, Claire Bishop, Zdenka Badovinac, Mami Kataoka, Mari Carmen Ramírez, Okwui Enwezor, Germano Celant, Jens Hoffmann, Hans Ulrich Obrist, Maria Lind, Zoe Butt and Boris Groys--provide a vivid sense of contemporary curatorial thought at work. They show curators deeply immersed in thinking about the exigencies of practice, the contexts of exhibition-making, the platforms through which art may be made public, and about what their work can contribute toward understanding what it means to be alive today.
Muséologie
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Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of late nineteenth and early twentieth-century Russia.
Avant-garde museology. E-Flux classics
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Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of late nineteenth and early twentieth-century Russia.
Muséologie