233 Résultats
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
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Futures of the architectural exhibition: Five conversations on the display of space
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Futures of the architectural exhibition: Five conversations on the display of space
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In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
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livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Muséologie
Muséologie
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livres
livres
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"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice.(...)
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"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice.(...)
Titre:
Biennials: The exhibitions we love to hate
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"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums’ acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
Biennials: The exhibitions we love to hate
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"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums’ acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Muséologie
Muséologie
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livres
livres
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As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped(...)
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As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped(...)
Titre:
The future of the museum: 28 Dialogues
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As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight conversations in this book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention.
The future of the museum: 28 Dialogues
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As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight conversations in this book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Muséologie
Muséologie
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livres
livres
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$47.00
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This publication offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the ‘global’ for art and exhibition-making, or why has it been what it has? How have agents including artists and(...)
$47.00
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This publication offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the ‘global’ for art and exhibition-making, or why has it been what it has? How have agents including artists and(...)
Titre:
Art and its worlds: Exhibitions, institutions and art becoming public
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This publication offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the ‘global’ for art and exhibition-making, or why has it been what it has? How have agents including artists and curators experimented with different forms of exhibition? And how do these exhibitionary moments connect to longer-term and institutional trajectories? Key texts previously published in Afterall journal appear alongside newly commissioned essays, artist contributions, conversations and translations, exploring exhibition as a material, embodied and political practice, while inviting a new location for past art and bringing it into the present for what is to come.
Art and its worlds: Exhibitions, institutions and art becoming public
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This publication offers a possible history of art since 1989 told through the moments when art becomes public. The anthology addresses some of the myriad worlds conjured by art and the telling of their histories. It is guided by three questions: What is the ‘global’ for art and exhibition-making, or why has it been what it has? How have agents including artists and curators experimented with different forms of exhibition? And how do these exhibitionary moments connect to longer-term and institutional trajectories? Key texts previously published in Afterall journal appear alongside newly commissioned essays, artist contributions, conversations and translations, exploring exhibition as a material, embodied and political practice, while inviting a new location for past art and bringing it into the present for what is to come.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$33.95
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In this work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which(...)
$33.95
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In this work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which(...)
Titre:
Postsensual aesthetics: on the logic of the curatorial
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In this work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art's defining moment.
Postsensual aesthetics: on the logic of the curatorial
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In this work of aesthetic theory, James Voorhies argues that we live in the shadow of old ways of thinking about art that emphasize the immediate visual experience of an autonomous art object. But theory must change as artistic and curatorial production has changed. It should encompass the full range of activities through which we encounter art and exhibitions, in which reading and thinking are central to the aesthetic experience. Voorhies advances the theoretical framework of a “postsensual aesthetics,” which does not mean we are beyond a sensual engagement with objects, but rather embraces the cognitive connections with ideas that unite art and knowledge production. Cognitive engagements with art often begin with publications conceived as integral to exhibitions, conveying the knowledge and research artists and curators produce, and continuing in time and space beyond traditional curatorial frames. The idea, and not just visual immediacy, is now art's defining moment.
Classification:
livres
livres
Publication:
février 2023
février 2023
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
In a while or two we will find the tone: Essays and proposals, curatorial concepts, and critiques
In a while or two we will find the tone: Essays and proposals, curatorial concepts, and critiques
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This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung's expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other,(...)
$35.00
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This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung's expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other,(...)
Titre:
In a while or two we will find the tone: Essays and proposals, curatorial concepts, and critiques
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$35.00
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Résumé:
This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung's expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself.
In a while or two we will find the tone: Essays and proposals, curatorial concepts, and critiques
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$35.00
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Résumé:
This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung's expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself.
Classification:
livres
livres
Publication:
juillet 2020
juillet 2020
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$67.95
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Museums rarely present objects as migrants. Yet they often arrive there by way of a migratory process, a historical echo of the flows of migration that have dominated the news over the past decade. As individuals migrate, so do cultures, skills, religions, ideas, objects, and materials. This is nothing new, and yet its recent acceleration forces us to think about a world(...)
$67.95
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Museums rarely present objects as migrants. Yet they often arrive there by way of a migratory process, a historical echo of the flows of migration that have dominated the news over the past decade. As individuals migrate, so do cultures, skills, religions, ideas, objects, and materials. This is nothing new, and yet its recent acceleration forces us to think about a world(...)
Titre:
Migration: the journey of objects
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$67.95
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Museums rarely present objects as migrants. Yet they often arrive there by way of a migratory process, a historical echo of the flows of migration that have dominated the news over the past decade. As individuals migrate, so do cultures, skills, religions, ideas, objects, and materials. This is nothing new, and yet its recent acceleration forces us to think about a world in which migration is a constant and the traditional distinction between “native” and “immigrant” is of less relevance. Published together with an exhibition at the Röhsska Museum of Design and Craft in Gothenburg, this volume examines these shifts and how they continuously influence how knowledge is formed.
Migration: the journey of objects
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$67.95
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Museums rarely present objects as migrants. Yet they often arrive there by way of a migratory process, a historical echo of the flows of migration that have dominated the news over the past decade. As individuals migrate, so do cultures, skills, religions, ideas, objects, and materials. This is nothing new, and yet its recent acceleration forces us to think about a world in which migration is a constant and the traditional distinction between “native” and “immigrant” is of less relevance. Published together with an exhibition at the Röhsska Museum of Design and Craft in Gothenburg, this volume examines these shifts and how they continuously influence how knowledge is formed.
Classification:
livres
livres
Publication:
décembre 2021
décembre 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$225.95
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Presenting innovative field research conducted in new and emerging human rights museums across Asia and Latin America, the book adopts a broad museological approach. It does so by including national and community museums, as well as public and private museological initiatives, within its purview. Drawing on in-depth case studies about museums in Taiwan, Japan, Paraguay(...)
$225.95
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Presenting innovative field research conducted in new and emerging human rights museums across Asia and Latin America, the book adopts a broad museological approach. It does so by including national and community museums, as well as public and private museological initiatives, within its purview. Drawing on in-depth case studies about museums in Taiwan, Japan, Paraguay(...)
Titre:
Human rights museums: Critical tensions between memory and justice
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$225.95
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Presenting innovative field research conducted in new and emerging human rights museums across Asia and Latin America, the book adopts a broad museological approach. It does so by including national and community museums, as well as public and private museological initiatives, within its purview. Drawing on in-depth case studies about museums in Taiwan, Japan, Paraguay and Colombia – all discussed within their political and cultural contexts – the book examines the paradigmatic shift that has occurred within the museum field in the wake of the larger global transformations that have shaped contemporary geo-politics over the last 50 years. The diversity of geographical and political contexts, and the attention to lesser-known institutions within the canon of English museum studies literature, presents readers with a valuable opportunity to learn more about innovative museological models in non-English-speaking and non-Western contexts.
Human rights museums: Critical tensions between memory and justice
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$225.95
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Presenting innovative field research conducted in new and emerging human rights museums across Asia and Latin America, the book adopts a broad museological approach. It does so by including national and community museums, as well as public and private museological initiatives, within its purview. Drawing on in-depth case studies about museums in Taiwan, Japan, Paraguay and Colombia – all discussed within their political and cultural contexts – the book examines the paradigmatic shift that has occurred within the museum field in the wake of the larger global transformations that have shaped contemporary geo-politics over the last 50 years. The diversity of geographical and political contexts, and the attention to lesser-known institutions within the canon of English museum studies literature, presents readers with a valuable opportunity to learn more about innovative museological models in non-English-speaking and non-Western contexts.
Classification:
livres
livres
Publication:
octobre 2022
octobre 2022
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
unExhibit
unExhibit
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$66.00
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This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
$66.00
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This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
Titre:
unExhibit
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$66.00
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This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
unExhibit
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$66.00
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Résumé:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$24.95
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This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public(...)
$24.95
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This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public(...)
Titre:
Better off forgetting? Essays on archives, public policy, and collective memory
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This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public bureaucracies. While stimulating debate about our rapidly changing information environment, this book focus on the continuing role of archives in gathering and preserving our collective memory.
Better off forgetting? Essays on archives, public policy, and collective memory
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$24.95
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This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public bureaucracies. While stimulating debate about our rapidly changing information environment, this book focus on the continuing role of archives in gathering and preserving our collective memory.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Muséologie
Muséologie
