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Bringing together accounts written by those who practice assemblies, and contributions from artists, activists, historians, philosophers, and social scientists, as well as three architectural experiments that attempt to imagine models for a future assembly, the book proposes a critical inquiry into the potential of assemblies to shape political subjects. What Makes An(...)
février 2023
What makes an assembly: stories, experiments and inquiries
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Bringing together accounts written by those who practice assemblies, and contributions from artists, activists, historians, philosophers, and social scientists, as well as three architectural experiments that attempt to imagine models for a future assembly, the book proposes a critical inquiry into the potential of assemblies to shape political subjects. What Makes An Assembly? examines the tensions that exist in all assemblies between the need for form and the danger of formalization; between the scripts, rituals, and architectural settings from which they derive, and their capacity to erupt and emerge anew.
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Situated at the intersection of architecture, art, public culture, and political theory, ''Socializing architecture'' urges architects and urbanists to intervene in the contested space between public and private interests, to design political and civic processes that mediate top-down and bottom-up urban resources, and to mobilize a new public imagination toward a more(...)
mars 2023
Socializing architecture: Top-down/bottom-up
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Situated at the intersection of architecture, art, public culture, and political theory, ''Socializing architecture'' urges architects and urbanists to intervene in the contested space between public and private interests, to design political and civic processes that mediate top-down and bottom-up urban resources, and to mobilize a new public imagination toward a more just and equitable urbanization. Drawn from decades of lived experience, Teddy Cruz and Fonna Forman engage the San Diego–Tijuana border region as a global laboratory to address the central challenges of urbanization today: deepening social and economic inequality, dramatic migratory shifts, explosive urban informality, climate disruption, the thickening of border walls, and the decline of public thinking. ''Socializing architecture'' follows ''Spatializing justice'' (Cruz and Forman, 2022). It is organized into two main sections—essays and projects—and continues to build a compelling case for architects and urban designers to do more than design buildings and physical systems. Through analysis and diverse case studies, the authors show architects and urbanists how to alter the exclusionary policies that produce public crisis and instead realize new political and economic strategies that advance a more equitable and convivial architecture.
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Establishing an ethics of spatial justice to lead architecture forward, Dana Cuff shows why the discipline requires critical examination—in relation to not only buildings and the capital required to realize them but privilege, power, aesthetics, and sociality. The book draws on studies of architectural projects from around the world, with instructive case studies from(...)
Architectures of spatial justice
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Establishing an ethics of spatial justice to lead architecture forward, Dana Cuff shows why the discipline requires critical examination—in relation to not only buildings and the capital required to realize them but privilege, power, aesthetics, and sociality. The book draws on studies of architectural projects from around the world, with instructive case studies from Chile, Mexico, Japan, and the United States that focus in particular on urban centers, where architecture is most directly engaged with social justice issues. Emerging from more than two decades of the author's own project-based research, the volume examines ethically driven practices that break with professional conventions to correct long-standing inequities in the built environment, uncovering architecture's limits—and its potential.
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As community becomes a more dominant paradigm in how architecture is produced, more people become involved in its creation. This implies a change in the role of the architect from being an individual author to a facilitator, from being an independent expert to establishing and managing collaboration. With a wealth of detailed analysis and clear, well-designed graphics,(...)
Collaborative tools for community architecture
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As community becomes a more dominant paradigm in how architecture is produced, more people become involved in its creation. This implies a change in the role of the architect from being an individual author to a facilitator, from being an independent expert to establishing and managing collaboration. With a wealth of detailed analysis and clear, well-designed graphics, this volume offers practical tools for a truly collaborative architecture that is based on analysis, management, data collection and design. Avilla-Royo demonstrates how the architectural project becomes an instrument for citizen involvement in decision-making and how citizen involvement offers an exciting opportunity to improve the design and everyday uses of architecture.
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Since the Boyer of 1996 of "Building Communities: A New future for Architectural Education and Practice" there has been some movements in architectural and design schools and practitioners exploring ways to inculcate a concern for larger social issues in the design process. Several alternative approaches to the education, practice of architecture and urban design have(...)
janvier 2024
Participatory design thinking in urban design education
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Since the Boyer of 1996 of "Building Communities: A New future for Architectural Education and Practice" there has been some movements in architectural and design schools and practitioners exploring ways to inculcate a concern for larger social issues in the design process. Several alternative approaches to the education, practice of architecture and urban design have emerged rooted in the Social Architecture based on four groups of participants; the private visionary; the public professional with a vision; the professional based at non-profit organizations and the activist university. The urban laboratory model is one such model housed in the activist university. One of the arguments for this methodology is that it would lead to a better place-making process.
Commons in design
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods(...)
Commons in design
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The scarcity of resources, climate change, and the digitalization of everyday life are fuelling the economy of swapping, sharing, and lending—all of which are in some way linked to a culture of commoning. In this context, we understand commons as community-based processes that use, collectively manage, and organize generally accessible resources—referring to both goods and knowledge. "Commons in design" explores the meaning and impact of commons—especially knowledge-based peer commons—and acts of commoning in design. It discusses networked, participatory, and open procedures based on the commons and commoning, testing models that negotiate the use of commons within design processes. In doing so, it critically engages with questions regarding designers’ positionings, everyday practices, self-understandings, ways of working, and approaches to education.
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The SMOTIES network is a partnership of ten design universities, research centres, creative agencies, and national associations. Each partner selected a small and remote place in their country to benefit from the design of cultural and creative regenerations within public spaces and in collaboration with local stakeholders. The project is part of the Human Cities(...)
octobre 2024
Remote places, public spaces: The story of creative works with ten small communities
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The SMOTIES network is a partnership of ten design universities, research centres, creative agencies, and national associations. Each partner selected a small and remote place in their country to benefit from the design of cultural and creative regenerations within public spaces and in collaboration with local stakeholders. The project is part of the Human Cities network, a platform for interdisciplinary exchange, examining and acting to improve the livability of indoor and outdoor public spaces to incubate innovative processes for social cohesion through participatory design.
$55.95
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become(...)
Participation in art and architecture: Spaces of interaction and occupation
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.
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''Spatializing justice'' calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture—Spatializing Justice offers a practical handbook for confronting social and(...)
octobre 2022
Spatializing justice: Building blocks
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''Spatializing justice'' calls for architects and urban designers to do more than design buildings and physical systems. Architects should take a position against inequality and practice accordingly. With these thirty short, manifesto-like texts—building blocks for a new kind of architecture—Spatializing Justice offers a practical handbook for confronting social and economic inequality and uneven urban growth in architectural and planning practice, urging practitioners to adopt approaches that range from redefining infrastructure to retrofitting McMansions. These building blocks call for expanded modes of practice, through which architects can imagine new spatial procedures, political and economic strategies, and modalities of sociability. Challenging existing exclusionary policies can advance a more experimental architecture not bound by formal parameters. Architects must think of themselves as designers not only of things but of civic processes, complicate the ideas of ownership and property, and imagine new sites of research, pedagogy, and intervention. As one of the texts advises, ''The questions must be different questions if we want different answers.''
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This publication explores the significance of encounters between people and culture in public spaces, points of encounter where they may take place, and counterpoints which may be contained, silenced, or expressed within them. It presents the process and initial outcomes of a three-year investigation into the design of tactical interventions, actions, strategies, and(...)
août 2022
The design of tactics. Critical practices transforming public spaces.
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This publication explores the significance of encounters between people and culture in public spaces, points of encounter where they may take place, and counterpoints which may be contained, silenced, or expressed within them. It presents the process and initial outcomes of a three-year investigation into the design of tactical interventions, actions, strategies, and other experiences for revitalising and enhancing the quality of marginal and neglected public spaces in today’s European cities. Public spaces are where many of the contests and negotiations over culture and integration are taking place, whether through participatory activities, activism, or the appropriation in and of these spaces.