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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que(...)
septembre 2023
L'atttrait de la métamorphose. Momenta Biennale 2023
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que celui-ci soit végétal, animal ou technologique. Cette publication réunit les présentations de chacune des expositions, un essai sur le potentiel métamorphique de la « conscience-peau » par Anne Anlin Cheng, une suite photographique inédite de Chris Curreri ainsi qu’un texte de la commissaire Ji-Yoon Han qui propose une réflexion sur la notion d’image à travers le prisme de la thématique.
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Véritable plongée dans la photographie dès son invention et hors des frontières de l’Europe, cet ouvrage propose une histoire polyphonique des débuts de la photographie mondiale. Richement illustré, alternant découpages géographiques et thématiques transcontinentales, Mondes photographiques, histoires des débuts invite une cinquantaine d’auteurs des cinq continents à(...)
Mondes photographiques, histoires des débuts
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Véritable plongée dans la photographie dès son invention et hors des frontières de l’Europe, cet ouvrage propose une histoire polyphonique des débuts de la photographie mondiale. Richement illustré, alternant découpages géographiques et thématiques transcontinentales, Mondes photographiques, histoires des débuts invite une cinquantaine d’auteurs des cinq continents à mettre en récit des expériences du médium et à redessiner des parcours de photographes souvent méconnus, qu’ils soient voyageurs ou originaires des pays abordés. Le lecteur y découvrira l’extraordinaire diversité des pratiques et des usages de la photographie à compter du XIXe siècle en différents lieux du monde.
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$105.00
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''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
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mars 2024
I'm so happy you are here: Japanese women photographers from the 1950s to now
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''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
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$141.00
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies(...)
Factory photo-books: The self-representation of the factory in photographic publications
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies commissioned photobooks in order to showcase their quality, innovativeness and progressiveness. The books went out into the world as promotional gifts for clients, investors, local public figures and employees. Meanwhile, factories themselves created promotional photobooks to extol their own production value and recruit new business. These gigantic centers for production employed designers, printers and photographers at the top of their field, including Margaret Bourke-White, Piet Zwart, Bruno Munari, Alvin Langdon Coburn, André Kertész, Albert Renger-Patzsch, Jacob Tuggener, Robert Doisneau, Paul Schuitema, Jurriaan Schrofer and Eugenio Carmi. The ambition to portray the firms in unique ways often led to amazing experiments with book forms, photography and graphic design.
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Image ecology
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
Image ecology
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have(...)
Widening the lens: Photography, ecology, and the contemporary landscape
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape. Through a collection of essays, poetry and newly commissioned artwork, "Widening the lens" aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes.
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Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable(...)
A world in common: Contemporary African photography
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Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism. Challenging these dominant images of exoticism and otherness, this book illustrates how photography has allowed artists to reimagine African histories through the lens of the present, to shape our understanding of the contemporary realities we face. Bringing together a diverse range of artists and thinkers to present varied perspectives on issues such as cultural heritage and restitution, spirituality, urbanism and climate change, it reveals how innovative contemporary photography challenges perceptions of history, culture and identity.
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Histoire de sports
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les(...)
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mai 2024
Histoire de sports
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les rapprochements entre les sportifs et les photographes prennent des chemins de traverse dans la collection de la Médiathèque du patrimoine et de la photographie (MPP). Le sport et la compétition, mis en lumière en cette année d'olympiades en France, fournissent une occasion unique d'exhumer des images rarement montrées. Celles-ci mettent en relation des photographes travaillant à la commande ou menant des projets personnels, qu'ils soient écrivains-photographes, comme Émile Zola, photoreporters, comme Guy Le Querrec et Renée Falcke, illustrateurs, comme René-Jacques, ou plasticiens, comme Gladys
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$55.00
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
mars 2024
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
Renouvellement urbain 1
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Images de la ville. Dans cette ouvrage, vous trouverez des regards au long cour, inattendus, des photos d'Intérieurs chaleureux et des cages d'escalier inquiétantes. Des habitants qui ont ouvert leurs portes à huit jeunes photographes de l'École nationale supérieure des arts décoratifs, encore élèves et déjà professionnels. Eugénie Martinez, Stéphanie Lacombe, Sam,(...)
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septembre 2002, Besançon
Renouvellement urbain 1
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Images de la ville. Dans cette ouvrage, vous trouverez des regards au long cour, inattendus, des photos d'Intérieurs chaleureux et des cages d'escalier inquiétantes. Des habitants qui ont ouvert leurs portes à huit jeunes photographes de l'École nationale supérieure des arts décoratifs, encore élèves et déjà professionnels. Eugénie Martinez, Stéphanie Lacombe, Sam, Clément Deuve, Christel Sasso, Kyu-Dong Kim, Érick Beltran, et Jean-Michel Pancin. Avec le regard de Stéphane Paoli.
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