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Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. ''Lateness and longing'' presents the first account of a generation of(...)
Lateness and longing: On the afterlife of photography
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Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. ''Lateness and longing'' presents the first account of a generation of artists—focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey—who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead—in what amounts to a series of feminist polemics—they return to earlier, incomplete, or unrealized moments in photography’s history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become—not obsolete—but 'late,' opened up by the potentially critical forces of anachronism.
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an(...)
Speaking with light: contemporary indigenous photography
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This groundbreaking project summarizes how contemporary Indigenous photographers have taken over the conversation about how their cultures and lives are depicted through their dynamic embrace of three interwoven themes: Survivance, Nation and Indigenous Visuality. These photographers enact a key shift away from privileging settler-colonialism, foregrounding instead an Indigenous sense of community and visuality. ''Speaking with Light'' reveals and examines these Indigenous artists’ explorations of themes such as identity, the contribution of customary practice to contemporary life, belonging and the assistance that Indigenous worldviews can provide to building healthier relationships with each other and the earth. The book comprises four sections bridged by transitions and ending with a globalization of the discussion. Texts by key Indigenous scholars are followed by a series of plates illustrating many of the exhibition works. ''Speaking with Light'' is a summary statement about the preoccupations and dynamism of Indigenous photography today.
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth(...)
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novembre 2021
As we rise: Photography from the Black Atlantic
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This publication presents a compilation of photographs from African diasporic culture. With over one hundred works by Black artists from Canada, the Caribbean, Great Britain, the United States, South America, as well as throughout the African continent, this volume provides a timely exploration of Black identity on both sides of the Atlantic. Drawn from Dr. Kenneth Montague’s Wedge Collection in Toronto—a Black-owned collection dedicated to artists of African descent—this book looks at the multifaceted ideas of Black life through the lenses of community, identity, and power. Artists such as Stan Douglas, LaToya Ruby Frazier, Barkley L. Hendricks, Texas Isaiah, Liz Johnson Artur, Seydou Keïta, Deana Lawson, Jamel Shabazz, and Carrie Mae Weems, touch on themes of agency, beauty, joy, belonging, subjectivity, and self-representation. Writings by Isolde Brielmaier, Ugochukwu-Smooth C. Nzewi, Mark Sealy, Teka Selman, and Deborah Willis among others provide insight and commentary on this monumental collection.
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But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
But still, it turns
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
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La collection Thomas Walther du Museum of Modern Art (New York) est un fonds photographique réunissant près de 350 photographies. Elle s'avère unique non seulement au regard de la qualité exceptionnelle des tirages, exclusivement d'époque, mais aussi parce qu'elle reflète un moment clé de l'histoire de la discipline, à travers une centaine de figures emblématiques de(...)
Chefs-d'oeuvre photographiques du MoMA : La collection Thomas Walther
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La collection Thomas Walther du Museum of Modern Art (New York) est un fonds photographique réunissant près de 350 photographies. Elle s'avère unique non seulement au regard de la qualité exceptionnelle des tirages, exclusivement d'époque, mais aussi parce qu'elle reflète un moment clé de l'histoire de la discipline, à travers une centaine de figures emblématiques de l'avant-garde européenne des années 1920 et 1930 comme Berenice Abbott, Manuel Alvarez Bravo, Claude Cahun, André Kertész, Germaine Krull, Alfred Stieglitz, Paul Strand ou Edward Weston, pour ne citer que les plus connues.
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$50.00
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Recognizing strangeness in familiar objects, the present in the past, the artificial in the authentic–the four masterly photographers in this collection offer glimpses of a world that blurs the boundary between reality and imagination. Showcasing the work of Thomas Demand, Philip-Lorca diCorcia, Andreas Gursky, and Jeff Wall, this book presents four photographers whose(...)
Made realities: Photographs by Demand, diCorcia, Gursky and Wall
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Recognizing strangeness in familiar objects, the present in the past, the artificial in the authentic–the four masterly photographers in this collection offer glimpses of a world that blurs the boundary between reality and imagination. Showcasing the work of Thomas Demand, Philip-Lorca diCorcia, Andreas Gursky, and Jeff Wall, this book presents four photographers whose images skillfully interrogate the possibilities and limitations of their medium.
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over(...)
The unseen eye: photographs from the unconscious
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of 30 years by New York collector W.M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe and Robert Frank, as well as works by lesser-known artists and vernacular images. Hunt's instinctive pursuit of striking images has resulted in a collection that manages to evoke a picture of humanity from birth to death, with all the associated nuances of memory, wit, eroticism, fear, grief and horror. More than 350 evocative and frequently surreal images are brilliantly sequenced in this volume; the cumulative effect is unnerving and riveting. Most critically, the images are drawn together by the narrative of the collector himself, in a highly personal monologue that weaves throughout the book, in which Hunt offers his own perceptive responses to the images he has gathered over many years. The result is a series of surprising epiphanies about how and why one collects.
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XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important(...)
Photographie- collections
septembre 2011
XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important representatives from the so-called Becher School, led by Bernd and Hilla Becher, to exciting new work by the next generation of young photographers, as well as significant contributions by photojournalists. The fourth volume in this excellent series, "XL Photography 4" documents the collection's holdings and its evolution over the last decade. It features outstanding recent works by emerging and mid-career artists such as Beate Gutschow, Tobias Zielony, Sze Tsung Leong and Pieter Hugo, as well as established masterworks by Werner Bischoff, Joseph Szabo and Philip Jones Griffiths.
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Through the looking brain
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Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan(...)
Through the looking brain
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Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan Douglas and Gabriel Orozco.
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Les photographies possèdent l'étrange pouvoir d'orienter notre vision du monde et d'influencer notre manière de percevoir la réalité. Pour témoigner de l'influence à la fois profonde et unique qu'exerce la photographie sur la culture et la société, Photo Icons passe les grandes étapes de l'histoire de la photographie au microscope. Chaque chapitre de cette édition(...)
50 photo icons: l'histoire derrière les images
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Les photographies possèdent l'étrange pouvoir d'orienter notre vision du monde et d'influencer notre manière de percevoir la réalité. Pour témoigner de l'influence à la fois profonde et unique qu'exerce la photographie sur la culture et la société, Photo Icons passe les grandes étapes de l'histoire de la photographie au microscope. Chaque chapitre de cette édition spéciale se concentre sur une seule image, décrite et analysée en détail, en la replaçant dans son contexte esthétique, historique et artistique. Le livre s'ouvre sur les toutes premières images durablement fixées (l'héliographie de Nicéphore Niépce, vue prise de la fenêtre de son cabinet de travail, obtenue en 1827 suite à une exposition de 8 heures, ainsi que la célèbre scène de rue de Louis Daguerre, prise en 1839) pour conduire le lecteur jusqu'à l'avant-garde de la photographie des années 1920, comme la Mère migrante de Dorothea Lange (1936) et le Baiser de l'Hôtel de ville de Robert Doisneau (1950), jusqu'à la " nouvelle photographie européenne " de Martin Parr.
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