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Spanish Architecture Photography 1925–1965 looks at the history of architectural photography during Spanish architecture's modern period, which ranged from the avant-garde of the 1920s to the conclusion of the International Style. Alongside hundreds of photographs documenting the architectural environment of Spain during these decades, text by Iñaki Berguera unfolds the(...)
Photography & modern architecture in Spain 1925-1965
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Spanish Architecture Photography 1925–1965 looks at the history of architectural photography during Spanish architecture's modern period, which ranged from the avant-garde of the 1920s to the conclusion of the International Style. Alongside hundreds of photographs documenting the architectural environment of Spain during these decades, text by Iñaki Berguera unfolds the relationship between photographer and architect.
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Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.
Photography vol. 4: the contemporary era 1981-2013
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Through over 200 photographs from 1981 to 2013, this book closes the great Skira series dedicated to the history of photography. Providing an international overview, the volume sheds light on modern historical figures like Robert Mapplethorpe, Luigi Ghirri, Martin Parr, Boris Mikhailov, Nan Goldin, Jeff Wall, and Cindy Sherman as well as their younger heirs.
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À New York, les peintures murales sont partout ! À Manhattan, dans le Bronx, le Queens, à Brooklyn ou à Staten Island, dans les bars, les hôtels, les bureaux, les bâtiments officiels ou les écoles, les artistes ont laissé une marque durable de leur époque.
Les plus belles fresques de New York
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À New York, les peintures murales sont partout ! À Manhattan, dans le Bronx, le Queens, à Brooklyn ou à Staten Island, dans les bars, les hôtels, les bureaux, les bâtiments officiels ou les écoles, les artistes ont laissé une marque durable de leur époque.
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
février 2015
In the wake: japanese photographers respond to 3/11
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John(...)
Light, paper, process: reinventing photography
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This is an intriguing account of artists who push the medium of photography to its limits. From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process: Reinventing Photography features the work of seven artists - Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt - who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits.
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941(...)
janvier 2016
The Soviet photobook, 1920-1941
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941 presents 160 produced photobooks from this period and includes more than 400 additional reference illustrations.
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Zoom! presents a reassessment of current architectural photography through works by 17 photographers, including Peter Bialobrzeski, Wolfgang Tillmans, Stefan Olàh, Roman Bezjak, Lard Buurman, Eva Leitolf, Andreas Seibert Barack, Nicolo Degiorgis, Julian Röder, Nuno Cera, Rufina Wu, Stefan Canham and Livia Corona Benjamin.
Zoom!: picturing architecture and the city
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Zoom! presents a reassessment of current architectural photography through works by 17 photographers, including Peter Bialobrzeski, Wolfgang Tillmans, Stefan Olàh, Roman Bezjak, Lard Buurman, Eva Leitolf, Andreas Seibert Barack, Nicolo Degiorgis, Julian Röder, Nuno Cera, Rufina Wu, Stefan Canham and Livia Corona Benjamin.
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$71.50
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''Recaptioning Congo'' places the colonial Congo's photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary 'captions'. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive(...)
Recaptioning Congo: African stories and colonial pictures
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''Recaptioning Congo'' places the colonial Congo's photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary 'captions'. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive research of the photographic history of colonial Congo (1885 - 1960), conducted by Dr. Sandrine Colard. It contains a wealth of revealing images that highlight the relationship between past and present, Africa and Europe and Belgium and Congo.
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Le catalogue de la 13e édition des Rencontres de Bamako – Biennale africaine de la photographie, sur les thèmes de la multiplicité, de la différence, du devenir et du patrimoine. L'outil essentiel pour appréhender la nature mouvante et évolutive de la multiplicité réside dans la narration. Elle incarne un moyen central par lequel l'humanité pointe son objectif sur(...)
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juin 2023
Maa Ka Maaya Ka Ca A Yere Kono, 13ème édition des rencontres de Bamako
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Le catalogue de la 13e édition des Rencontres de Bamako – Biennale africaine de la photographie, sur les thèmes de la multiplicité, de la différence, du devenir et du patrimoine. L'outil essentiel pour appréhender la nature mouvante et évolutive de la multiplicité réside dans la narration. Elle incarne un moyen central par lequel l'humanité pointe son objectif sur elle-même et impulse une tentative d'auto-compréhension et de réflexion. L'ampleur des réponses données à travers l'histoire témoigne de la nature congéniale de la narration et de la multiplicité. De plus, les histoires que nous racontons négocient non seulement qui nous sommes, mais préfigurent également les courants sous-jacents de ce que nous deviendrons. Telle est la préoccupation qui se trouve au cœur de la 13e édition des Rencontres de Bamako – les histoires que nous racontons, les multiples facettes de l'humanité que nous accueillons, les notions de processualité, le devenir dans l'être, les identités stratifiées, fragmentées et divergentes, et les multiples façons d'être dans le monde, qu'elles soient vécues ou imaginées.
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Sujets transversaux et parfois à la marge, les gymnases, piscines, hippodromes, stades ou terrain de tennis témoignent de l'engagement historique de la région Île-de-France en faveur du sport et des pratiques sportives. Avec une focale élargie au-delà du cadre habituel de Paris et de sa petite couronne et une approche globale des édifices sportifs comme une typologie(...)
Ré-inventaire #10 : En piste, architectures du sport
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Sujets transversaux et parfois à la marge, les gymnases, piscines, hippodromes, stades ou terrain de tennis témoignent de l'engagement historique de la région Île-de-France en faveur du sport et des pratiques sportives. Avec une focale élargie au-delà du cadre habituel de Paris et de sa petite couronne et une approche globale des édifices sportifs comme une typologie architecturale à part, ce dixième opus de Ré-inventaire se consacre aux rapports de ces équipements exceptionnels avec le territoire et les athlètes qui les font vivre. Dans la perspective des Jeux Olympiques et Paralympiques de 2024, redécouvrez la richesse trop méconnue de ce patrimoine mis au service de l'éducation et de la promotion de l'excellence française et francilienne.
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