Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last(...)
mai 2005, New York
Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last three-quarters of a century, resulting in this selection of more than 200 stunning, beautifully reproduced colour and duotone depictions of the city from different eras and different points of view. Along with the carefully chosen images by approximately 100 photographers who have time again turned to Los Angeles for inspiration, a preface and foreword by the editors describe their great affection for the city, while David L. Ulin’s essay offers a critical and loving look at Los Angeles. A portion of the proceeds from the sale of this book will be donated to the Los Angeles Conservancy, and the organization provides an essay about the importance of saving this city's rich architectural heritage. "Looking at Los Angeles" is at once a lesson in history, architecture, style, and culture, and a remarkable visual and written tribute to one of America’s greatest cities. Includes photographs by: Robert Adams, John Baldessari, William Claxton, Will Connell, Joe Deal, John Divola, William Eggleston, Sam Fentress, Anthony Friedkin, John Humble, Dennis Keeley, Florian Maier-Aichen, Grant Mudford, Karin A. Mueller, Catherine Opie, Ed Ruscha, Stephen Shore, Julius Schulman, Joel Sternfeld, Timothy Street-Porter, John Swope, Andy Warhol, Julian Wasser, Robert Weingarten, Garry Winogrand, Max Yavno, and others.
Insieme
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Ce volume rassemble une sélection de photographies réalisées par les deux artistes dans deux régions géographiques éloignées l’une de l’autre. Des lieux où la nature se manifeste sous des formes expressives différentes et où la relation entre corps et espace semble assumer, à travers la combinaison de l’ombre et de la lumière, des valeurs aléatoires, parfois absolues.(...)
Insieme
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Ce volume rassemble une sélection de photographies réalisées par les deux artistes dans deux régions géographiques éloignées l’une de l’autre. Des lieux où la nature se manifeste sous des formes expressives différentes et où la relation entre corps et espace semble assumer, à travers la combinaison de l’ombre et de la lumière, des valeurs aléatoires, parfois absolues. // This book compiles a selection of the artists’ photographs of these two Italian regions so far apart from one another. These are places where nature reveals itself through different forms of expression and where the relationship between body and space, captured in a combination of light and shade, seems to take on an inconsistent and sometimes absolute value.
Photographie par région
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes(...)
Our home: Shek Kip Mei 1954-2006
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Shek Kip Mei was the first public housing estate development in Hong Kong built by the British colonial government in 1954. The resettlement project was an immediate response to the need for temporary relief as a result of the massive fire that destroyed the Shek Kip Mei squatter area on Christmas Eve 1953, when over 53,000 Chinese immigrants lost their makeshift homes overnight. This carefully designed book reproduces and explains the documentation of the aerea made by Governor Sir Alexander Grantham in 1954 to the British Government on the Great Fire. It includes a letter of appeal to the Governor, statistics about the residents, but abovw all it shows in 128, mostly full page b/w photographs, the appartments of the complex and their habitants.
Photographie par région
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Snapshots, passenger lists, itineraries, and postcards: From Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time. In beautifully designed pages Around the World traces the development of the travel photo album. The book features a wealth of(...)
janvier 2008, New York
Around the world: The grand tour in photo albums
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Snapshots, passenger lists, itineraries, and postcards: From Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time. In beautifully designed pages Around the World traces the development of the travel photo album. The book features a wealth of turn-of-the-twentieth-century photographs and ephemera, evoking the pleasures of a time when the surroundings were taken in slowly and travel was an art of itself.
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
février 2004, San Francisco
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
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Challenges conventional habits of discussing image, identity, and photography. In National Camera, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and the borderlands where the two nations and cultures intersect—a place Tejada calls(...)
National camera: photography and Mexico's image environment
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Challenges conventional habits of discussing image, identity, and photography. In National Camera, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and the borderlands where the two nations and cultures intersect—a place Tejada calls the shared image environment. The “problem” of photography in Mexico, Tejada shows, reveals cross-cultural episodes that are rife with contradictions, especially in the complex terms of cultural and sexual difference. Analyzing such topics as territory, sexuality, and social and ethnic relations in image making, Tejada delves into the work of key figures such as Manuel Alvarez Bravo, Edward Weston, Tina Modotti, Marius de Zayas, and Julien Levy, as well as the Agustín Víctor Casasola Archive, the Boystown photographs, and contemporary Mexican and Latina photo-based artists.
Photographie par région
CCCP (Multilingual Edition)
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This publication explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying(...)
CCCP (Multilingual Edition)
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This publication explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no “school” or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the “speaking architecture” widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad).
Photographie par région
Industries
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En 1986, Josef Koudelka commence à utiliser un appareil photo au format panoramique et participe à la mission photographique de la DATAR, dont l'objectif est de "représenter le paysage français des années 1980". Il sillonne alors la France, puis le monde entier, pour rendre compte de l'influence de l'homme moderne sur le paysage. Le livre est composé de quarante(...)
Industries
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En 1986, Josef Koudelka commence à utiliser un appareil photo au format panoramique et participe à la mission photographique de la DATAR, dont l'objectif est de "représenter le paysage français des années 1980". Il sillonne alors la France, puis le monde entier, pour rendre compte de l'influence de l'homme moderne sur le paysage. Le livre est composé de quarante photographies panoramiques choisies par l'artiste et François Hébel parmi les plus emblématiques de ce thème. Ces images, prises sur tous les continents, témoignent des grands travaux humains, allant des usines aux carrières, en passant par d'énormes complexes miniers et des zones abandonnées.
Photographie par région
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Les architectures et les paysages témoignent de chronologies paradoxales. Comme l'ont illustré l'effet de la « dé-communisation » issue de la révolution de Maïdan et l'immédiate mise en musée des événements dans le Donbass, une partie de l'histoire est supprimée pour être tout de suite remplacée par une autre. Ce livre explore une Ukraine construite en diachronie,(...)
L'Ukraine Post-Euromaïdan dans ses liens intangibles avec l'Union Soviétique
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Les architectures et les paysages témoignent de chronologies paradoxales. Comme l'ont illustré l'effet de la « dé-communisation » issue de la révolution de Maïdan et l'immédiate mise en musée des événements dans le Donbass, une partie de l'histoire est supprimée pour être tout de suite remplacée par une autre. Ce livre explore une Ukraine construite en diachronie, constamment modifiée par les révolutions et les guerres. // The architectures and landscapes reveal the paradoxical chronologies that Ukraine cannot hide. As illustrated by the effect of 'decommunisation' post Maïdan, paralleled with the immediate establishment of the current affairs in Donbass, part of the history is suppressed to be immediately replaced with another. This book explores a Ukraine built in a diachrony, constantly modified by revolution and war.
Photographie par région
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Ces contributions s'interrogent sur le rôle de la photographie, déjà associée à l'Inventaire des monuments et du patrimoine culturel, dans la connaissance du territoire. Elles permettent aussi de réfléchir à l'apport du service de l'Inventaire de la région Ile-de-France et de ses photographies dans la mise en place des politiques régionales de connaissance et de gestion(...)
Photographier le terroire, journée d'étude : 2 décembre 2008
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Ces contributions s'interrogent sur le rôle de la photographie, déjà associée à l'Inventaire des monuments et du patrimoine culturel, dans la connaissance du territoire. Elles permettent aussi de réfléchir à l'apport du service de l'Inventaire de la région Ile-de-France et de ses photographies dans la mise en place des politiques régionales de connaissance et de gestion du territoire francilien.
Photographie par région