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Quand le numérique marque-t-il l’architecture? Quelles sont les conditions ayant poussé les architectes à intégrer des outils numériques à leur pratique? Tout au long du programme de recherche Archéologie du numérique, le CCA a recueilli les documents d’archives de vingt-cinq projets réalisés entre la fin des années 1980 et le début des années 2000 afin de comprendre(...)
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Quand le numérique marque-t-il l’architecture? Quelles sont les conditions ayant poussé les architectes à intégrer des outils numériques à leur pratique? Tout au long du programme de recherche Archéologie du numérique, le CCA a recueilli les documents d’archives de vingt-cinq projets réalisés entre la fin des années 1980 et le début des années 2000 afin de comprendre(...)
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Quand le numérique marque-t-il l'architecture?
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Quand le numérique marque-t-il l’architecture? Quelles sont les conditions ayant poussé les architectes à intégrer des outils numériques à leur pratique? Tout au long du programme de recherche Archéologie du numérique, le CCA a recueilli les documents d’archives de vingt-cinq projets réalisés entre la fin des années 1980 et le début des années 2000 afin de comprendre cette période en tant qu’origine du numérique. Cependant, dès lors que l’on définit le numérique comme un état rendu possible par les fondements conceptuels des médias numériques et non nécessairement par ces médias eux-mêmes, les contours de ce moment numérique – la date et les circonstances de son commencement – deviennent moins clairs. Il existe huit millions d’histoires des origines du numérique en architecture. Ce livre rassemble quatorze d’entre elles pour former une chronologie des réponses à la question suivante : « Quand le numérique marque-t-il l’architecture? » Les propos présentés ici offrent une analyse des changements particuliers qu’a subis la pensée de l’architecture, du bâti et de la ville, ainsi que des déplacements technologiques qui ont résulté de cette évolution. Cet ouvrage marque ainsi tout à la fois le point final du programme Archéologie du numérique, et une ouverture vers de nouveaux horizons autour du numérique en architecture. Et si le fait de poser la question « Quand le numérique marque-t-il l’architecture? » peut susciter en réponse huit millions d’histoires, alors on imagine aisément qu’elle pourrait aussi engendrer huit millions de digressions et de ramifications, dont chacune explorerait des cas différents ou des géographies singulières – comme une sorte de Tristram Shandy du numérique, qui se développerait à mesure que le CCA continuerait de construire ses archives numériques et de les rendre toujours plus accessibles aux chercheurs. Un tel roman de digressions pourrait fournir la matière de futurs projets de recherche et se prolonger dans l’étude de nouvelles archives, pour le plus grand plaisir des lecteurs.
Quand le numérique marque-t-il l'architecture?
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Quand le numérique marque-t-il l’architecture? Quelles sont les conditions ayant poussé les architectes à intégrer des outils numériques à leur pratique? Tout au long du programme de recherche Archéologie du numérique, le CCA a recueilli les documents d’archives de vingt-cinq projets réalisés entre la fin des années 1980 et le début des années 2000 afin de comprendre cette période en tant qu’origine du numérique. Cependant, dès lors que l’on définit le numérique comme un état rendu possible par les fondements conceptuels des médias numériques et non nécessairement par ces médias eux-mêmes, les contours de ce moment numérique – la date et les circonstances de son commencement – deviennent moins clairs. Il existe huit millions d’histoires des origines du numérique en architecture. Ce livre rassemble quatorze d’entre elles pour former une chronologie des réponses à la question suivante : « Quand le numérique marque-t-il l’architecture? » Les propos présentés ici offrent une analyse des changements particuliers qu’a subis la pensée de l’architecture, du bâti et de la ville, ainsi que des déplacements technologiques qui ont résulté de cette évolution. Cet ouvrage marque ainsi tout à la fois le point final du programme Archéologie du numérique, et une ouverture vers de nouveaux horizons autour du numérique en architecture. Et si le fait de poser la question « Quand le numérique marque-t-il l’architecture? » peut susciter en réponse huit millions d’histoires, alors on imagine aisément qu’elle pourrait aussi engendrer huit millions de digressions et de ramifications, dont chacune explorerait des cas différents ou des géographies singulières – comme une sorte de Tristram Shandy du numérique, qui se développerait à mesure que le CCA continuerait de construire ses archives numériques et de les rendre toujours plus accessibles aux chercheurs. Un tel roman de digressions pourrait fournir la matière de futurs projets de recherche et se prolonger dans l’étude de nouvelles archives, pour le plus grand plaisir des lecteurs.
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juin 2017
juin 2017
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Publications du CCA
Publications du CCA
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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin(...)
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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin(...)
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When is the digital in architecture?
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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin for the digital. But if we take care to identify the digital as a condition that is made possible by the conceptual foundations of digital media and not necessarily by digital media itself, the boundaries of the digital moment—when it began and under what circumstances—become less clear. There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them in a chronology of responses to the question of when the digital is in architecture. The arguments address specific changes in ways of thinking about architecture, building, and cities, as well as the shifts in technology that resulted from these changes, marking both a capstone to Archaeology of the Digital and the beginning of an investigation of other beginnings of the digital in architecture. Asking a question like When is the digital in architecture? can produce eight million stories in response, and eight million digressions and redirections that narrow in focus and change geographies, producing a Tristram Shandy of the digital as the CCA continues to build its digital archive and makes it increasingly accessible to researchers. If this novel of digressions is distributed across future research projects and extended with studies of new archival material, so much the better for the reader, in our opinion.
When is the digital in architecture?
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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin for the digital. But if we take care to identify the digital as a condition that is made possible by the conceptual foundations of digital media and not necessarily by digital media itself, the boundaries of the digital moment—when it began and under what circumstances—become less clear. There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them in a chronology of responses to the question of when the digital is in architecture. The arguments address specific changes in ways of thinking about architecture, building, and cities, as well as the shifts in technology that resulted from these changes, marking both a capstone to Archaeology of the Digital and the beginning of an investigation of other beginnings of the digital in architecture. Asking a question like When is the digital in architecture? can produce eight million stories in response, and eight million digressions and redirections that narrow in focus and change geographies, producing a Tristram Shandy of the digital as the CCA continues to build its digital archive and makes it increasingly accessible to researchers. If this novel of digressions is distributed across future research projects and extended with studies of new archival material, so much the better for the reader, in our opinion.
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juin 2017
juin 2017
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Publications du CCA
Publications du CCA
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes(...)
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes(...)
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Besides, history: Go Hasegawa, Kersten Geers, David Van Severen
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes a tool that can be used in production, rather than just an object of study. The book features newly produced plans, sections, models, and perspectives for projects by Go Hasegawa and OFFICE Kersten Geers David Van Severen, juxtaposed with reference material chosen from the CCA Collection. Introduced and annotated by the architects, these images form a visual manifesto for a unique relationship to history.
Besides, history: Go Hasegawa, Kersten Geers, David Van Severen
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes a tool that can be used in production, rather than just an object of study. The book features newly produced plans, sections, models, and perspectives for projects by Go Hasegawa and OFFICE Kersten Geers David Van Severen, juxtaposed with reference material chosen from the CCA Collection. Introduced and annotated by the architects, these images form a visual manifesto for a unique relationship to history.
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mai 2018
mai 2018
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Publications du CCA
Publications du CCA
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livres
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CCA sur papier, 3e édition
CCA sur papier, 3e édition
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« CCA sur papier » présente l’ensemble des publications imprimées et électroniques du Centre Canadien d’Architecture. À travers divers documents, reproductions d’objets et éléments visuels, CCA sur papier reflète la diversité des sujets et concepts graphiques développés dans les publications du CCA, tout en attestant de leur contribution au discours international en(...)
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« CCA sur papier » présente l’ensemble des publications imprimées et électroniques du Centre Canadien d’Architecture. À travers divers documents, reproductions d’objets et éléments visuels, CCA sur papier reflète la diversité des sujets et concepts graphiques développés dans les publications du CCA, tout en attestant de leur contribution au discours international en(...)
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CCA sur papier, 3e édition
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« CCA sur papier » présente l’ensemble des publications imprimées et électroniques du Centre Canadien d’Architecture. À travers divers documents, reproductions d’objets et éléments visuels, CCA sur papier reflète la diversité des sujets et concepts graphiques développés dans les publications du CCA, tout en attestant de leur contribution au discours international en architecture. Le guide comprend également une conversation entre Phyllis Lambert et Mirko Zardini, au sujet de l’histoire et de la philosophie de l’édition au CCA.
CCA sur papier, 3e édition
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« CCA sur papier » présente l’ensemble des publications imprimées et électroniques du Centre Canadien d’Architecture. À travers divers documents, reproductions d’objets et éléments visuels, CCA sur papier reflète la diversité des sujets et concepts graphiques développés dans les publications du CCA, tout en attestant de leur contribution au discours international en architecture. Le guide comprend également une conversation entre Phyllis Lambert et Mirko Zardini, au sujet de l’histoire et de la philosophie de l’édition au CCA.
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août 2017
août 2017
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Publications du CCA
Publications du CCA
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CCA on paper, 4th edition
CCA on paper, 4th edition
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''CCA on Paper'' presents all the print and electronic publications of the Canadian Centre for Architecture. Through illustrations, documents, and visual elements, CCA on Paper reflects the diversity in subject matter and graphic design of CCA publications, while attesting to their contribution to international discourse on architecture. A conversation between Phyllis(...)
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''CCA on Paper'' presents all the print and electronic publications of the Canadian Centre for Architecture. Through illustrations, documents, and visual elements, CCA on Paper reflects the diversity in subject matter and graphic design of CCA publications, while attesting to their contribution to international discourse on architecture. A conversation between Phyllis(...)
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CCA on paper, 4th edition
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''CCA on Paper'' presents all the print and electronic publications of the Canadian Centre for Architecture. Through illustrations, documents, and visual elements, CCA on Paper reflects the diversity in subject matter and graphic design of CCA publications, while attesting to their contribution to international discourse on architecture. A conversation between Phyllis Lambert and Mirko Zardini on the history and philosophy of publishing at the CCA also runs through the guide.
CCA on paper, 4th edition
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''CCA on Paper'' presents all the print and electronic publications of the Canadian Centre for Architecture. Through illustrations, documents, and visual elements, CCA on Paper reflects the diversity in subject matter and graphic design of CCA publications, while attesting to their contribution to international discourse on architecture. A conversation between Phyllis Lambert and Mirko Zardini on the history and philosophy of publishing at the CCA also runs through the guide.
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août 2017
août 2017
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Publications du CCA
Publications du CCA
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The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben(...)
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben(...)
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The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben Highmore, and Joseph Bedford, offer a close reading of the course A305, History of Architecture ad Design 1890-1939, which was taught through television and radio broadcasts, aired on the BBC between 1975 and 1982. As current models for producing and transmitting knowledge are being brought into question, "The university is now on air, broadcasting modern architecture" traces a radical attempt at rethinking the mandate of higher education through mass media.
The university is now on air, broadcasting modern architecture. Eight episodes by Joaquim Moreno
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"The university is now on air, broadcasting modern architecture" examines a key experiment by The Open University to mobilize new media environments for distance and adult education. Eight episodes written by Joaquim Moreno, conversations with Tim Benton, Nick Levinson, Adrian Forty, Joseph Rykwert, and Stephen Bayley, and contributions by Nick Beech, Laura Carter, Ben Highmore, and Joseph Bedford, offer a close reading of the course A305, History of Architecture ad Design 1890-1939, which was taught through television and radio broadcasts, aired on the BBC between 1975 and 1982. As current models for producing and transmitting knowledge are being brought into question, "The university is now on air, broadcasting modern architecture" traces a radical attempt at rethinking the mandate of higher education through mass media.
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livres
livres
Publication:
mai 2018
mai 2018
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Publications du CCA
Publications du CCA
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livres
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Adieu, pétrole
Adieu, pétrole
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L’album illustré « Adieu, pétrole » explore comment le pétrole est produit et comment nous pouvons diminuer notre dépendance à celui-ci. Le récit de Harriet Russell offre des solutions possibles pour alimenter nos véhicules, chauffer nos maisons et fabriquer les biens que nous consommons. Le livre adopte une perspective non conventionnelle sur l’énergie et sur les(...)
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L’album illustré « Adieu, pétrole » explore comment le pétrole est produit et comment nous pouvons diminuer notre dépendance à celui-ci. Le récit de Harriet Russell offre des solutions possibles pour alimenter nos véhicules, chauffer nos maisons et fabriquer les biens que nous consommons. Le livre adopte une perspective non conventionnelle sur l’énergie et sur les(...)
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Adieu, pétrole
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$19.00
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L’album illustré « Adieu, pétrole » explore comment le pétrole est produit et comment nous pouvons diminuer notre dépendance à celui-ci. Le récit de Harriet Russell offre des solutions possibles pour alimenter nos véhicules, chauffer nos maisons et fabriquer les biens que nous consommons. Le livre adopte une perspective non conventionnelle sur l’énergie et sur les problèmes qui surviendront lorsque nous aurons épuisé nos réserves de pétrole, invitant les lecteurs de tous âges à imaginer leur vie quotidienne de façon différente. « Adieu, pétrole » est une édition augmentée du récit « Une espèce en danger », initialement paru en introduction à « Désolé, plus d’essence : l’innovation architecturale en réponse à la crise pétrolière de 1973 » (2007).
Adieu, pétrole
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L’album illustré « Adieu, pétrole » explore comment le pétrole est produit et comment nous pouvons diminuer notre dépendance à celui-ci. Le récit de Harriet Russell offre des solutions possibles pour alimenter nos véhicules, chauffer nos maisons et fabriquer les biens que nous consommons. Le livre adopte une perspective non conventionnelle sur l’énergie et sur les problèmes qui surviendront lorsque nous aurons épuisé nos réserves de pétrole, invitant les lecteurs de tous âges à imaginer leur vie quotidienne de façon différente. « Adieu, pétrole » est une édition augmentée du récit « Une espèce en danger », initialement paru en introduction à « Désolé, plus d’essence : l’innovation architecturale en réponse à la crise pétrolière de 1973 » (2007).
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livres
livres
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avril 2018
avril 2018
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Publications du CCA
Publications du CCA
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livres
livres
Titre:
Goodbye, oil
Goodbye, oil
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we(...)
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we(...)
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Goodbye, oil
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we finally run out of oil, inviting readers of all ages to imagine their daily lives differently. “Goodbye, Oil” is an expanded edition of “An Endangered Species,” first published by Harriet Russell as an introduction to “Sorry, Out of Gas: Architecture’s Response to the 1973 Oil Crisis” (2007).
Goodbye, oil
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The illustrated book “Goodbye, Oil” explores how oil is produced and how we might lessen our dependence on this non-renewable resource. Harriet Russell’s story offers alternative modes of powering the vehicles we drive, making the goods we consume and heating our houses. The book adopts an unconventional perspective on energy and on the problems that may arise when we finally run out of oil, inviting readers of all ages to imagine their daily lives differently. “Goodbye, Oil” is an expanded edition of “An Endangered Species,” first published by Harriet Russell as an introduction to “Sorry, Out of Gas: Architecture’s Response to the 1973 Oil Crisis” (2007).
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livres
livres
Publication:
avril 2018
avril 2018
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Publications du CCA
Publications du CCA
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livres
livres
Titre:
Ciao ciao petrolio
Ciao ciao petrolio
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Tags: Libri per Bambini Illustrati Il petrolio, si sa, è una risorsa non rinnovabile. Ma da dove viene? Come si produce? E se dovesse finire? Ciao ciao petrolio è l’ultimo libro illustrato di Harriet Russell e presenta la questione del risparmio energetico e delle fonti rinnovabili al pubblico dei bambini. Dalla raccolta differenziata all’isolamento termico, dal(...)
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Tags: Libri per Bambini Illustrati Il petrolio, si sa, è una risorsa non rinnovabile. Ma da dove viene? Come si produce? E se dovesse finire? Ciao ciao petrolio è l’ultimo libro illustrato di Harriet Russell e presenta la questione del risparmio energetico e delle fonti rinnovabili al pubblico dei bambini. Dalla raccolta differenziata all’isolamento termico, dal(...)
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Ciao ciao petrolio
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Tags: Libri per Bambini Illustrati Il petrolio, si sa, è una risorsa non rinnovabile. Ma da dove viene? Come si produce? E se dovesse finire? Ciao ciao petrolio è l’ultimo libro illustrato di Harriet Russell e presenta la questione del risparmio energetico e delle fonti rinnovabili al pubblico dei bambini. Dalla raccolta differenziata all’isolamento termico, dal riciclo alla riduzione dell’inquinamento; la Russell ci racconta che non è vero che non si può cambiare il mondo, perché ognuno nel suo piccolo può fare la differenza. Un modo per parlare anche ai più piccoli di sostenibilità e delle problematiche ambientali di oggi, in maniera semplice e ironica, per crescere generazioni più consapevoli che abbiano a cuore il destino di questo pianeta. Una precedente versione di questo racconto è stata pubblicata con il titolo "An endagered species" in Sorry, out of gas: Architecture's Response to the 1973 Oil Crisis – pubblicato da CCA e Corraini Edizioni nel 2007. destino di questo pianeta.
Ciao ciao petrolio
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Tags: Libri per Bambini Illustrati Il petrolio, si sa, è una risorsa non rinnovabile. Ma da dove viene? Come si produce? E se dovesse finire? Ciao ciao petrolio è l’ultimo libro illustrato di Harriet Russell e presenta la questione del risparmio energetico e delle fonti rinnovabili al pubblico dei bambini. Dalla raccolta differenziata all’isolamento termico, dal riciclo alla riduzione dell’inquinamento; la Russell ci racconta che non è vero che non si può cambiare il mondo, perché ognuno nel suo piccolo può fare la differenza. Un modo per parlare anche ai più piccoli di sostenibilità e delle problematiche ambientali di oggi, in maniera semplice e ironica, per crescere generazioni più consapevoli che abbiano a cuore il destino di questo pianeta. Una precedente versione di questo racconto è stata pubblicata con il titolo "An endagered species" in Sorry, out of gas: Architecture's Response to the 1973 Oil Crisis – pubblicato da CCA e Corraini Edizioni nel 2007. destino di questo pianeta.
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livres
livres
Publication:
avril 2018
avril 2018
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Publications du CCA
Publications du CCA
Classification:
livres
livres
Titre:
CCA on view
CCA on view
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"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main(...)
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"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main(...)
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CCA on view
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Résumé:
"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main galleries of the CCA’s current building at 1920, rue Baile, each exhibition is presented through installation views, photographs of exhibition objects, previously unpublished working documents, and short descriptive statements. These artifacts, interspersed with commentary from CCA directors, curators, and collaborators, illustrate the central positions and arguments taken up in each project. "CCA on View" delves into the institutional archives to highlight the character and trajectory of the CCA’s approach to curatorial research.
CCA on view
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Prix:
$10.95
(disponible en magasin)
Résumé:
"CCA on View" is a visual guidebook to the exhibitions produced by the Canadian Centre for Architecture since its founding in 1979. From "The Preservation and Conservation of Prints and Drawings of Ernest Cormier (1885–1980)", mounted in the lobby of the Canadian Centre for Architecture’s first office space in 1982, to" Besides, History", exhibited in 2017 in the main galleries of the CCA’s current building at 1920, rue Baile, each exhibition is presented through installation views, photographs of exhibition objects, previously unpublished working documents, and short descriptive statements. These artifacts, interspersed with commentary from CCA directors, curators, and collaborators, illustrate the central positions and arguments taken up in each project. "CCA on View" delves into the institutional archives to highlight the character and trajectory of the CCA’s approach to curatorial research.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Publications du CCA
Publications du CCA
