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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political(...)
Théorie de la photographie
septembre 2023
Citizens of photography: The camera and the political imagination
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography’s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography’s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.
Théorie de la photographie
livres
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Selections from the Helen Kornblum Collection.
Théorie de la photographie
août 1998, Saint Louis
Defining eye : women photographers of the 20th century
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Selections from the Helen Kornblum Collection.
livres
août 1998, Saint Louis
Théorie de la photographie
livres
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Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
Théorie de la photographie
avril 1998, New York
Closing : the life and death of an American factory
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Through the intimate and compelling personal stories of American workers in a small factory town, this book explores the meaning of work at the end of the twentieth century. Bill Bamberger took his revealing and powerful photographs during the last four months of operation on the factory floor.
livres
avril 1998, New York
Théorie de la photographie
livres
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
Théorie de la photographie
novembre 1997, Paris
Paris : Les cathédrales inconnues, espaces vides dans l'ombre de la ville
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"Les photographies de Julian Rosefeldt et Piero Steinle illustrent la fin de l'espace réel au profit de l'instantanéité du temps réel. Temps réel de la prise de vue, qui précède celui de l'espace virtuel du monde de demain". Paul Virilio
livres
novembre 1997, Paris
Théorie de la photographie
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In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Photography : crisis of history
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In this book an international group of specialist historians, critics and photographers revise the dominant models on which our knowledge of the history of photography has been based and set out a number of possible alternatives.
Théorie de la photographie
livres
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This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
The Last Empire : photography in British India, 1855-1911
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This book is a selection of virtually unkown and brilliant photographs of India made between 1857 and 1911. Many have never been seen outside of the archives from which they were gathered. The images refelct the British curiosity about every aspect of Indian life and the subtle way in which the imperial presence coloured the customs and manners of an exotic, foreign land.
livres
juin 2001, New York
Théorie de la photographie
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like(...)
Portrait and place: Photography in Senegal 1860-1940
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.
Théorie de la photographie
livres
Rêve d'Egypte
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Photographies d'Harold Allen, François-Xavier Bouchart et de Mark Ruwedel sur le thème de l'architecture égyptisante.
Rêve d'Egypte
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Photographies d'Harold Allen, François-Xavier Bouchart et de Mark Ruwedel sur le thème de l'architecture égyptisante.
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mars 1999, Paris
Théorie de la photographie
$56.95
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Les enjeux de la bibliothèque et de la collection photographique mises en œuvre par Aby Warburg, en tant que « laboratoire » de recherches collectives sur les formes de transmission des images depuis l'Antiquité. Une étude de cas exceptionnel, traversée par la question : quel a été l'impact de la photographie dans le tournant que Warburg marque dans l'histoire de l'art et(...)
K. B. W.: La bibliothèque Warburg, laboratoire de pensée intermédiale
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Les enjeux de la bibliothèque et de la collection photographique mises en œuvre par Aby Warburg, en tant que « laboratoire » de recherches collectives sur les formes de transmission des images depuis l'Antiquité. Une étude de cas exceptionnel, traversée par la question : quel a été l'impact de la photographie dans le tournant que Warburg marque dans l'histoire de l'art et de la culture ?
Théorie de la photographie
$63.00
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from(...)
The last picture show : artists using photography 1960 - 1982
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In 1976, critic Nancy Foote wrote that "for every photographer who clamors to make it as an artist, there is an artist running a grave risk of turning into a photographer." Traversing the fine line between artists who are photographers and artists who use photography, "The Last Picture Show" traces the development of conceptual trends in postwar photographic practice from their first glimmerings in the 1960's in the work of artists such as Bernd and Hilla Becher, Bruce Nauman, and Edward Ruscha to their rise to art world prominence in the work of the Picture Theory artists of the late 1970's and early 1980's, including Silvia Kolbowski, Richard Prince, and Cindy Sherman. Intended as a major genealogy of the rise of a still-powerful and evolving photographic practice by artists, the exhibition catalogue includes a wide array of works by Vito Acconci, John Baldessari, Gilbert & George, Yves Klein, Barbara Kruger, Gordon Matta-Clark, Charles Ray, Jeff Wall, Andy Warhol, William Wegman, and others.
Théorie de la photographie