424 Résultats
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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many(...)
$39.95
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Résumé:
From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many(...)
Titre:
Photography speaks : 150 photographers on their art
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From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale - collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, Thomas Struth, and Rineke Dijkstra. The contributors expound upon topics such as their method and intentions, the state of the arts, or the medium itself. "Photography Speaks" has been and will continue to be a vital reference source, an enduring testament to the art of photography, and an engrossing text for artists and enthusiasts alike.
Photography speaks : 150 photographers on their art
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$39.95
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Résumé:
From Matthew Brady to Cindy Sherman, 150 artists are represented in this new, combined volume of "Photography Speaks", spanning the entire history of the medium. This compendium contains biographical information and an original statement from each artist, accompanied by an example of their work. A favourite with photographers and requisite course material for many students, the discourse on art and artistry contained in this volume is of unprecedented scale - collecting the writing of such diverse photographers as William Henry Fox Talbot, Eugène Atget, Alfred Stieglitz, Lewis Hine, August Sander, Man Ray, Weegee, Robert Frank, Diane Arbus, Robert Heinecken, and Lucas Samaras. New additions include selections from Nadar, William Eggleston, Eikoh Hosoe, Gordon Parks, Manuel Alvarez Bravo, Christian Boltanski, Thomas Struth, and Rineke Dijkstra. The contributors expound upon topics such as their method and intentions, the state of the arts, or the medium itself. "Photography Speaks" has been and will continue to be a vital reference source, an enduring testament to the art of photography, and an engrossing text for artists and enthusiasts alike.
Classification:
livres
livres
Publication:
mars 2005, New York
mars 2005, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
Titre:
The angle of repose : four American photographers in Egypt
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
The angle of repose : four American photographers in Egypt
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Photographs made in Egypt by the American photographers Linda Connor, Lynn Davis, Tom van Eynde, and Richard Misrach.
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livres
livres
Publication:
janvier 1900, Chicago
janvier 1900, Chicago
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$79.95
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský,(...)
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský,(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mars 2002, Cambridge, Massachusetts / London, England
mars 2002, Cambridge, Massachusetts / London, England
Titre:
Czech photographic avant-garde 1918-1948
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time. The Czech edition of this book received the "Best Photographic Publication of 1999-2000" award from Primavera Fotográfica in Barcelona and from Month of Photography in Bratislava and was one of six finalists for the 2001 Kraszna-Krausz Photography Book Award.
Czech photographic avant-garde 1918-1948
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Résumé:
Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time. The Czech edition of this book received the "Best Photographic Publication of 1999-2000" award from Primavera Fotográfica in Barcelona and from Month of Photography in Bratislava and was one of six finalists for the 2001 Kraszna-Krausz Photography Book Award.
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livres
livres
Publication:
mars 2002, Cambridge, Massachusetts / London, England
mars 2002, Cambridge, Massachusetts / London, England
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$72.00
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Eight photographers spent six years observing the changes in east German towns and landscapes. VNG- Verbundnetz Gas Aktiengesellschaft,Leipzig has established a photographic collection which presents this change in a highly original manner.
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Eight photographers spent six years observing the changes in east German towns and landscapes. VNG- Verbundnetz Gas Aktiengesellschaft,Leipzig has established a photographic collection which presents this change in a highly original manner.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 1900, Ostfilden-Ruit
janvier 1900, Ostfilden-Ruit
Titre:
City scape east / stadt land ost
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Eight photographers spent six years observing the changes in east German towns and landscapes. VNG- Verbundnetz Gas Aktiengesellschaft,Leipzig has established a photographic collection which presents this change in a highly original manner.
City scape east / stadt land ost
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Eight photographers spent six years observing the changes in east German towns and landscapes. VNG- Verbundnetz Gas Aktiengesellschaft,Leipzig has established a photographic collection which presents this change in a highly original manner.
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livres
livres
Publication:
janvier 1900, Ostfilden-Ruit
janvier 1900, Ostfilden-Ruit
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$55.95
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What place do images hold among other kinds of historical evidence? In "Eyewitnessing", Peter Burke reviews graphics, photographs, films, and other media from many countries and periods and examines their pragmatic uses. This illustrated book surveys the opportunities and the challenges of using images to understand other times.
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What place do images hold among other kinds of historical evidence? In "Eyewitnessing", Peter Burke reviews graphics, photographs, films, and other media from many countries and periods and examines their pragmatic uses. This illustrated book surveys the opportunities and the challenges of using images to understand other times.
Titre:
Eyewitnessing : the uses of images as historical evidence
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What place do images hold among other kinds of historical evidence? In "Eyewitnessing", Peter Burke reviews graphics, photographs, films, and other media from many countries and periods and examines their pragmatic uses. This illustrated book surveys the opportunities and the challenges of using images to understand other times.
Eyewitnessing : the uses of images as historical evidence
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What place do images hold among other kinds of historical evidence? In "Eyewitnessing", Peter Burke reviews graphics, photographs, films, and other media from many countries and periods and examines their pragmatic uses. This illustrated book surveys the opportunities and the challenges of using images to understand other times.
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livres
livres
Publication:
janvier 1900, Ithaca, New York
janvier 1900, Ithaca, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Construction
Construction
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Bruno Delamain, photographe des grandes réalisations de la fin du siècle dernier – la Cathédrale d’Evry, le barrage des Trois Gorges en Chine, le Stade de France, Vulcania en Auvergne – a été retenu pour son regard sur l’architecture. Pendant un an il a suivi l’évolution du bâtiment Euralliance à Lille. Dans son carnet de chantier, il a conçu des images en noir et en gris(...)
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Bruno Delamain, photographe des grandes réalisations de la fin du siècle dernier – la Cathédrale d’Evry, le barrage des Trois Gorges en Chine, le Stade de France, Vulcania en Auvergne – a été retenu pour son regard sur l’architecture. Pendant un an il a suivi l’évolution du bâtiment Euralliance à Lille. Dans son carnet de chantier, il a conçu des images en noir et en gris(...)
Titre:
Construction
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Bruno Delamain, photographe des grandes réalisations de la fin du siècle dernier – la Cathédrale d’Evry, le barrage des Trois Gorges en Chine, le Stade de France, Vulcania en Auvergne – a été retenu pour son regard sur l’architecture. Pendant un an il a suivi l’évolution du bâtiment Euralliance à Lille. Dans son carnet de chantier, il a conçu des images en noir et en gris reflétant des ambiances, des instants furtifs et la spécificité d’un lieu en construction. Cet ouvrage nous laisse découvrir à la fois des images académiques et d’autres plus surprenantes.
Construction
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Bruno Delamain, photographe des grandes réalisations de la fin du siècle dernier – la Cathédrale d’Evry, le barrage des Trois Gorges en Chine, le Stade de France, Vulcania en Auvergne – a été retenu pour son regard sur l’architecture. Pendant un an il a suivi l’évolution du bâtiment Euralliance à Lille. Dans son carnet de chantier, il a conçu des images en noir et en gris reflétant des ambiances, des instants furtifs et la spécificité d’un lieu en construction. Cet ouvrage nous laisse découvrir à la fois des images académiques et d’autres plus surprenantes.
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livres
livres
Publication:
janvier 2004, Trézelan
janvier 2004, Trézelan
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Partners
Partners
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$62.95
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Résumé:
Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are(...)
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Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are(...)
Titre:
Partners
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$62.95
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Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are being shown for the first time in Haus der Kunst in Munich, assembled and arranged by Hendeles; this book has been conceptualized by her in conjunction with the exhibition. In typical Hendeles fashion, "Partners" combines artworks, press photos, anonymous snapshots, and everyday articles. Maurizio Cattelan's HIM, a depiction of Hitler on his knees, plays a key role, as does a large installation of thousands of historical snapshots of teddy bears.
Partners
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$62.95
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Résumé:
Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world - if one of the lesser known. Large parts of it are being shown for the first time in Haus der Kunst in Munich, assembled and arranged by Hendeles; this book has been conceptualized by her in conjunction with the exhibition. In typical Hendeles fashion, "Partners" combines artworks, press photos, anonymous snapshots, and everyday articles. Maurizio Cattelan's HIM, a depiction of Hitler on his knees, plays a key role, as does a large installation of thousands of historical snapshots of teddy bears.
Classification:
livres
livres
Publication:
mars 2004, Cologne
mars 2004, Cologne
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a(...)
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Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
juin 2007, Montreal Kingston London Ithica
juin 2007, Montreal Kingston London Ithica
Titre:
Scissors, paper, stone : Expressions of memory in contemporary photographic art
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Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Scissors, paper, stone : Expressions of memory in contemporary photographic art
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Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Classification:
livres
livres
Publication:
juin 2007, Montreal Kingston London Ithica
juin 2007, Montreal Kingston London Ithica
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$42.00
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Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated(...)
$42.00
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Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated(...)
Titre:
Modern Photographs : The machine the body and the city
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$42.00
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This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated strengths--featuring works by Atget, Arbus, Cartier-Bresson, Eggleston, Evans, Hockney, Frank, Mapplethorpe, Ruscha, Schorr, Sherman, Sugimoto, Warhol, Weegee and Winogrand, among many others. Renowned photography critic Andy Grundberg presents a precise analysis of the collection along with studied observations about the nature of photography and how it has become the art form that it is today. Cowles provides an engaging inside look at the development of a collection in an era when photography gained acceptance as an acknowledged art form. And Miami Art Museum Director Terence Riley contributes an introduction.
Modern Photographs : The machine the body and the city
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Prix:
$42.00
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Résumé:
This volume presents more than 150 works from the collection of the Miami-raised and New York-based collector, art dealer and curator Charles Cowles. Spanning the breadth of modern photographic history from the early twentieth-century to the present, these works display a broad range of styles, processes and aesthetic intentions and an impressive number of concentrated strengths--featuring works by Atget, Arbus, Cartier-Bresson, Eggleston, Evans, Hockney, Frank, Mapplethorpe, Ruscha, Schorr, Sherman, Sugimoto, Warhol, Weegee and Winogrand, among many others. Renowned photography critic Andy Grundberg presents a precise analysis of the collection along with studied observations about the nature of photography and how it has become the art form that it is today. Cowles provides an engaging inside look at the development of a collection in an era when photography gained acceptance as an acknowledged art form. And Miami Art Museum Director Terence Riley contributes an introduction.
Classification:
livres
livres
Publication:
juin 2007, Miami
juin 2007, Miami
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$32.95
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Artiste contemporain majeur, Sigmar Polke reste pourtant mal connu du public français. Interroger ses pratiques photographiques permet de mesurer l'importance d'expérimentations remontant aux années 1960. Xavier Domino nous présente, non sans humour, le large spectre des protocoles mis en œuvre et des résultats obtenus. À la description des éléments constitutifs de la (...)
$32.95
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Résumé:
Artiste contemporain majeur, Sigmar Polke reste pourtant mal connu du public français. Interroger ses pratiques photographiques permet de mesurer l'importance d'expérimentations remontant aux années 1960. Xavier Domino nous présente, non sans humour, le large spectre des protocoles mis en œuvre et des résultats obtenus. À la description des éléments constitutifs de la (...)
Titre:
Le photographique chez Sigmar Polke
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Artiste contemporain majeur, Sigmar Polke reste pourtant mal connu du public français. Interroger ses pratiques photographiques permet de mesurer l'importance d'expérimentations remontant aux années 1960. Xavier Domino nous présente, non sans humour, le large spectre des protocoles mis en œuvre et des résultats obtenus. À la description des éléments constitutifs de la «Polkographie», fait suite un «No medium's land» où voisinent photocopies et peintures; enfin, en «Photopolkie», le photographique ouvre à une compréhension globale de l'œuvre, et fonde son originalité, au croisement improbable du Pop Art et du post-modernisme.
Le photographique chez Sigmar Polke
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$32.95
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Résumé:
Artiste contemporain majeur, Sigmar Polke reste pourtant mal connu du public français. Interroger ses pratiques photographiques permet de mesurer l'importance d'expérimentations remontant aux années 1960. Xavier Domino nous présente, non sans humour, le large spectre des protocoles mis en œuvre et des résultats obtenus. À la description des éléments constitutifs de la «Polkographie», fait suite un «No medium's land» où voisinent photocopies et peintures; enfin, en «Photopolkie», le photographique ouvre à une compréhension globale de l'œuvre, et fonde son originalité, au croisement improbable du Pop Art et du post-modernisme.
Classification:
livres
livres
Publication:
mai 2007, Paris
mai 2007, Paris
Sujet:
Théorie de la photographie
Théorie de la photographie
