Log houses of the world
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Long considered the apotheosis of rustic kitsch, the log house actually has a rich architectural pedigree. Since the late 19th century, a surprising number of architects, along with their artisan-builder counterparts, have transformed the simple pioneer log cabin into a supremely crafted work of high art. "Log houses of the world" is the first-ever chronological survey of(...)
octobre 2006, New York
Log houses of the world
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Long considered the apotheosis of rustic kitsch, the log house actually has a rich architectural pedigree. Since the late 19th century, a surprising number of architects, along with their artisan-builder counterparts, have transformed the simple pioneer log cabin into a supremely crafted work of high art. "Log houses of the world" is the first-ever chronological survey of the greatest examples of log houses designed in Europe and the United States from 1890 to the present. Included are photographs, plans, and little-known drawings - most never before published - from such celebrated Modern-era architects as Eliel Saarinen, Adolf Loos, Le Corbusier, Richard Neutra, and others. The result is both a tour of many homes, and an important vehicle for garnering for these houses the popular recognition, critical and otherwise, that they deserve.
Chairs : a history
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In "Chairs : history", furniture historian Florence de Dampierre presents a readable and visually exploration of chairs and their place in culture throughout the ages. Along with hundreds of photographs, th eauthor fills these pages with information, tracing the chair's emergence in ancient Egypt and examining various forms of seating from Classical Greece, the Roman(...)
Chairs : a history
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In "Chairs : history", furniture historian Florence de Dampierre presents a readable and visually exploration of chairs and their place in culture throughout the ages. Along with hundreds of photographs, th eauthor fills these pages with information, tracing the chair's emergence in ancient Egypt and examining various forms of seating from Classical Greece, the Roman Empire, and the Renaissance era, to the classic designs of today - from thrones to divans, straight-backed to overstuffed, Baroque to Bauhaus, and contemporary.
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The Swiss Federal Office of Culture presents the 20 winners of this year's national design competition and the prize-winning works, with illustrations and a descriptive essay by the jury, in a pulication called "Swiss Design 2004: innovation"
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janvier 2004, Baden
Swiss Design 2004 : innovation - texts on the topic
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The Swiss Federal Office of Culture presents the 20 winners of this year's national design competition and the prize-winning works, with illustrations and a descriptive essay by the jury, in a pulication called "Swiss Design 2004: innovation"
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Mayo Bucher : open sign
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This illustrated book explores for the first time the breadth and depth of the work created from 1992 – 2002 by the Swiss artist Mayo Bucher (b. Zurich 1963). Bucher’s significantly abstract, geometrically inflected yet painterly art functions on a refreshing variety of levels. It leads into a complex, and at the same time smooth world of structures, colours, forms and(...)
Mayo Bucher : open sign
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This illustrated book explores for the first time the breadth and depth of the work created from 1992 – 2002 by the Swiss artist Mayo Bucher (b. Zurich 1963). Bucher’s significantly abstract, geometrically inflected yet painterly art functions on a refreshing variety of levels. It leads into a complex, and at the same time smooth world of structures, colours, forms and signs. It addresses painting's productive relationship with design, architecture and music – a link that is central to Mayo Bucher's art. In recent years, his resonant imagery has appeared on the covers of ECM Records. "Open Sign" makes clear and profound statements about our compulsion both to construct and question meaning: about human consciousness and its endless quest for clarity of expression and understanding - and about our saving need for mystery. With essays by Ruedi Baur, designer and Dr. Michael Tucker, Professor in the Faculty of Arts & Architecture, University of Brighton.
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The work of this photographer is being celebrated in a show of work at the Folkwang Museum in Essen. The exhibition will be shown subsequently in Munich. This publication records all the key creative phases and working fields of this photographer, extending from travel reportage to extensive advertising campaigns (including DaimlerBenz) and product photographs (including(...)
Hans Hansen : sachfotographie
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The work of this photographer is being celebrated in a show of work at the Folkwang Museum in Essen. The exhibition will be shown subsequently in Munich. This publication records all the key creative phases and working fields of this photographer, extending from travel reportage to extensive advertising campaigns (including DaimlerBenz) and product photographs (including FSB, Erco, Vitra). As well as this, it introduces a personality and his view of the world of objects, and attempts to explore the photographer’s inspirations and passions.
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Genesis
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The familiar story of the Creation is told by the author in the visual language of the 20th century. From Fiat Lux! to the seventh day of rest, the story has been translated line by line into the alphabet of the signs, labels and trademarks of consumption and contemporary systems of orientation and signals.
Genesis
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The familiar story of the Creation is told by the author in the visual language of the 20th century. From Fiat Lux! to the seventh day of rest, the story has been translated line by line into the alphabet of the signs, labels and trademarks of consumption and contemporary systems of orientation and signals.
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
The story of graphic design in France
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
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"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint,(...)
Rubble : unearthing the history of demolition
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"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint, Alfred Nobel - that would later fuel epochal feats of unbuilding such as the implosion of the infamous Pruitt-Igoe housing complex in St. Louis. Rubble also delves beyond these bravura blasts to survey the world-jarring invention of the wrecking ball; the oddly stirring ruin of New York’s old Pennsylvania Station, that potent symbol of the wrecker run amok; and the ever busy bulldozers in places as diverse as Detroit, Berlin, and the British countryside. "Rubble" is also an exploration of what happens when buildings fall, when monuments topple into memory, and when “destructive creativity” tears down to build again.
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This monograph on the Dublin-based architects O'Donnell + Tuomey presents fifteen of their institutional and residential projects in an arresting collection of color photography, plans, and drawings. The book includes the controversial Irish Pavilion at the Irish Museum of Modern Art, the Ranelagh Multidenominational School, the Irish Pavilion at the 2004 Venice(...)
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décembre 2006, New York
O'Donnell + Tuomey, selected works
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This monograph on the Dublin-based architects O'Donnell + Tuomey presents fifteen of their institutional and residential projects in an arresting collection of color photography, plans, and drawings. The book includes the controversial Irish Pavilion at the Irish Museum of Modern Art, the Ranelagh Multidenominational School, the Irish Pavilion at the 2004 Venice Biennale, and their recent Glucksman Gallery at the University College Cork, which was one of six buildings shortlisted for the 2005 Stirling Prize.
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Charlotte Perriand
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An important figure of modernism in the 1930s, and the principal protagonist of organic design in the 1950s, Charlotte Perriand was a true 20th century pioneer. In this volume, furniture and integrated spaces are examined.
Charlotte Perriand
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An important figure of modernism in the 1930s, and the principal protagonist of organic design in the 1950s, Charlotte Perriand was a true 20th century pioneer. In this volume, furniture and integrated spaces are examined.
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