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The catalogue accompanying the First European Arango International Design Exhibition.
Refuse : making the most of what we have
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The catalogue accompanying the First European Arango International Design Exhibition.
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octobre 1997, Amsterdam
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Revista de paisajismo
Paisea- landscape architecture review 002
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Revista de paisajismo
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A volume dedicated to new realised cultural centres.
septembre 2009
Cultural centres: architecture 1990-2011
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A volume dedicated to new realised cultural centres.
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie(...)
août 2009
Les espaces de l'image, Mois de la photo à Montréal 2009,
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie montrant la richesse des solutions spatiales envisagées au XXe siècle.
Lumière, light, licht
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Light is the central design element concerning our perception and has the power to change the mental state we are in. Light is equally elementary for life as are water and air. The industrial developments of the past few years have made possible amazing light and lamp designs. This volume illustrates the many new possibilities as well as giving some practical examples of(...)
Lumière, light, licht
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Light is the central design element concerning our perception and has the power to change the mental state we are in. Light is equally elementary for life as are water and air. The industrial developments of the past few years have made possible amazing light and lamp designs. This volume illustrates the many new possibilities as well as giving some practical examples of how to apply light.
Verre, glass, glas
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Materials inspire and arouse emotions, they surround us everywhere, we possess them and feel them. Similarly to people, our formative first impression of them is provided by the visual perception they create. Containing around 250 full colour illustrations, the Architecture Compact series presents materials that on the one hand convey a unique impression through their(...)
Verre, glass, glas
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Materials inspire and arouse emotions, they surround us everywhere, we possess them and feel them. Similarly to people, our formative first impression of them is provided by the visual perception they create. Containing around 250 full colour illustrations, the Architecture Compact series presents materials that on the one hand convey a unique impression through their inherent physical characteristics, and on the other hand achieve surprising results when used in association or combination with each other.
The century of Modern design
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank(...)
The century of Modern design
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank Lloyd Wright. Each decade of the twentieth century is introduced by an essay giving the context that shaped the works, providing a history of modern design. Great designers, including lesser-known but highly influential figures, are presented alongside their signature creations that retain a prominent place in the design world today.
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical(...)
juillet 2010
Robert van't Hoff: architect of a new society
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical writings alongside unpublished materials and descriptions of his best known projects.
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an(...)
janvier 2009
John Gutmann: the photographer at work
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy.
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The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of(...)
mai 2003, New York
The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of Architecture, combines work from both courses in a thoughtful and provocative study of the state of the house at the turn of the millennium. Deamer introduces the volume with an essay on three issues vital to a discussion of millennial design: newness, uniqueness, and design innovation. Designs of visiting seminar critics -- Steven Holl, Elizabeth Diller and Ricardo Scofidio, William McDonough, LOT/EK, Winy Maas, and Jacques Herzog -- are showcased along with descriptive and analytical texts. Work from the studio course is divided into various themes explored by the students: image, standardization and modularity, networks and diagrams. The hybrid quality of this volume -- designs by practicing architects and students; observation and interpretation -- reflects debates and issues at the heart of early-twenty-first-century architecture.
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mai 2003, New York