livres
Description:
xvi, 311 pages ; 22 cm
Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
Architecture's appeal : how theory informs architectural praxis / edited by Marc J. Neveu and Negin Djavaherian.
Actions:
Exemplaires:
Description:
xvi, 311 pages ; 22 cm
livres
Abingdon, Oxon ; New York, NY : Routledge, 2015., ©2015
livres
Description:
212 pages : illustrations (some color), plans ; 25 cm.
Berlin : De Gruyter, [2016], ©2016
Vitruvianism : origins and transformations / edited by Paolo Sanvito.
Actions:
Exemplaires:
Description:
212 pages : illustrations (some color), plans ; 25 cm.
livres
Berlin : De Gruyter, [2016], ©2016
livres
Description:
xxiv, 387 pages : illustrations ; 25 cm.
Leiden ; Boston : Brill, 2012.
Foundation, dedication, and consecration in early modern Europe / edited by Maarten Delbeke and Minou Schraven.
Actions:
Exemplaires:
Description:
xxiv, 387 pages : illustrations ; 25 cm.
livres
Leiden ; Boston : Brill, 2012.
livres
Description:
394 pages : illustrations, plans ; 25 cm
Tübingen : Wasmuth, ©2014.
Images of the body in architecture : anthropology and built space / edited by Kirsten Wagner and Jasper Cepl.
Actions:
Exemplaires:
Description:
394 pages : illustrations, plans ; 25 cm
livres
Tübingen : Wasmuth, ©2014.
livres
Description:
xii, 338 pages : illustrations ; 26 cm
London ; New York : Routledge, 2000.
The city cultures reader / edited by Malcolm Miles, Iain Borden, and Tim Hall.
Actions:
Exemplaires:
Description:
xii, 338 pages : illustrations ; 26 cm
livres
London ; New York : Routledge, 2000.
livres
Description:
xii, 414 pages : illustrations ; 24 cm
New Haven, CT : Yale University Press, ©1998.
Paper palaces : the rise of the Renaissance architectural treatise / edited by Vaughan Hart, with Peter Hicks.
Actions:
Exemplaires:
Description:
xii, 414 pages : illustrations ; 24 cm
livres
New Haven, CT : Yale University Press, ©1998.
$39.95
(disponible en magasin)
Résumé:
Jean McEwen (19231999) was a Canadian painter who was known for his abstract, colourful paintings. De ma main a la couleur (Hand to Colour) is a series of 16 watercolour paintings accompanied by handwritten poetry by McEwen. The book will include an essay by art historian and writer Laurier Lacroix, and an additional text by McEwen s widowed wife Indra McEwen. It is(...)
décembre 2016
Jean McEwen: De ma main à la couleur / Hand to Colour
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Jean McEwen (19231999) was a Canadian painter who was known for his abstract, colourful paintings. De ma main a la couleur (Hand to Colour) is a series of 16 watercolour paintings accompanied by handwritten poetry by McEwen. The book will include an essay by art historian and writer Laurier Lacroix, and an additional text by McEwen s widowed wife Indra McEwen. It is also published to coincide with 50 limited edition box sets that are stamped and authenticated by McEwen s estate. The watercolour series is a collection of love letters addressed to colour, produced near the end of McEwen s life.
$47.95
(disponible en magasin)
Résumé:
"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless(...)
Théorie de l’architecture
octobre 2002, Cambridge, Mass.
Vitruvius: Writing the body of architecture
Actions:
Prix:
$47.95
(disponible en magasin)
Résumé:
"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work’s meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius’s purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius’s aim was to present his discipline as the means for making the emperor’s body congruent with the imagined body of the world he would rule.
Théorie de l’architecture
$54.00
(disponible en magasin)
Résumé:
In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning(...)
All the king's horses: Vitruvius in an age of princes
Actions:
Prix:
$54.00
(disponible en magasin)
Résumé:
In ''Vitruvius: Writing the body of architecture,'' Indra Kagis McEwen argued that Vitruvius's first-century BCE treatise ''De architectura'' was informed by imperial ideology, giving architecture a role in the imperial Roman project of world rule. In her sequel, ''All the King's Horses,'' McEwen focuses on the early Renaissance reception of Vitruvius's thought beginning with Petrarch—a political reception preoccupied with legitimating existing power structures. During this ''age of princes'' various signori took over Italian towns and cities, displacing independent communes and their avowed ideal of the common good. Architects, taking up Vitruvius's mantle, designed buildings and other structures for these princes with the intent of celebrating and making their power manifest. Through meticulous descriptions of the work of architects and artists from Alberti to Leonardo, McEwen explains how architecture became an instrument of control in the early Italian Renaissance. She shows how architectural magnificence supported claims to power, a phenomenon best displayed in one of the era's most prominent monumental themes: the equestrian statue of a prince, in which the horse became an emanation of the will of the rider, its strength the expression of his strength.
Théorie de l’architecture
Socrates' ancestor
$28.95
(disponible sur commande)
Résumé:
Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility(...)
Théorie de l’architecture
octobre 1993, Cambridge London
Socrates' ancestor
Actions:
Prix:
$28.95
(disponible sur commande)
Résumé:
Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility of craft and community yields new insight into such issues as orthogonal planning and the appearance of the encompassing colonnade - the ptera or "wings" - that made Greek temples Greek. Who was Socrates' ancestor? Socrates claims it was Daedalus, the mythical first architect. Socrates' ancestors were also the first Western philosophers: the pre-Socratic thinkers of archaic Greece where the Greek city-state with its monumental temples first came to light. McEwen brilliantly draws out the connections between Daedalus and the earliest Greek thinkers, between architecture and the advent of speculative thought. She argues that Greek thought and Greek architecture share a common ground in the amazing fabrications of the legendary Daedalus: statues so animated with divine life that they had to be bound in chains, the Labyrinth where Theseus slew the Minotaur, Ariadne's dancing floor in Knossos. Socrates' Ancestor is an exploration as remarkable for its clarity as for its avoidance of reductionism. Drawing as much on the power of myth and metaphor as on philosophical, philological, and historical considerations, McEwen first reaches backward: from Socrates to the earliest written record of Western philosophy in the Anaximander B1 fragment, and its physical expression in Anaximander's built work - a "cosmic model" that consisted of a celestial sphere, a map of the world, and the first Greek sun clock. From daedalean artifacts she draws out the centrality of early Greek craftsmanship and its role in the making of the Greek city-state. The investigation then moves forward to a discussion of the polis and the first great peripteral temples that anchored for the meaning of "city."
Théorie de l’architecture