$45.00
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Résumé:
From 2008 to 2010, Madrid based architects Luis M. Mansilla and Emilio Tunon held the Jean Labatut Visiting Professorship at the Princeton School of Architecture. More than a collection of student work, From Rules to Constraints is a wide ranging reflection on teaching, design practice, history and the city. Focusing on three sites at three distinct scales, this book(...)
Architecture, monographies
mai 2012
From rules to constraints : Luis M. Mansilla & Emilio Tunon
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$45.00
(disponible sur commande)
Résumé:
From 2008 to 2010, Madrid based architects Luis M. Mansilla and Emilio Tunon held the Jean Labatut Visiting Professorship at the Princeton School of Architecture. More than a collection of student work, From Rules to Constraints is a wide ranging reflection on teaching, design practice, history and the city. Focusing on three sites at three distinct scales, this book examines the constraints of the architectural project social, political, historical, and environmental in order to create new rules for working. Examining both their teaching methods and Mansilla + Tunon`s own design work, the book presents the design process as an ongoing conversation between the building and the environment, between freedom and limits, and between the decided and undecided.
Architecture, monographies
$34.95
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Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Architecture's historical turn: phenomenology and the rise of the postmodern
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$34.95
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Résumé:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Théorie de l’architecture