2408 Résultats
Classification:
documents textuels
documents textuels
![Page 2 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]](/img-collection/VtojAYDADHCLQoAAL19om_h6y3w=/500x665/485674.jpg)
Numéro de référence:
ARCH400368
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
ARCH400368
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Personnes et institutions:
Date:
1972
1972
Titre:
Page 2 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]
Actions:
ARCH400368
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Page 2 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]
Actions:
ARCH400368
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Classification:
documents textuels
documents textuels
Date:
1972
1972
Personnes et institutions:
Classification:
documents textuels
documents textuels
![Page 1 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]](/img-collection/OwigRQBxVK9p-Y5vXPA7P-9nGPo=/500x665/485675.jpg)
Numéro de référence:
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Personnes et institutions:
Date:
1972
1972
Titre:
Page 1 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]
Actions:
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Page 1 of a storyboard with filming instructions, techniques, and durations for various scenes for Supersuperficie [Supersurface]
Actions:
ARCH400369
Description:
Storyboard with filming instructions, techniques, and durations for various scenes – including the juxtaposition of the grid over the landscape and the arrival of humans within the Supersurface – as well as a technical note about interchange between graphic elements and live filming.
Classification:
documents textuels
documents textuels
Date:
1972
1972
Personnes et institutions:
Classification:
photographies
Quantité:
13 slide(s)
photographies
Quantité:
13 slide(s)
Numéro de référence:
ARCH268386
Description:
Images of people (mostly children) with Hoberman-designed toys. Includes 1 image of Chuck Hoberman within and holding a Hoberman sphere, and 1 image of Bill and Hillary Clinton with a Hoberman sphere.
ARCH268386
Description:
Images of people (mostly children) with Hoberman-designed toys. Includes 1 image of Chuck Hoberman within and holding a Hoberman sphere, and 1 image of Bill and Hillary Clinton with a Hoberman sphere.
Personnes et institutions:
Date:
late 1990s
late 1990s
Titre:
Images of people (mostly children) with Hoberman-designed toys
Actions:
ARCH268386
Description:
Images of people (mostly children) with Hoberman-designed toys. Includes 1 image of Chuck Hoberman within and holding a Hoberman sphere, and 1 image of Bill and Hillary Clinton with a Hoberman sphere.
Images of people (mostly children) with Hoberman-designed toys
Actions:
ARCH268386
Description:
Images of people (mostly children) with Hoberman-designed toys. Includes 1 image of Chuck Hoberman within and holding a Hoberman sphere, and 1 image of Bill and Hillary Clinton with a Hoberman sphere.
Classification:
photographies
Quantité:
13 slide(s)
photographies
Quantité:
13 slide(s)
Date:
late 1990s
late 1990s
Personnes et institutions:
Classification:
articles
articles
Titre:
Une pratique indisciplinaire
Une pratique indisciplinaire
Actions:
Leonard Streich, Julian Schubert et Elena Schütz de Something Fantastic en conversation avec Francesco Garutti
Dossier:
Avec et au sein de
Avec et au sein de
Mot(s)-clé(s):
Leonard Streich, Julian Schubert et Elena Schütz, Something Fantastic, Francesco Garutti, Avec et au sein de, Les choses qui nous entourent, contexte, pratique
Leonard Streich, Julian Schubert et Elena Schütz, Something Fantastic, Francesco Garutti, Avec et au sein de, Les choses qui nous entourent, contexte, pratique
Publié:
26 juillet 2021
26 juillet 2021
Titre:
Une pratique indisciplinaire
Leonard Streich, Julian Schubert et Elena Schütz de Something Fantastic en conversation avec Francesco Garutti
Actions:
Une pratique indisciplinaire
Leonard Streich, Julian Schubert et Elena Schütz de Something Fantastic en conversation avec Francesco Garutti
Actions:
Dossier:
Avec et au sein de
Avec et au sein de
Classification:
dessins
Niveau de description archivistique:
Projet
dessins
Niveau de description archivistique:
Projet
Numéro de référence:
CI005.S1.1914.PR1
Description:
In 1914 Oud designed a combination shop and dwelling in Heemstede for upholsterer, Mr G.S. Van Bakel. The shop and dwelling shared the same entryway while the rear elevation consisted of a flat surface within a united facade. Oud had originally planned for one large window on the front facade but changed his design because the client argued that two windows were too costly (Taverne et al. 2001, 75). The project series includes drawings of both an L-shaped and a rectangular design.
CI005.S1.1914.PR1
Description:
In 1914 Oud designed a combination shop and dwelling in Heemstede for upholsterer, Mr G.S. Van Bakel. The shop and dwelling shared the same entryway while the rear elevation consisted of a flat surface within a united facade. Oud had originally planned for one large window on the front facade but changed his design because the client argued that two windows were too costly (Taverne et al. 2001, 75). The project series includes drawings of both an L-shaped and a rectangular design.
Personnes et institutions:
Date:
1914
1914
Titre:
Shop with Dwelling (Van Bakel), Heemstede, Netherlands (1914)
Actions:
CI005.S1.1914.PR1
Description:
In 1914 Oud designed a combination shop and dwelling in Heemstede for upholsterer, Mr G.S. Van Bakel. The shop and dwelling shared the same entryway while the rear elevation consisted of a flat surface within a united facade. Oud had originally planned for one large window on the front facade but changed his design because the client argued that two windows were too costly (Taverne et al. 2001, 75). The project series includes drawings of both an L-shaped and a rectangular design.
Shop with Dwelling (Van Bakel), Heemstede, Netherlands (1914)
Actions:
CI005.S1.1914.PR1
Description:
In 1914 Oud designed a combination shop and dwelling in Heemstede for upholsterer, Mr G.S. Van Bakel. The shop and dwelling shared the same entryway while the rear elevation consisted of a flat surface within a united facade. Oud had originally planned for one large window on the front facade but changed his design because the client argued that two windows were too costly (Taverne et al. 2001, 75). The project series includes drawings of both an L-shaped and a rectangular design.
Classification:
dessins
Niveau de description archivistique:
project
dessins
Niveau de description archivistique:
project
Date:
1914
1914
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
Localisation:
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Date:
4 février 2017, 15h
4 février 2017, 15h
Titre:
Le côté sombre d’une coupe à blanc
Actions:
Description:
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
Le côté sombre d’une coupe à blanc
Actions:
Description:
À travers une conversation modérée par Louise Désy, Conservateur, Photographies, du CCA, Lorraine Gilbert présente son oeuvre: La documentation des paysages dans lesquels j’ai vécu et travaillé, a engendré une œuvre questionnant notre place dans la nature et dans les environnements bâtis. Le caractère en apparence objectif avec lequel j’ai dépeint ces espaces naturels(...)
Classification:
événements
événements
Date:
4 février 2017
15h
4 février 2017
15h
Localisation:
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Salles principales Mot(s)-clé(s):
Le côté sombre d’une coupe à blanc, Canada, Le temps presse, causerie
Classification:
événements
événements
Actions:
Description:
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
14 mai 2015 , 18h
14 mai 2015 , 18h
Titre:
Architecture ou révolution ? Une conversation avec Nuno Portas et Nuno Grande
Actions:
Description:
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Architecture ou révolution ? Une conversation avec Nuno Portas et Nuno Grande
Actions:
Description:
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Classification:
événements
événements
Date:
14 mai 2015
18h
14 mai 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1994:0006:001
Description:
- The largest elevation shows Barcelona chairs, a table, and a sculpture within the house. The detail for the upper wall suggests that the architect planned to use an irregular stone such as field stone for the cladding, with steel for the roof coping.
DR1994:0006:001
Description:
- The largest elevation shows Barcelona chairs, a table, and a sculpture within the house. The detail for the upper wall suggests that the architect planned to use an irregular stone such as field stone for the cladding, with steel for the roof coping.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1934
1934
Titre:
Sketch elevation for Mountain House with sketch for a detail for the upper wall and sketch elevation, probably for the entrance façade
Actions:
DR1994:0006:001
Description:
- The largest elevation shows Barcelona chairs, a table, and a sculpture within the house. The detail for the upper wall suggests that the architect planned to use an irregular stone such as field stone for the cladding, with steel for the roof coping.
Sketch elevation for Mountain House with sketch for a detail for the upper wall and sketch elevation, probably for the entrance façade
Actions:
DR1994:0006:001
Description:
- The largest elevation shows Barcelona chairs, a table, and a sculpture within the house. The detail for the upper wall suggests that the architect planned to use an irregular stone such as field stone for the cladding, with steel for the roof coping.
Classification:
dessins
dessins
Date:
1934
1934
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Numéro de référence:
DR1966:0001:044
Description:
- This design for a papal escutcheon is surrounded by leaves and decorative mouldings, all within a rectangular frame.
DR1966:0001:044
Description:
- This design for a papal escutcheon is surrounded by leaves and decorative mouldings, all within a rectangular frame.
Personnes et institutions:
Sujet:
ornement
ornement
Date:
between 1730 and 1773
between 1730 and 1773
Titre:
Plan for a ceiling design or book cover with a papal escutcheon
Actions:
DR1966:0001:044
Description:
- This design for a papal escutcheon is surrounded by leaves and decorative mouldings, all within a rectangular frame.
Plan for a ceiling design or book cover with a papal escutcheon
Actions:
DR1966:0001:044
Description:
- This design for a papal escutcheon is surrounded by leaves and decorative mouldings, all within a rectangular frame.
Classification:
dessins
dessins
Date:
between 1730 and 1773
between 1730 and 1773
Personnes et institutions:
Sujet:
ornement
ornement
Actions:
Numéro de référence:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Personnes et institutions:
Sujet:
sculpture, topographique
sculpture, topographique
Date:
1867
1867
Titre:
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Date:
1867
1867
Personnes et institutions:
Sujet:
sculpture, topographique
sculpture, topographique
