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27 pages ; 21 cm
[Place of publication not identified] : [publisher not identified], [1854?]
On the ecclesiastical architecture of England in past and present times / by J.H. Markland.
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27 pages ; 21 cm
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[Place of publication not identified] : [publisher not identified], [1854?]
livres
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2 volumes : illustrations (some color) ; 21 cm
Cambridge, MA : SA+P Press, [2013]
Objects by architects / curated by Sarah Hirschman.
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2 volumes : illustrations (some color) ; 21 cm
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Cambridge, MA : SA+P Press, [2013]
livres
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47 pages : illustrations (some color) ; 21 cm
Cambridge, Ma : SA+P Press, [2013]
Patterning by heat : responsive textile structures / Felicia Davis, Delia Dumitrescu.
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47 pages : illustrations (some color) ; 21 cm
livres
Cambridge, Ma : SA+P Press, [2013]
livres
Certain aspects of architectural form : fifteen selected projects 2009-2012 / William O'Brien Jr.
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56 pages : illustrations (some color) ; 21 cm
Cambridge, Ma : SA+P Press, [2013]
Certain aspects of architectural form : fifteen selected projects 2009-2012 / William O'Brien Jr.
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56 pages : illustrations (some color) ; 21 cm
livres
Cambridge, Ma : SA+P Press, [2013]
livres
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43 pages : illustrations (some color) ; 21 cm
Cambridge, Ma : SA+P Press, [2013]
Incremental change : AtFAB status report / Anne Filson, Gary Rohrbacher.
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43 pages : illustrations (some color) ; 21 cm
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Cambridge, Ma : SA+P Press, [2013]
livres
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xiv, 692 pages ; 23 cm
Albany : State University of New York Press, [1994], ©1994
Art and its significance : an anthology of aesthetic theory / edited by Stephen David Ross.
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xiv, 692 pages ; 23 cm
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Albany : State University of New York Press, [1994], ©1994
livres
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24 pages : color illustrations ; 21 x 24 cm
Montreal, PQ : Tundra Books, ©1992.
Houses of wood : native dwellings : the Northwest Coast / Bonnie Shemie.
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24 pages : color illustrations ; 21 x 24 cm
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Montreal, PQ : Tundra Books, ©1992.
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192 pages : illustrations ; 28 cm
New York : Whitney Library of Design, 1984.
Architectural sketching and rendering : techniques for designers and artists / edited by Stephen Kliment ; foreword by Cesar Pelli.
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192 pages : illustrations ; 28 cm
livres
New York : Whitney Library of Design, 1984.
The feeling of space
$79.00
(disponible en magasin)
Résumé:
Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for(...)
The feeling of space
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$79.00
(disponible en magasin)
Résumé:
Place is something real, but space is generally conceived as abstract and immaterial. In ''The Feeling of Space'', Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and the intimate; and the need for autonomy and for belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our intersubjectivity—our exchange of conscious and unconscious thoughts.
Théorie de l’architecture
Feeling photography
$36.95
(disponible sur commande)
Résumé:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality,(...)
Feeling photography
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$36.95
(disponible sur commande)
Résumé:
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory.
Théorie de la photographie