51664 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
AP058.S3.SS3.002
AP058.S3.SS3.002
Personnes et institutions:
Date:
1981-1982
1981-1982
Classification:
documents textuels
documents textuels
Date:
1981-1982
1981-1982
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
Personnes et institutions:
Date:
1951
1951
Titre:
.. so Art doesn't mean a thing to You?
Actions:
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
.. so Art doesn't mean a thing to You?
Actions:
ARCH175888
Description:
City of Vancouver Art Gallery Building Campaign, 1951
Classification:
documents textuels
documents textuels
Date:
1951
1951
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Personnes et institutions:
Date:
1974-1989
1974-1989
Titre:
Reference material and press clippings on public art
Actions:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Reference material and press clippings on public art
Actions:
AP075.S3.SS1.063
Description:
Original folder entitled "Art in Public Places / Miscellaneous".
Classification:
documents textuels
documents textuels
Date:
1974-1989
1974-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
Personnes et institutions:
Date:
2000-2008
2000-2008
Titre:
Art Center College of Design (Ampliação) [Extension for the Art Center College of Design], Pasedena, United States, 2000
Actions:
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
Art Center College of Design (Ampliação) [Extension for the Art Center College of Design], Pasedena, United States, 2000
Actions:
AP178.S1.2000.PR08
Description:
This project series documents an extension for the Art Center College of Design (Ampliação) in Pasedena, United States. While the records were held in the office’s archives this project was assigned the number 8/00. The office assigned the date 2000 for this project. The building program included a library and a technical-skills building, near the Craig Ellwood building. The project was a collaboration with Gehry Partners and Peter Testa. Siza did not realize the project. Documenting this project are sketches, studies, and preliminary master plans. Textual material includes project documentation and correspondence. Photographic material documents the models, project site, and built project.
Niveau de description archivistique:
Project
Project
Date:
2000-2008
2000-2008
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
Personnes et institutions:
Date:
1981
1981
Titre:
Correspondence, Vancouver Art Gallery, Vancouver, British Columbia
Actions:
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
Correspondence, Vancouver Art Gallery, Vancouver, British Columbia
Actions:
AP075.S1.1981.PR01.001
Description:
Original folder entitled "VANCOUVER ART GALLERY".
Classification:
documents textuels
documents textuels
Date:
1981
1981
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
Personnes et institutions:
Date:
1976-1979
1976-1979
Titre:
Correspondence of Melvin Charney with Winnipeg Art Gallery
Actions:
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
Correspondence of Melvin Charney with Winnipeg Art Gallery
Actions:
DR2012:0012:096:033
Description:
File containing documents in English, including professional correspondence between Melvin Charney and members of staff at the Winnipeg Art Gallery. Original folder inscribed in graphite: WINNIPEG ART GALLERY
Classification:
documents textuels
documents textuels
Date:
1976-1979
1976-1979
Personnes et institutions:
Classification:
périodiques
périodiques
Numéro de référence:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Personnes et institutions:
Date:
June 2007
June 2007
Titre:
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Modern Painters: The International Contemporary Art Magazine
Actions:
PH2008:0037:017
Description:
Review by Judith Rodenbeck titled "Gordon Matta-Clark" (pp. 110-111) discusses the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007.
Classification:
périodiques
périodiques
Date:
June 2007
June 2007
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
PH1987:0060
PH1987:0060
Personnes et institutions:
Date:
1917-1923
1917-1923
Classification:
photographies
photographies
Date:
1917-1923
1917-1923
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH266149
ARCH266149
Personnes et institutions:
Classification:
photographies
photographies
Personnes et institutions:
