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''Portugal Lessons'' is a project of laba, or Laboratory Basel, founded in 2011 as a satellite studio of the École Polytechnique Fédérale de Lausanne’s School of Architecture. The book presents the studio’s case studies of the country and processes of urbanization. Rooted in laba’s latest research, it explores architectural forms of life and housing: whom we live with or(...)
Portugal lessons: environmental objects. Teaching and research in architecture
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''Portugal Lessons'' is a project of laba, or Laboratory Basel, founded in 2011 as a satellite studio of the École Polytechnique Fédérale de Lausanne’s School of Architecture. The book presents the studio’s case studies of the country and processes of urbanization. Rooted in laba’s latest research, it explores architectural forms of life and housing: whom we live with or open our home to and how permeable that boundary should be. The findings are presented in more than two hundred graphics, drawings, plans, and photographs. The book also features proposals for architectural interventions by laba’s students, all of them tackling issues of housing.
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What do outer space capsules, submarines and office buildings have in common? Each was conceived as a closed system- a self-sustaining physical environment demarcated from its surroundings by a boundary prohibiting the transfer of matter or energy. As partial reconstructions of the world in time and space, closed systems identify and implement the basic materials(...)
The architecture of closed worlds: Or, what is the power of shit?
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What do outer space capsules, submarines and office buildings have in common? Each was conceived as a closed system- a self-sustaining physical environment demarcated from its surroundings by a boundary prohibiting the transfer of matter or energy. As partial reconstructions of the world in time and space, closed systems identify and implement the basic materials necessary for the sustenance of life. From the space program to countercultural architectural groups experimenting with autonomous living, ''The Architecture of Closed Worlds'' documents a disciplinary transformation and the rise of a new environmental consciousness.
Théorie de l’architecture
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The work of Didier Faustino focuses on the relationship between body and space. Since 1995, he has operated at the boundary between art and architecture, creating large installations and projects that incorporate the subversion of spaces and the exacerbation of our senses. These are often characterised by their fictional dimension, critical stance, and ability to offer(...)
Didier Fiuza faustino: Vortex populi
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The work of Didier Faustino focuses on the relationship between body and space. Since 1995, he has operated at the boundary between art and architecture, creating large installations and projects that incorporate the subversion of spaces and the exacerbation of our senses. These are often characterised by their fictional dimension, critical stance, and ability to offer new experiences to the individual and collective body. In ‘Vortex Populi’ he explores how the architectural form can exist within transversality. The project’s central theme is the violent clashes between protestors and authoritarian forces, and the structures and spatial oppositions that emerge.
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Atelier Van Lieshout, Boundary Umlimited, DUS Architects, Haas & Hahn, Nicoline van Harskamp, Anne Holtrop and Bas Princen, Wouter Klein Velderman, Krijn de Koning, NIO Architects and Onix: the artists and architects in this catalogue of the eponymous exhibition in the Centro per l’arte contemporanea Luigi Pecci in Prato seek a direct relationship with reality,(...)
Triggering reality : new conditions for art and architecture in the Netherlands
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Atelier Van Lieshout, Boundary Umlimited, DUS Architects, Haas & Hahn, Nicoline van Harskamp, Anne Holtrop and Bas Princen, Wouter Klein Velderman, Krijn de Koning, NIO Architects and Onix: the artists and architects in this catalogue of the eponymous exhibition in the Centro per l’arte contemporanea Luigi Pecci in Prato seek a direct relationship with reality, investigating and reproducing it, representing and criticizing it.Their approach is increasingly trans-disciplinary: architects utilize media and supports typical of the arts, while artists investigate urban realities in three-dimensional architectural installations.
Théorie de l’architecture
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In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to(...)
Synthetic Aesthetics: investigating synthetic biology's designs on nature
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In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses.
Théorie du design
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''Anthropocene'' is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major traveling museum exhibition, a feature documentary film and an interactive educational website. The project's starting point is the research of the Anthropocene Working Group, an international body of scientists who are(...)
Monographies photo
janvier 2019
Edward Burtynsky: Anthropocene
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''Anthropocene'' is a multidisciplinary body of work by Edward Burtynsky, Jennifer Baichwal and Nicholas de Pencier, which includes a photobook, a major traveling museum exhibition, a feature documentary film and an interactive educational website. The project's starting point is the research of the Anthropocene Working Group, an international body of scientists who are advocating to officially change the name of our present geological epoch, Holocene, to Anthropocene, in recognition of profound human changes to the earth's system. The AWG's research categories, such as Anthroturbation, Species Extinction, Technofossils, Boundary Limits and Terraforming, are represented and explored in various mediums as evidence of our species' impact on a geological scale.
Monographies photo
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Haraji's travels as a professional photographer across Iran meant that he invariably had to ring a doorbell, sound a knocker, or pass through a hotel entrance to take up his accommodation for an evening. This fact drew his attention to the endless variety of doors that seemed to act as a boundary between the familiar and unfamiliar. The fruits of his investigation are(...)
Iranian doors: a selection of photographs by Hadi Haraji
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Haraji's travels as a professional photographer across Iran meant that he invariably had to ring a doorbell, sound a knocker, or pass through a hotel entrance to take up his accommodation for an evening. This fact drew his attention to the endless variety of doors that seemed to act as a boundary between the familiar and unfamiliar. The fruits of his investigation are presented in this photographic essay which depicts approximately 100 doors, or elements thereof – each characteristic of the proprietor's poverty or opulence, some plain and simple, others decorated with exquisite motifs and designs.
Arch Moyen-Orient
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan(...)
Seeing things: from Shakespeare to Pixar
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A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations.
Théorie/ philosophie
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This is a manual investigating the subject of urban ecology and systemic development from the perspective of architectural design. It sets out to explore two main goals: to discuss the contemporary relevance of a systemic practice to architectural design, and to share a toolbox of informational design protocols developed to describe the city as a territory of(...)
août 2012
Systemic architecture : operating manual for the self-organizing city
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This is a manual investigating the subject of urban ecology and systemic development from the perspective of architectural design. It sets out to explore two main goals: to discuss the contemporary relevance of a systemic practice to architectural design, and to share a toolbox of informational design protocols developed to describe the city as a territory of self-organization. Collecting together nearly a decade of design experiments by the authors and their practice, ecoLogicStudio, the book discusses key disciplinary definitions such as ecologic urbanism, algorithmic architecture, bottom-up or tactical design, behavioural space and the boundary of the natural and the artificial realms within the city and architecture.
Callum Innes: Edges
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A previously unpublished work by Scottish painter Callum Innes, ‘Edges’ is presented as a small book with a text by Colm Tóibín. Each of the abstract works has a boundary, where a softly rendered field of colour ceases to exist and empty whiteness begins. The eye is therefore unerringly drawn to this demarcation, raising questions about what lies beyond, the unseen(...)
Callum Innes: Edges
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A previously unpublished work by Scottish painter Callum Innes, ‘Edges’ is presented as a small book with a text by Colm Tóibín. Each of the abstract works has a boundary, where a softly rendered field of colour ceases to exist and empty whiteness begins. The eye is therefore unerringly drawn to this demarcation, raising questions about what lies beyond, the unseen continuity in either direction. In his short piece, Tóibín writes, “Nothing is stable, no colour under this light is stable; the shadows grow darker and the things on the earth merge with each other, just as what all of us did merges into one action, and all our cries and gestures merge into one cry, one gesture.