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This monographic issue spotlights the rise of Belgian architects Kersten Geers and David Van Severen. Prior to establishing their own practice in 2002, the duo honed their skills in offices in Rotterdam, Ghent, and Brussels. An economy of means is a prominent feature of their work, and they display a strong proclivity for precision. Their interest in materials, as well as(...)
El Croquis 185: OFFICE Kersten Geers David Van Severen
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This monographic issue spotlights the rise of Belgian architects Kersten Geers and David Van Severen. Prior to establishing their own practice in 2002, the duo honed their skills in offices in Rotterdam, Ghent, and Brussels. An economy of means is a prominent feature of their work, and they display a strong proclivity for precision. Their interest in materials, as well as their attitude towards past and present, are likewise ubiquitous qualities that are reflected in their work. Besides an in-depth interview, the issue features several projects, including private homes, an office refurbishment in Kortrijk, Campus RTS in Lausanne, and the Centre for Traditional Music in Bahrain.
Revues
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The latest issue is now available at the bookstore.
A+U 591 Office Kersten Geers David van Severen
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The latest issue is now available at the bookstore.
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livres
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Japanese version
Besides, history (Japanese edition) Go Hasegawa, Kersten Geers, David Van Severen.
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Japanese version
livres
juillet 2018
Publications du CCA
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Dans ce troisième numéro de la revue critique Dixit, les voix de l'agence d'architecture OFFICE Kersten Geers David Van Severen et de Richard Venlet, artiste bruxellois, se confrontent autour du thème « Nature Morte ». L'achèvement du crématorium d'Ostende, une collaboration entre l'artiste Richard Venlet et OFFICE Kersten Geers David Van Severen, leur a donné(...)
Dixit 03 : Still Life / Nature Morte
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Dans ce troisième numéro de la revue critique Dixit, les voix de l'agence d'architecture OFFICE Kersten Geers David Van Severen et de Richard Venlet, artiste bruxellois, se confrontent autour du thème « Nature Morte ». L'achèvement du crématorium d'Ostende, une collaboration entre l'artiste Richard Venlet et OFFICE Kersten Geers David Van Severen, leur a donné l'occasion de revenir sur plus de quinze ans de collaboration. Ce travail commun est basé sur un intérêt partagé pour les figures abstraites et la manière dont elles peuplent et créent des espaces.
Revues
Defining criteria
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Together, images and conversations portray the underlying motivation, orientation and stances of some of the most prominent young architects, photographers, artists and filmmakers whose body of work gravitates around the world of architecture. Interviews with: Kersten Geers (Office KGDVS, architect), François Charbonnet (Made In, architect), Ila Bêka & Louise Lemoine(...)
Defining criteria
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Together, images and conversations portray the underlying motivation, orientation and stances of some of the most prominent young architects, photographers, artists and filmmakers whose body of work gravitates around the world of architecture. Interviews with: Kersten Geers (Office KGDVS, architect), François Charbonnet (Made In, architect), Ila Bêka & Louise Lemoine (filmmakers), Junya Ishigami (architect), Pier Vittorio Aureli and Martino Tattara (DOGMA, architects), Philipp Schaerer (visual artist), Go Hasegawa (architect), Bas Princen (photographer), Yuri Ancarani (visual artist) and Anne Holtrop (architect).
Théorie de l’architecture
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This monographic issue examines recent work by Belgian architects Kersten Geers and David Van Severen and their Brussels-based firm, OFFICE, which was established in 2002 as a means of exploring the prospect of architecture within the contemporary culture and urban environment. Currently a team of about 40 architects, it has evolved a practical and pragmatic approach to(...)
El Croquis 226 : OFFICE 2017-2024
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This monographic issue examines recent work by Belgian architects Kersten Geers and David Van Severen and their Brussels-based firm, OFFICE, which was established in 2002 as a means of exploring the prospect of architecture within the contemporary culture and urban environment. Currently a team of about 40 architects, it has evolved a practical and pragmatic approach to design in which architecture becomes nothing less than a civic obligation. An overview of 25 projects, including a crematorium, dental clinic, and art gallery, is introduced by a conversation with Giovanna Borasi, director of the Canadian Centre for Architecture in Montreal, and the two founding architects.
Revues
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Japanese architect Go Hasegawa engages some of today’s most relevant European architects in a series of conversations that touch upon the current and topical issues at play in architecture on the continent and globally. From asking Peter Märkli about the sense of history in his works, or illuminating the methods of economy used by Lacaton & Vassal, to discussing(...)
Go Hasegawa : conversations with European architects
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Japanese architect Go Hasegawa engages some of today’s most relevant European architects in a series of conversations that touch upon the current and topical issues at play in architecture on the continent and globally. From asking Peter Märkli about the sense of history in his works, or illuminating the methods of economy used by Lacaton & Vassal, to discussing multiplicity in architecture with Álvaro Siza, the book brims with insightful questions and answers from the field’s leading practitioners. Featuring interviews with Álvaro Siza, Valerio Olgiati, Peter Märkli, Anne Lacaton and Jean-Philippe Vassal, Pascal Flammer, and Kersten Geers and David Van Severen.
Architecture, monographies
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The Fabricated Landscape (June 26, 2021–January 17, 2022, Heinz Architectural Center, Carnegie Museum of Art) presents projects from ten contemporary international architectural practices that are exceptionally responsive to the communities, localities, and cultures in which they are situated. This exhibition catalogue, organized by scale, and presented in three parts,(...)
The fabricated landscape: Domestic, civic, territorial
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The Fabricated Landscape (June 26, 2021–January 17, 2022, Heinz Architectural Center, Carnegie Museum of Art) presents projects from ten contemporary international architectural practices that are exceptionally responsive to the communities, localities, and cultures in which they are situated. This exhibition catalogue, organized by scale, and presented in three parts, features extensive documentation of projects by Anna Heringer, Anne Holtrop, Assemble, Frida Escobedo, Go Hasegawa, LCLA office, MAIO, OFFICE Kersten Geers David Van Severen, SO-IL, and UMWELT alongside texts from curator Raymund Ryan, Emilio Ambasz, Emanuele Coccia, Jing Liu, and more.
Paysages urbains
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Architecture contemporaine
Open architecture
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La collection « Open-A » a pour ambition majeure d’explorer le potentiel de réinterprétation lié à l’histoire et à la théorie en architecture. En d’autres termes, « Open-A » vise à parcourir les récits des époques antérieures, de construire de nouvelles associations, de faire émerger de nouveaux concepts, par le biais d’une relecture du passé en vue d’une description de(...)
Open architecture
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La collection « Open-A » a pour ambition majeure d’explorer le potentiel de réinterprétation lié à l’histoire et à la théorie en architecture. En d’autres termes, « Open-A » vise à parcourir les récits des époques antérieures, de construire de nouvelles associations, de faire émerger de nouveaux concepts, par le biais d’une relecture du passé en vue d’une description de l’état présent de l’architecture. Le premier tome de la collection, dirigé par Xavier Van Rooyen et intitulé « Open Architecture », débute par la traduction d’une interview de Go Hasegawa, Kersten Geers et David Van Severen. Il est en outre né à partir d’un cycle de conférences (2017 – 2019) qui a regroupé des interventions de Jacques Lucan, Dominique Rouillard, Roberto Gargiani, Catherine Blain, Dirk van den Heuvel et Véronique Patteeuw. Ces conférences s’étaient ancrées dans la période des années 1960 marquée par la transition du modernisme au postmodernisme, une époque optimiste, politiquement engagée, florissante en imaginaires et en récits visuels, radicale dans sa pensée et dans la révolution qu’elle prônait.
Théorie de l’architecture